Red Clay

A woman travels to Mexico at the request of her married lover/boss.

"The driver has a picture of his family on the dashboard, like the one Gustavo has on his desk at work of his two little runts, his wife, all in cowboy hats or sombreros. Meera doesn’t know the difference. In the picture, his wife comes across as a woman who likes to be in charge: big boobs, square shoulders, a sturdy ass and yet apparently confident in tight jeans. Meera doesn’t know her name, doesn’t want to know it. But in her head, when she thinks of her, her name is Gustava."