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Sunday, November 27

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Alone at the Movies

Afternoons with Altman and Allen.

For a year or two during the mid-1970s, living in New York, I was a moviegoer. I was in my early 20s then, working off and on, driving a cab, setting up the stage at rock shows, writing occasional pieces for The Village Voice. But there were also long empty spells. I tried to write some fiction and couldn’t, tried to read and could—but only for so long. I ended up going to the movies.

Friday, November 25

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The Gloucester Fish War

Law enforcement vs. local fishermen in Massachusetts.

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Charlton Heston's Last Stand

A profile of the late actor-turned NRA president:

A figure emerges from the wings, more than six feet tall but appearing shorter, his torso inclined forward. Speedo propylene beach slippers make the journey to the podium with hesitant steps. Hip-replacement surgery and old age have dampened the fabled dynamism: no more battles with broadswords; no more chariot races for him. But above the uncertain legs, the chest is still massive, the cheekbones still chiseled, the broken nose as resolute as the NRA eagle on all those baseball caps bobbing above the crowd. As Charlton Heston approaches the microphone, his lungs swell, the vocal cords making their splendid, vibrant music out of ordinary air. "I'm inclined to quit while I'm ahead," he jokes. "But I won't. No!"

Wednesday, November 23

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The Muppets in Movieland

A profile of Jim Henson before the release of the first Muppet movie.

Tuesday, November 22

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The End of Borders and the Future of Books

The demise of America’s favorite mega-bookstore and the factors beyond the e-book boom that fueled the book retail meltdown.

Monday, November 21

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Sunday, November 20

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A One-Man Market

A look at Andy Warhol’s enduring popularity and power in the art market.

Warhol’s art was not supposed to be a matter of emotion, introspection or spiritual quest; it was to be an image, pure and simple. “During the 1960s,” he wrote knowingly in 1975, “I think, people forgot what emotions were supposed to be. And I don’t think they’ve ever remembered.”

Saturday, November 19

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LACMA Goes Hollywood with Elvis Mitchell

How the popular and controversial film critic has helped revive the film program at the L.A. County Museum of Art.

Journalists, filmmakers, random people on the street — it seems everyone has an Elvis Mitchell story. Both those who consider themselves Friends of Elvis and those whose relationships with him are sour or worse are happy to dish about him — albeit almost always off the record. Some are afraid of losing current or future jobs in the ever-more-tenuous world of film journalism. Others simply enjoy his admittedly fine company too much to risk losing it.

Friday, November 18

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The Godfather Wars

The battle to make The Godfather pitted director Francis Ford Coppola against producers including Robert Evans, and the production itself against the real life mob.

Thursday, November 17

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The End of Cheap Coffee

The case for why a cup of joe is about to become a luxury item.

Wednesday, November 16

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Don DeLillo: The Art of Fiction No. 135

We have a rich literature. But sometimes it’s a literature too ready to be neutralized, to be incorporated into the ambient noise. This is why we need the writer in opposition, the novelist who writes against power, who writes against the corporation or the state or the whole apparatus of assimilation. We’re all one beat away from becoming elevator music.

Tuesday, November 15