Friday, October 11

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Monochrome

Two artistic teenagers create art and mysteries in a cabin.

"When the sky was blue Andi hooked sheets over the windows. She cooked meat until it was black. While Shot slept she powdered his cheeks with fireplace ash. When they walked about the cabin they looked like subjects in pencil sketch flipbooks, skin brushed gray over a monochrome background. Sometimes Shot would track in mud or some paint would flake, and Andi would be there with a can to police the evidence."

Thursday, October 10

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Gravel

Two sisters struggle to adjust to changing family circumstances.

"When we got outside, the first thing we did was loosen and let trail the scarves our mother had wrapped around our necks. (The fact was, though we may not have put the two things together, the deeper she got into her pregnancy the more she slipped back into behaving like an ordinary mother, at least when it was a matter of scarves we didn’t need or regular meals. There was not so much championing of wild ways as there had been in the fall.) Caro asked me what I wanted to do, and I said I didn’t know. This was a formality on her part but the honest truth on mine. We let the dog lead us, anyway, and Blitzee’s idea was to go and look at the gravel pit. The wind was whipping the water up into little waves, and very soon we got cold, so we wound our scarves back around our necks."

Wednesday, October 9

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Pafko At the Wall [Excerpt]

The beginning of Don DeLillo's Underworld, in memory of Andy Pafko.

"Pafko is out of paper range by now, jogging toward the clubhouse. But the paper keeps falling. If the early paper waves were slightly hostile and mocking, and the middle waves a form of fan commonality, then this last demonstration has a softness, a selfness. It is coming down from all points, laundry tickets, envelopes swiped from the office, there are crushed cigarette packs and sticky wrap from ice-cream sandwiches, pages from memo pads and pocket calendars, they are throwing faded dollar bills, snapshots torn to pieces, ruffled paper swaddles for cupcakes, they are tearing up letters they've been carrying around for years pressed into their wallets, the residue of love affairs and college friendships, it is happy garbage now, the fans' intimate wish to be connected to the event, unendably, in the form of pocket litter, personal waste, a thing that carries a shadow of identity -- rolls of toilet tissue unbolting lyrically in streamers."

Tuesday, October 8

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In Evil Hour [Excerpt]

Gossip embroils a set of small-town characters: a mayor, a priest, a doctor, and two widows. An excerpt from García Márquez's 1979 novel.

"Together they went to a vacant lot behind the movie theater, where they’d begun to raise the tent. Taciturn-looking men and women were taking cloths and bright colors out of the enormous trucks plated with fancy tinwork. As he followed the impresario through the crush of human beings and odds and ends, shaking everybody’s hand, the mayor felt as if he were in the midst of a shipwreck."

Monday, October 7

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Intramuros

Childhood memories of occupied Manila, 1944.

"My new school was a brick building on a once-busy street of banks and offices about a mile outside Intramuros. Like everything else, the school was overseen by the Japanese. We wore uniforms: khaki shorts, white shirts, white sneakers. Each morning we lined up in the schoolyard, a small fenced-in square of concrete, and while exercise instructions blared from speakers propped in an open window above us, we followed: first bowing to the east, toward the Land of the Rising Sun, next stretching, then running and jumping in place. "

Friday, October 4

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Bad Jews

An uncle sets out to find his wayward niece.

"I pick Jerry’s and I’m right. A couple of old people are hanging out outside the pizza place and next to them groups of highschool kids. I see Sara. She’s sitting on a mailbox, leaning over a guy, her back to me. The sharp outline of her spine showing through her tank top and she doesn’t look like she’s been eating. She’s a good looking girl though, I can tell. An old Ozzy Ozbourne song plays from the open door of a Lexus next to them."

Thursday, October 3

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Mold Wall

A dead son's markings appear in household mold, thus beginning a new form of Butler's surreal, creepy family dramas.

"I’d always felt my boy would live forever. He seemed strung with a different make of vein. I’d once watched him bang his head hard on a lathe out in my workshop in the midst of chasing moths, and instead of crying, whining for mother, his body shook with hiccupping elation, a brook of blood tracing his cheek down to his diapers. Only months alive he’d had large canines. When I’d let him, in his mother’s absence, he liked pounding nails with the tiny hammer I’d provided. I’d caught him more than once chewing on hunks of dirt or even glass, which he’d swallow grinning as I tried to make him spit. How he could stare straight into a blowtorch, beg for me to lay the hot blue light in his hands and sit like that for as long as I could stand to hold it with him. Three years old and already beyond anything I had imagined in a son."

Tuesday, October 1

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Lucky and Wild

After a breakup, a man begins to transform his apartment into a retro arcade.

"I ask him what he plans to do with the games. Is he going to start an arcade? Is he going to fix them and sell them? Matt shrugs and tells me it’s just a hobby now. It’s good that you’ve distracted yourself from Sarah, I tell him, and he says yeah, he’s enjoying his abdication—abdication, as if he’s resigning from the presidency or something. He says it makes him feel like a kid again and I nod. Video games will do that. Nostalgia. But Matt shakes his head, like I’m not understanding him."

Monday, September 30

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Close Your Eyes and Think of England

A day in the life of a twelve year-old girl: feminine sacrifice and reversed parenting/gender roles.

"When she's not ricocheting between coasts to spearhead corporate sales and yoga retreats, our mother is skipping off to islands (Cuba, the Canaries, Greenland) and leaving me typed notes that become more and more blunt and encoded. She doesn't spend much time with our father--none of the mothers do--and they have all become so hard and muscular and breastless that you wouldn't want a hug from them even if you were feeling bad."

Saturday, September 28

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We Like You So Much and Want to Know You Better

A woman starts a new job with a massive, all-knowing social media company; an excerpt from Eggers' The Circle, coming in October.

"Mae looked at the time. It was 6 o’clock. She had plenty of hours to improve, there and then, so she embarked on a flurry of activity, sending 4 zings and 32 comments and 88 smiles. In an hour, her PartiRank rose to 7,288. Breaking 7,000 was more difficult, but by 8, after joining and posting in 11 discussion groups, sending another 12 zings, one of them rated in the top 5,000 globally for that hour, and signing up for 67 more feeds, she’d done it. She was at 6,872, and she turned to her InnerCircle social feed. She was a few hundred posts behind, and she made her way through, replying to 70 or so messages, RSVPing to 11 events on campus, signing nine petitions and providing comments and constructive criticism on four products currently in beta."

Friday, September 27

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Ember Days

An atomic scientist and a victim of the bomb journey towards a blast site, in pursuit of buried cash.

"These ridges would lead to the test site, to the money. Blake tugged a pear-shaped canteen from his pack and drank. At first his tongue rejected the slight taste of salt and he spat. His bottom settled into the dirt as he looked at Ortiz, who watched him back."

Wednesday, September 25

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Haunting Olivia

In this 2005 story from MacArthur winner Karen Russell, two brothers search for the ghost of their drowned sister.

"Olivia disappeared on a new-moon night. It was exactly two years, or twenty-four new moons, ago. Wallow says that means that tonight is Olivia’s unbirthday, the anniversary of her death. It’s weird: our grief is cyclical, synched with the lunar cycles. It accordions out as the moon slivers away. On new-moon nights, it rises with the tide."