"Of course, sexuality has never only been about reproduction, obviously, with human beings, anyway. But at the moment it's almost cut free to kind of float wherever it will float. And sexuality has been mixed with many things that I think the ancients would have been surprised to find it mixed with."
Arts & Culture
Tuesday, December 6
Sunday, December 4
Enlightened is probably the sharpest satire of modern white-collar work since the original British version of The Office, and its skewering of this world intertwines with its portrait of individual personalities so deftly that you can’t separate them. Creator Mike White captures the unsettling blandness of office protocol, politics and jargon, from the chill that workers feel when Human Resources calls them out of the blue to the impressive-sounding word salad labels that the company gives to its departments and projects. (The experimental department to which the newly demoted Amy is assigned is called “Cogentiva.”)
Paul Simon’s Graceland at 25.
The Paul Simon who, on a bus en route to New York City told his sleeping girlfriend that he was empty and aching and he didn’t know why, that Simon belongs to our parents. My generation may love him but he’s not ours. The Simon who is soft in the middle (or at least feels an affinity for men who happen to be), however, the one who reminds young women of money, who has been divorced and has a kid to prove it, and who has the means to catch a cab uptown and take it all the way downtown talking dispassionately while doing so about the comings and goings of breakdowns, that Simon belongs to us as much as he does to our folks because he is our folks.
Saturday, December 3
Creating an identity that’s no longer tied to the past.
Monsters occasionally assume a completely unexpected appearance. All of a sudden, Adolf Hitler is standing onstage wearing an Adidas tracksuit and flip-flops, and his name isn't Hitler; it's Oliver Polak. And the monster isn't really Adolf Hitler, either; it's the audience's laughter. It starts with a sputter, like something trying to break free from its restraints. But then it bursts out as if suddenly liberated.
Sunday, November 27
Why Whitney is Lucy, only less lovable:
This may sound like blasphemy to anyone who loves Lucille Ball, the woman who pioneered the classic joke rhythms that Whitney Cummings so klutzily mimics. Cummings has none of Ball’s shining charisma or her buzz of anarchy. Yet she does share Lucy’s rictus grin, her toddler-like foot-stamping tantrums, and especially her Hobbesian view of heterosexual relationships as a combat zone of pranks, bets, and manipulation from below. “This is war,” Whitney announces, before declaring yet another crazy scheme to undercut her boyfriend, and it might as well be the series’ catchphrase.
Afternoons with Altman and Allen.
For a year or two during the mid-1970s, living in New York, I was a moviegoer. I was in my early 20s then, working off and on, driving a cab, setting up the stage at rock shows, writing occasional pieces for The Village Voice. But there were also long empty spells. I tried to write some fiction and couldn’t, tried to read and could—but only for so long. I ended up going to the movies.
Friday, November 25
A profile of the late actor-turned NRA president:
A figure emerges from the wings, more than six feet tall but appearing shorter, his torso inclined forward. Speedo propylene beach slippers make the journey to the podium with hesitant steps. Hip-replacement surgery and old age have dampened the fabled dynamism: no more battles with broadswords; no more chariot races for him. But above the uncertain legs, the chest is still massive, the cheekbones still chiseled, the broken nose as resolute as the NRA eagle on all those baseball caps bobbing above the crowd. As Charlton Heston approaches the microphone, his lungs swell, the vocal cords making their splendid, vibrant music out of ordinary air. "I'm inclined to quit while I'm ahead," he jokes. "But I won't. No!"
Wednesday, November 23
A profile of Jim Henson before the release of the first Muppet movie.
Tuesday, November 22
The demise of America’s favorite mega-bookstore and the factors beyond the e-book boom that fueled the book retail meltdown.