The story of Southwest Airlines.
Wednesday, February 29
On prisoners with Alzheimer’s disease and their incarcerated caretakers.
Tuesday, February 28
He was fired from the company he helped create, YouSendIt. Then the cyberattacks started.
"Opium does not deprive you of your senses. It does not make a madman of you. But drink does. See? Who ever heard of a man committing murder when full of hop. Get him full of whiskey and he might kill his father."
A journey into New York’s turn-of-the-century opium dens to find out who gets hooked and why.
Monday, February 27
The strange saga of a 2009 Gary Oldman profile that his manager, Douglas Urbanski, aggressively sought to kill.
"Mr. Heath's motives are dishonest in the least...supposed 'journalism' at its very lowest...while Mr. Heath may find his sloppy reporting cute, in fact it is destructive, and he knows it...his out of context and uninformed pot shots...out of context swipes at me...stretching the most basic rules of journalism...in certain ways has aspects of a thinly disguised hit piece... a hole filled swiss cheese of wrong facts, misleading insinuations, and in general lazy, substandard, agendized non-reporting...again and again Mr. Heath attempts to turn the piece into a political piece...GQ has allowed Heath to go for the cheap shot..."
REXML could not parse this XML/HTML: <blockquote>Jorge and Carmen Barahona are awaiting trial. Both are charged with murder. The Department of Children & Families, which received numerous calls about Nubia to its child abuse hot line but did not protect her, has been flagellated for failure to do its job. That is the story of Nubia Barahona’s death. This — from voluminous court records, audio recordings, hundreds of family photos released by prosecutors, interviews and DCF documents — is the story of her life.</blockquote>
Reporting undercover from inside the online-shipping industry.
Sunday, February 26
Gentrification and its discontents in Paris, throughout the centuries.
A pilgrimage to J.D. Salinger’s New Hampshire home:
The silence surrounding this place is not just any silence. It is the work of a lifetime. It is the work of renunciation and determination and expensive litigation. It is a silence of self-exile, cunning, and contemplation. In its own powerful, invisible way, the silence is in itself an eloquent work of art. It is the Great Wall of Silence J.D. Salinger has built around himself.
On the difficult challenges faced by an auteur in Nigeria’s burgeoning Nollywood film economy.