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Thursday, September 4

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Some Girl

A woman travels in a band on the way to their next show.

"With raised eyebrows, Jay crouched down, turned his hand up, and motioned wide. From the flat top, we could see oil rigs in the distance. A pair of buzzards looped in a slow figure eight. I wondered what kind of body lay out there on that red expanse, just out of my eye line, drying out under the sun into those bleached desert bones people put on fireplaces. They disgusted me, sure, but something about them called for touch, to feel those natural cracks in skulls, how similar we are to porcelain on the inside. Once we lose our connective tissue, we can show softer to those that put their hands on us."

Wednesday, September 3

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Near Earth Objects

A low level NASA employee struggles with the choice to reveal a massive conspiracy.

"It has to be true. He has to be right. He knows how it’s going to go down; he can see it all spread out before him. The files will come as a shock to the Department Head, who will panic. The bosses will tell him: If you’re loyal, you’ll take this to the grave, Milton. You’ll keep your silence and be a hero. Milton will say, no, it’s bigger than that. It’s bigger than all of us."

Tuesday, September 2

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The Names [Excerpt]

Scenes from a scary faith healing session.

"The one to be delivered shook at the apostle’s touch, recoiled from his voice. His boots stamped the floor, wrung more sweat free from his jumping body. It was darkest bluest winter and the one was dressed for the weather, had kept his coat on the whole dance. The look in his eyes, the exhaustion, the fear, his and not his. He named some of his demons at sentence length, readying his voice for story, but the apostle stopped him."

Monday, September 1

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Slow Wave

A tale of small town love and loss; a summer tale for the last official weekend of summer.

"Do you love her? Those things are kind of hard to know. For me, anyway. My mom died when I was four and my dad never met anyone else, at least, not anyone that made him want to try again. I never got to watch him love, and so it feels like that part of me is broken. I know how to ride a bike, how to fry an egg sunnyside-up, how to thread a worm on a hook, but I don’t know when someone says I love you if they mean it or if they just want me to lie back in the grass and hike up my skirt."

Friday, August 29

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Spew

A Profile Auditor goes sniffing after anomalies in the consumption habits and personal data of an unsuspecting hotel clerk.

"Through the Demosphere we fly, we men of the Database Maintenance Division, and although the Demosphere belongs to General Communications Inc., it is the schmos of the world who make it - every time a schmo surfs to a different channel, the Demosphere notes that he is bored with program A and more interested, at the moment, in program B. When a schmo's paycheck is delivered over the I-way, the number on the bottom line is plotted in his Profile, and if that schmo got it by telecommuting we know about that too - the length of his coffee breaks and the size of his bladder are an open book to us. When a schmo buys something on the I-way it goes into his Profile, and if it happens to be something that he recently saw advertised there, we call that interesting, and when he uses the I-way to phone his friends and family, we Profile Auditors can navigate his social web out to a gazillion fractal iterations, the friends of his friends of his friends of his friends, what they buy and what they watch and if there's a correlation."

Thursday, August 28

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Hide and Seek

A young man's struggle with his mother and his physical traits.

"When it was my turn to hide, I dreaded the moment of being found. What I hated more was the thought of all my mother’s attention focused on me. My father was out the door, smoke between her fingers. I didn’t know him, my mother having removed any evidence of his existence, but I knew that I resembled him. Darkness was the only place that gave way to my imagination. I pictured his face, laughing at our state of incompleteness. Crouched in a laundry hamper and waiting for the game to end, I’d grow fearful, then angry. My mother was husbandless, and I was squatting in a basket. She was too pretty to work. There was nothing she could do, but there was nothing I could do. I thought about really being lost."

Wednesday, August 27

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Champ de Mars

A woman's attempt to maintain stability with a troubled daughter and an architect husband succumbing to Alzheimer's.

"Even a year ago, he had still been the old Dory, the real Dory, forgetful, but not so much that it turned his insides out: he couldn’t remember the name of Ellen’s place of work, the institute that she’d founded decades before—The Children’s Place? The Children’s Center? It’s the Learning Center? Are you sure? Then he couldn’t remember how to adjust his drafting table, then he didn’t know where his fine-tip pens were."

Tuesday, August 26

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Far from Home

A story of assessments as the end of the world nears.

"I'm afraid to look at first, but then I get my bearings and turn in the direction where the river should be. On the other side is home and if I'm right, the towers. There's no bright, white plume of smoke on the horizon to help me, now. The towers will be quiet. Shut down and dead."

Monday, August 25

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Wait Anywhere

A tale of two sisters with bodies that produce feathers.

"Up ahead a diesel semi had stopped, idling, its emergency lights flashing red in the mist, and on the wet tar and on Gale. I looked at her chest. The feathers were still growing, like a cancer. They would be as long as she was, longer. They would strangle, drown her. She ran to the cab of the truck, the door swung open far above. I couldn’t see the driver’s face."

Friday, August 22

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One Saturday Morning

A day in the life of a child in 1960s England.

"Carrie’s father was studying, in the evenings and on weekends, for a degree in politics, but on the day of a party he had to leave his books and submit to the different laws of the female domain, obeying the instructions that his wife rapped out, vacuuming and tidying, setting up the drinks tray. She followed impatiently after him, because he had no feeling for arranging the cushions or the flowers; he thought these things were not worth having a feeling for. The children exchanged sly looks and jokes with their father behind their mother’s back, conspiring against her remorselessness. But as soon as the guests arrived she relaxed into smiles, as if that other, sterner self had never existed."

Thursday, August 21

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Jill

Girlhood in the 1970s. An excerpt from Steinke's forthcoming novel, Sister Golden Hair.

"I crossed my arms in front of my chest and angled my head. From practising, I knew the pose I wanted to present when I stepped on the bus. My chin had to have a delicate look and my lips had to be relaxed and slightly parted. I wanted to look mysterious like a Victorian heroine, with pale cheeks and sunken, glittering eyes. In Philadelphia I’d blown the first day of sixth grade by acting friendly and wearing a shirt I’d tried to sew myself out of calico fabric. I swore I would never let that happen again. I had a new persona I’d been planning to introduce the first day of school: a girl wise beyond her years who was not at all nerdy or spastic or prone to crying jags."

Wednesday, August 20

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What Have You Lost? [Excerpt]

An excerpt from Luna's as-of-now unpublished novel: a look at discontentment in Portland.

"I wasn't sleeping well, is the thing. I would go to bed at midnight where Tom was nearly always already asleep, and I'd lie awake until one or so when I'd finally fall asleep, only to wake up at 5 a.m.—always five am, like a bell clanging—seized with some unnamed panic. Panic gripping my throat, tightening my chest. Like waking up mid-heart attack morning after morning. I would get up, pull on my clothes, get out. Our apartment got so small and close like that, the walls closing in on me and I would need to get out. Just to breathe, to settle myself down some. Miles I would walk, winding my way past rain-faded hulking warehouses and auto shops and lumber yards and then I'd push past them, just me and the trucks and the highway sounds and the river."