Thursday, October 27

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I Want My MTV

An excerpt from a new oral history of MTV.

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I Want My MTV

An excerpt from a new oral history of MTV.

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Meet Your Neighbor, Thomas Pynchon

Thomas Pynchon walks down a New York City street in the middle of the morning. He has a light gait. He floats along. He looks canny and whimsical, like he'd be fun to talk to; but, of course, he's not talking. It's a drizzling day, and the writer doesn't have an umbrella. He's carrying his own shopping bag, a canvas tote like one of those giveaways from public radio. He makes a quick stop in a health-food store, buys some health foods. He leaves the store, but just outside, as if something had just occurred to him, he turns around slowly and walks to the window. Then, he peers in, frankly observing the person who may be observing him. It's raining harder now. He hurries home. For the past half-dozen years, Thomas Pynchon, the most famous literary recluse of our time, has been living openly in a city of 8 million people and going unnoticed, like the rest of us.
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Let It Bleed

Pete Dexter, profiled.

"I'm sick and tired of the story," says Dexter, though he knows it is a signature moment of his trajectory from newsman to writing some of the most original and important novels in American literature, including the National Book Award–winning Paris Trout (1988), a riveting tale of an unrepentant racist who brutally murders a 14-year-old black girl in a small Georgia town in the late 1940s. Settling deep into a dark-green leather chair near a patio window that offers a commanding view of ferries chugging across the cold blue waters, Dexter begins: "It was not a good column. I was trying to write something I didn't feel." Dexter is referring to the column that almost got him killed.

Wednesday, October 26

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Bitter Spoils

A profile of the art world’s most notorious dealer dynasty.

Tuesday, October 25

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Facebook, Spotify and the Future of Music

An orgy of free song-sharing seems to be exactly the kind of thing that the horrified labels would quickly clamp down on. But they appear to be starting to accept that their fortunes rest with the geeks. Or at least they’re trying to talk a good game. “I’m not part of the past—I’m part of the future,” says Lucian Grainge, chair and CEO of the world’s biggest label, Universal Music Group. “There’s a new philosophy, a new way of thinking.”

Monday, October 24

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Woody Allen: The Art of Humor No. 1

A Q&A:

My mother was called to school frequently because I was yelling out things in class, quips in class, and because I would hand in compositions that they thought were in poor taste, or too sexual. Many, many times she was called to school.

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Navahoax

How Timothy Patrick Barrus, a white writer of gay erotica, reinvented himself a (wildly successful) Native American memoirist.

Saturday, October 22

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Heart of Dark Chocolate

You know this one: German guy heads into tribal jungle deep upriver, sends the company crazy reports full of radical ideas—and then goes totally rogue. Only this time it's not ivory he's after. It's a secret lost for centuries: the finest cacao on earth.
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Salman Rushdie is not afraid

An interview with the author.

"We live in a frightened time and people self-censor all the time and are afraid of going into some subjects because they are worried about violent reactions. That is one of the great damaging aspects of what has happened in the last 20 years. Someone asked me if I was afraid to write my memoirs. I told him: 'We have to stop drawing up accounts of fear! We live in a society in which people are allowed to tell their story, and that is what I do.' I am a writer. I write books."

Friday, October 21

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Group Portrait With Television

The story of the Delmar family, told through what they watch on TV.