“What it means — for the reporting we do, for the brands we represent, and for our own mental health — that we don’t stop being black people when we’re working as black reporters. That we quite literally have skin in the game.”
Revisiting the 6200 block of Osage Avenue.
“The supernatural stuff doesn’t get to me anymore. But here’s the movie that scared me the most in the last 12 or 13 years: The movie opens with a woman in late middle-age, sitting at a table and writing a story. And the story goes something like, then the branches creaked in the - and she stops, and she says to her husband: What are those things? I can’t think of them. They’re in the backyard, and they’re very tall, and birds land on the branches. And he says, why, Iris, those are trees. And she says, yes, how silly of me. And she writes the word, and the movie starts. That’s Iris Murdoch, and she’s suffering the onset of Alzheimer’s disease.”
Why our old narratives about race and culture “just don’t fit anymore.”
A dreamlike look at a person's lavish celebration with various figures from her life.
"They are all waiting by a picnic table in a park this person has driven past many times before. There they are, it's everyone. There are balloons taped to the benches, and the girl this person used to stand next to at the bus stop is waving a streamer. Everyone is smiling. For a moment this person is almost creeped out by the scene, but it would be so like this person to become depressed on the happiest day ever, and so this person bucks up and joins the crowd."
The story of one man’s descent into lies and illegal activity – and why it could so easily happen to any of us.
GROSS: Let me stop there. You're talking about cutting yourself ... HAMMOND: Yeah. GROSS: ..with a razor. HAMMOND: Mm-hmm. GROSS: So I interrupted you. You're saying it does what? HAMMOND: Well, it creates a smaller, more manageable crisis than the one that has you gripping the carpet.
How a musical subculture evolved alongside a technological subculture:
Rave's rise mirrors the Web's in many ways. Both mixed rhetorical utopianism with insider snobbery. Both were future-forward "free spaces" with special appeal to geeks and wonks.