On the morality of procreation and the origins of birth control.
Monday, April 2
Sunday, April 1
Rolling Stone Mar 2012
Delivered at the Austin Convention Center on March 15, 2012.
In the beginning, every musician has their genesis moment. For you, it might have been the Sex Pistols, or Madonna, or Public Enemy. It's whatever initially inspires you to action. Mine was 1956, Elvis on the Ed Sullivan Show. It was the evening I realized a white man could make magic, that you did not have to be constrained by your upbringing, by the way you looked, or by the social context that oppressed you. You could call upon your own powers of imagination, and you could create a transformative self.
Saturday, March 31
Washington City Paper Jan 1998
An artifact from the height of the uproar:
Behind the tawdriest of headlines, there's a woman I wouldn't mind bringing home to mom.
Guernica Mar 2012
How reality TV has changed tattooing.
Tattoos and tattoo artists have an undeniable power to attract, repulse, and intimidate. But when confronted with all this life and color, reality TV steamrolls it into the familiar “drama” of preening divas and wounded pride. “Everybody thinks they’re gonna change it,” said Anna Paige, an artist who said she’d turned down her chance at TV stardom. “Everybody thinks they’re gonna have some power.” But wait, isn’t she profiting from tattooing’s mass appeal? “I would have made money anyway.”
Friday, March 30
One man’s dream to turn America into a post-prohibition wine utopia.
D Magazine Apr 2012
Watkins: And then, all of a sudden, you notice that it appears that he is falling asleep and gasping for air—like he is snoring, basically. You could classify it as snoring or as gasping for air. You see his chest moving, and then I guess very quickly—maybe two minutes in—his chest stops moving. And we stand there, I guess, for another 10 minutes, and everybody is just kind of standing there. D Magazine: In total silence? Watkins: No one’s talking. No one’s saying anything. And then you notice that the condemned, he starts to turn this bluish color. So I guess that’s when all his functions have stopped. And then a doctor walks in and takes his vital signs and announces that the person is—he looks at the clock and announces, “The person died at 6:22.” And then they open the door and we all walk out.
The Baffler Mar 2012
On competing in the High School Fed Challenge Championship as "Ed Gramlich":
A team of five students prepares and presents a 15-minute analysis of the US economy, recommends a course of action with respect to interest rates, and then withstands a 10-minute question-and-answer period from a panel of Federal Reserve economists. To prepare for the competition, students look at the same economic indicators and the same forces influencing the economy that our nation's economic leaders examine. And to lend extra verisimilitude to the whole proceeding, competitors are also advised, as we were, to act out the parts of real members of the Federal Open Market Committee.
Thursday, March 29
The Paris Review Apr 1977
This interview with Kurt Vonnegut was originally a composite of four interviews done with the author over the past decade. The composite has gone through an extensive working over by the subject himself, who looks upon his own spoken words on the page with considerable misgivings . . . indeed, what follows can be considered an interview conducted with himself, by himself.
The Atlantic Mar 2012
I've grown, over the last few months, the beginnings of concerned; he's started to suffer bouts of malaise. Nothing too regular, or too terrible: mild stomach aches, sore joints, general lethargy. In anyone else, it could be anything, etc. In Chad, I grow attuned to the slightest variation in temperature, to the distracted look behind his eyes when food isn't sitting with him.