On Mitt Romney and company.
Wednesday, January 18
The story of Standard Motor Products, a 92-year-old family-run auto parts manufacturer, and the transformation of the U.S. manufacturing industry.
Tuesday, January 17
As the critic Lewis Mumford wrote half a century ago, “The right to have access to every building in the city by private motorcar in an age when everyone possesses such a vehicle is the right to destroy the city.” Yet we continue to produce parking lots, in cities as well as in suburbs, in the same way we consume all those billions of plastic bottles of water and disposable diapers.
In a dark echo of Rear Window, a wheelchair-bound hacker seizes control of hundreds of webcams, most of them aimed at young women’s beds.
Ethnicity and primary education in Bosnia & Herzegovina.Part of Guernica's 'Writer's Bloc' series.
On the attempted hijacking of a FedEx flight by a FedEx employee.
Monday, January 16
A pre-recession essay on becoming extremely wealthy.
Hanging out in New Orleans.
Sunday, January 15
Covering a presidential candidate and the people who cover presidential candidates aboard the press buses Bullshit 1 and Bullshit 2 on the 2000 John McCain campaign trail.
From The Longform Guide to the Campaign Trail on Slate.
After a Chinese immigrant couple were charged in their daughter’s death, supporters say they’re vulnerable targets of the American justice system.
Saturday, January 14
The life and death of Marla Ruzicka, a 28-year-old aid worker in Baghdad.
A critical look at the contemporary art marketplace.
The trouble is that a business model has come to drive the entire art world, and like the corporate executive who regards the launch of each new product as a challenge to the success of the last one, because you must keep growing or you will die, the arts community finds itself in a state of permanent anxiety. There always has to be a new artist whom the media will embrace as enthusiastically as they embraced Warhol; there always has to be a show that will top the excitement generated by the last blockbuster at the Modern or the Met.