On a pair of Israeli psychologists who between 1971 and 1984 “published a series of quirky papers exploring the ways human judgment may be distorted when we are making decisions in conditions of uncertainty.”
Tuesday, November 8
Billy Joe Frazier was born on Jan. 12, 1944, in Laurel Bay, S.C., the youngest of 12 children. His father, Rubin, and his mother, Dolly, worked in the fields, and the youngster known as Billy Boy dropped out of school at 13. He dreamed of becoming a boxing champion, throwing his first punches at burlap sacks he stuffed with moss and leaves, pretending to be Joe Louis or Ezzard Charles or Archie Moore.
Monday, November 7
Whoever wants to enchant America’s conservative base as well as independents looking for a steady hand amid economic upheaval must try to grasp what has carried Cain this far — what not only shields him from spectacular attempts at self-immolation but also, with each incident, seems to make him stronger. Why, with this candidate, do the laws of physics seem not to apply?
Irving Kahn is about to celebrate his 106th birthday. He still goes to work every day. Scientists are studying him and several hundred other Ashkenazim to find out what keeps them going. And going. And going.
Sunday, November 6
On the TechCrunch founder’s venture capital fund, and a new breed of startup investor.
As Twitter-loving VC investors have become brand names themselves (Fred Wilson, Marc Andreessen, Chris Sacca), what one might call the auteur theory of venture capitalism has emerged—the idea that startup companies bear the unique creative signature of those who invested in them. To study a venture capitalist’s portfolio is to study his oeuvre.
Saturday, November 5
On champ-turned-coach Alberto Salazar and the New York City Marathon.
The father of the first kid featured on a milk carton thinks he knows who kidnapped the him 30 years ago:
For years now, Stan has had a face to concentrate on; twice a year, in fact, on Etan’s birthday and on the anniversary of his disappearance, Stan sends one of the old lost child posters to a man who’s already in prison. He won’t be there much longer, however, unless the successor to Manhattan district attorney Robert Morgenthau can keep him in jail. In the meantime, Stan’s packages serve notice that someone is still paying close attention. On the back of the poster, he always writes the same thing: “What did you do to my little boy?”
Considering the screen saver.
Even when napping, the computer seems beset by iterative nightmares of a deadline. The pipes come to represent, rather than imaginarily suspend, the clogging of the task queue when one is away. When the screen has become as dense as Celtic knot-work, the entire image cracks and dissipates, as if burned out from its involute frenzy—before beginning again in the dark.
Friday, November 4
A few years ago, before anyone knew his name, before rap artists from all over the country started hitting him up for music, the rap producer Lex Luger, born Lexus Lewis, now age 20, sat down in his dad’s kitchen in Suffolk, Va., opened a sound-mixing program called Fruity Loops on his laptop and created a new track... Months later, Luger — who says he was “broke as a joke” by that point, about to become a father for the second time and seriously considering taking a job stocking boxes in a warehouse — heard that same beat on the radio, transformed into a Waka song called “Hard in da Paint.” Before long, he couldn’t get away from it.