Wednesday, January 11

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What the Bagel Man Saw

Lessons learned about white-collar crime from an economist turned bagel salesman whose business relied entirely on the honor system.

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The Strange Case of the Dentist and the Pimps

How a family man dentist got involved in an underage prostitution ring.

Tuesday, January 10

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Did This Man Really Cut Michael Jordan?

On Clifton “Pop” Herring, the then-26-year-old high school basketball coach who famously left Jordan off the varsity squad as a sophomore.

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The Whole True Story of the Dougherty Gang

Inside carpenter brothers Ryan and Dylan, and their stripper sister Lee-Grace Dougherty’s eight-day, fifteen-state, AK-47-wielding crime spree.

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The Autumn of Joan Didion

Didion’s genius is that she understands what it is to be a girl on the cusp of womanhood, in that fragile, fleeting, emotional time that she explored in a way no one else ever has. Didion is, depending on the reader’s point of view, either an extraordinarily introspective or an extraordinarily narcissistic writer. As such, she is very much like her readers themselves.
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The Daughter of the Disappeared

The man 27-year-old Victoria Donda believed to be her father shot himself after  being revealed as a former member of an Argentinean death squad. Immediately after, a human rights group came to her with information on her birth parents: murdered political prisoners.

Monday, January 9

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The Ballad of Johnny France

A Montana sheriff and a manhunt in the mountains.

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How to Get a Nuclear Bomb

Looking for holes in the world’s nuclear security.

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The Mystery Woman Behind the Murdoch Mess

A profile of Rebekah Brooks, who started as a secretary at News of the World and became CEO of News International by 41, developing an incredibly close relationship with Rupert Murdoch along the way.

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Streaming Dreams

On YouTube’s shift towards professionally created content.

Sunday, January 8

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The Writearound: Louis C.K.

A conversation with the comedian.
JW: You’ve talked about how you’ve had to explain moral lessons to your daughters, but do it in an inarticulate, catchy way. It’s almost as though you’re writing material for them. What’s the place of morality and ethics in your comedy? I think those are questions people live with all the time, and I think there’s a lazy not answering of them now, everyone sheepishly goes, “Oh, I’m just not doing it, I’m not doing the right thing.” There are people that really live by doing the right thing, but I don’t know what that is, I’m really curious about that. I’m really curious about what people think they’re doing when they’re doing something evil, casually.