“We take the bus when we can’t afford to do anything but disappear.”
David Hosack attends to a mortally wounded Alexander Hamilton.
"Hosack felt a hitching panic build, his instincts wound too tightly, overtaxed, a clockwork spring about to snap. Only Hamilton could do this to him. The frame prone before him was frail, narrow, woman-small. His coat, waistcoat, shirt, underclothes sopping him up, holding him together. Delicate embroidery sodden, delicate fingers cold with the loss of blood. Hosack had seen this man’s blood before, and the blood and vomit and delirious fever-dreams of his wife, his children. But this was—Hosack sickened, the scene before him tilting. Three years before—Hamilton’s son, Phillip, bleeding out after his own duel on the same Weehawken site. Their faces so alike, their mangled bodies. Their right sides."
A mysterious figure appears to early settlers in Wisconsin.
"t would make sense to Tellie later, after she'd hear it at the mill, after she'd race back the four miles in her bare feet to the home of the family where she'd just that morning left her babies, that it had happened to Adele Brise in the woods. The Lady, the Queen of Heaven, showing herself."
Diary entries concerning innocent Americans abroad.
"Our conversation continues! He is come to tell me I may lunch with him, the progress of my new composition permitting—but immediately he sees I have not moved, not even to dress myself, or put pen to paper. You have a look of puzzlement on your face, little Lotte! he says, and again, I fear he is about to laugh. Indeed, sir, I do! I said. Because I am puzzled! Greatly puzzled! Look! he cried. She gesticulates! You are perhaps at heart una italiana!"
This year's National Book Award winner looks at the life of a preacher's son in the Kansas Territory.
"Now, it's true there was a movement in town to hang my Pa, on account of his getting filled with the Holy Ghost and throwing hisself at the flood of westward pioneers who stopped to lay in supplies at Dutch Henry'sspeculators, trappers, children, merchants, Mormons, even white women. Them poor settlers had enough to worry 'bout what with rattlers popping up from the floorboards and breechloaders that fired for nothing and building chimneys the wrong way that choked 'em to death, without having to fret 'bout a Negro flinging hisself at them in the name of our Great Redeemer Who Wore the Crown. In fact, by the time I was ten years old in 1856, there was open talk in town of blowing Pa's brains out."
The opening of Jonathan Franzen's Freedom; the complexities and relationships of a wholly American couple.
"For all queries, Patty Berglund was a resource, a sunny carrier of sociocultural pollen, an affable bee. She was one of the few stay-at-home moms in Ramsey Hill and was famously averse to speaking well of herself or ill of anybody else. She said that she expected to be 'beheaded' someday by one of the windows whose sash chains she’d replaced. Her children were 'probably' dying of trichinosis from pork she’d undercooked. She wondered if her 'addiction' to paint-stripper fumes might be related to her “never” reading books anymore. She confided that she’d been 'forbidden' to fertilize Walter’s flowers after what had happened 'last time.'"
Greek heroes and gods roam suburban America.
The goddess hiked her gowns and climbed as softly as she could the creaky wooden steps into his house. She had snuck into a home a million times, and the hardest part was carrying the shield through the door with it hitting anything, or not knocking overcoat trees or a vase. Or keeping on her helmet without its tall purple that got nudged off in low doorways. All of this and more had happened many times, and it was never not embarrassing; there were instances when people thought that she was not a god, but just an oddly-dressed intruder. She’d stopped wearing metal combat boots a hundred years ago and now she wore her flip-flops, though she made sure her father saw her in the boots when she was leaving Mount Olympus.
A writer and a spacefarer discuss time travel, the symmetry of the universe, and the conquest of America.
"Don't forget what I was in the middle of. I had to recount my adventures again, silently invoking Marco Polo, Edgar Rice Burroughs, Italo Calvino, and the annals of geography. It turned out very well: they were all hanging on what I said, they were scared when they were supposed to be scared and they laughed when they were supposed to laugh."
A set of instructions about how to handle culture clashes in modern dating.
"You’ll exchange names. His will be something like John or Jack or Jim — something with a J, something typical and boring. If he’s smart, he’ll make a joke about this. Not like your name. So beautiful. He’ll ask for its meaning. Give it to him. Land of the Canyons. Bringer of Hope. Gazelle Returning From Water. Your people have such a way with words. It’ll excite him. He’ll tell you (you were right!) he’s a writer. You’ll be impressed. He’ll say you’re prettier than anything he’d write. When he goes outside for a smoke, go with him."
A collection of hilarious shorts imagining American celebrations in other lands.
"In Nigeria they send emails telling you that if you help them move millions of dollars to the US you can keep a hefty percentage of that and they would be extremely thankful."
A Bosnian immigrant in Chicago undertakes some ramshackle detective work.
"Office 909 had a sign that read GREAT LAKES EYE and a black-and-white eye with long, upward-curling eyelashes. Pronek hesitated for a moment before knocking at the door--his fingers levitated, angled, in front of the eye. Pronek knocked using three of his knuckles, the glass shook perilously, then he opened the door and entered an empty waiting room. There was another door, closed, and there were magazines strewn on the few chairs, even on the musty floor, as if someone had searched through them all. The waiting room was lit by a thin-necked lamp in the corner, leaning slightly as if about to snap. A picture of an elaborate ocean sunset--somebody lit a match under the water--hung on the opposite wall. 'Acapulco,' it said in the lower right corner, 'where you want to dream.' Pronek stood in front of the picture, imagining Acapulco and all the pretty, tawny people there. It would be a good place to disappear for a while."