When animals infect us.
A profile of celebrity cat Lil BUB and the man who was contemplating bankruptcy before he found her.
Siblings tend to lions at a Tanzanian animal clinic.
"Eleven years her senior, Derek left America when she was fourteen to study and work in New Zealand, Greenland, and Chad, combing lakes for pale bacterial blooms. Over a decade Diana had collected his letters, filled with descriptions of the origins of rivers, dead fish in the Niantic, elephant calves strung up in abattoirs. And when she finished her sophomore year, he founded the Keren Reserve, a lion research conservatory that commanded a half-million acres at the edge of the Sahel. He had filmed four documentaries for television. Now, he researched emerging atavistic traits in the prides: infighting, cubs abandoned by their mothers."
A young woman struggles in the wake of her mother's disappearance in this Hugo-nominated work.
"After Mom left, I waited for my dad to get home from work. He didn't say anything when I told him about the coat. He stood in the light of the clock on the stove and rubbed his fingers together softly, almost like he was snapping but with no sound. Then he sat down at the kitchen table and lit a cigarette. I'd never seen him smoke in the house before. Mom's gonna lose it, I thought, and then I realized that no, my mom wasn't going to lose anything. We were the losers."
A woman--rather, a whale trapped in a woman's body--gets a performance job at Ocean World.
"I arrive at Ocean World before dawn. My plan is to swim with Keiko an hour before everyone is scheduled to arrive, which I’m not supposed to do, but sometimes you just have to ignore the protocols—when you’re a whale among whales, human rules don’t apply."
Two stories about a woman turned goat's attempts to communicate with others.
"She’s a few feet up and can’t see much further than she could from the ground. The goats aren’t anywhere in sight. She tries to wait, but it’s so warm and she’s so tired from her sandwich-making attempt. A few blinks, a nod, a couple upward jerks of the head and she’s asleep. The next morning she crawls down, eats breakfast, does her goat-business and crawls back up. Late afternoon the goats amble toward her. They don’t look at her. They stand around like they always do, not talking, but looking at one another and then the ground."
Iraq, ten years later: Sectarian assassins, posing as bodyguards, are baffled by an egg-laying rabbit. Translated by Jonathan Wright.
"The rabbit had been with us for a month and I had already spent two months with Salsal in this fancy villa in the north of the Green Zone. The villa was detached, surrounded by a high wall and with a gate fitted with a sophisticated electronic security system. We didn’t know when zero hour would come. Salsal was a professional, whereas they called me duckling because this was my first operation."
The evolution and deterioration of a marriage, told through interactions on/around a piece of furniture.
"Often, at the breakfast table, he reads a magazine from one of his many subscriptions. After a long article, he’ll lean across the table and open the window. Whenever this happens, it’s best if the blinds are unbound, so that the wind, clueless of human grief as it is, may work its way through their lofty protection. And often, when this happens, he’ll look out the window and think of himself as another person. Often, he’ll be walking beneath an umbrella in a foreign country, down some unrecognizable street, one which he can’t identify; or he’s standing on the stern of a fishing boat, one just recently bound by a rope, dark and wet from the sea, to an ancient dock in the Mediterranean, his body slowly rocking, coursing, in a semi-circle of moonlight, calming him to the point that he even forgets what he’s forgotten, and it’s all real, and actually moving, alive within the maternal ebb of the ocean; or he’s in another home, a shack in a forest, and never knew his own life: his job or wardrobe or wife, as he lies back in a cold, twin-sized bed, which keeps only himself, and the darkness, and the quiet; or he’s just a ghost, dancing in the hallways of his home as his wife stumbles through, drunk and mourning, with his absence everywhere, and then counting the strands of her hair as she does her single load of laundry for the week, consisting of only her nightgown, the jogging pants and old t-shirt of his that she relaxes in while spending her evenings at home, her seven pairs of flesh-toned underwear, and work uniform, for the job she had to find after his passing in order to both support and occupy herself—all the while at the breakfast table."
A Southern defense attorney's complicated family Christmas, told through the point of view of his child.
"Every Christmas Daddy throws a 'Taking the Christ Out of Christmas' party and invites everybody. Everybody loves my Daddy except for a small percentage that want to take their revenge, so it's lots of people, old clients, other criminal defense attorneys, Rey Mason from the feed store, everybody. No Jesus cause it makes Daddy angry and both his hands already broke."
An attempt to clean out a vacant room instigates an existential crisis, in this new translation of the opening of Lispector's 1964 novel.
"And though I’d gone into the room, I seemed to have gone into nothing. Even once inside it, I was still somehow outside. As if the room weren’t deep enough to hold me and I had to leave pieces of myself in the hallway, in the worst rejection to which I’d ever fallen victim: I didn’t fit."
An animal's corpse disrupts a humdrum workday in this early story from Eleanor Catton, the winner of this year's Man Booker Prize.
"Sharon was upstairs cleaning out the tearoom when the van arrived. I ran out into the carpark to greet them properly, before anyone else got the chance. The delegate was a youngish girl with short hair and leather cuffs around her wrists. 'Let's see this headless dog, then," she said, and she rubbed her palms together and clapped them twice.'"
A father and son clash over a murdered dog.
"Bear. Who hopped up and wagged his tail at my dad. He thought they were going on a trip. Probably thought they were going hunting up to the last minute. Until my father laid the muzzle of his gun against Bear’s own muzzle, soft. I can imagine Bear sniffing at the gun in curiosity, looking up to my dad, who had fed him and watered him, and for my dad Bear had braved wild pigs, skunks and angry raccoons. I can see him sitting, wagging his tail expectantly, waiting for the command to search, to run."
A poisoned witch sets forth a lavish plan for revenge and renewal.
"The inside of the catsuit is soft and a little sticky against Small’s skin. When he puts the hood over his head, the world disappears. He can see only the vivid corners of it through the eyeholes—grass, gold, the cat who sits cross-legged, stitching up her sack of skins—and air seeps in, down at the loosely sewn seam, where the skin droops and sags over his chest and around the gaping buttons. Small holds his tails in his clumsy fingerless paw, like a handful of eels, and swings them back and forth to hear them ring. The sound of the bells and the sooty, cooked smell of the air, the warm stickiness of the suit, the feel of his new fur against the ground: he falls asleep and dreams that hundreds of ants come and lift him and gently carry him off to bed."
A child's uneasy participation in a hunting party; an excerpt from Jackson's forthcoming novel Mira Corpora.
"A bearded man orders the children to circle up and divide into groups. A brother and sister pull my ears and claim me. They say that I’m their lucky charm. The siblings are pale with spindly legs, denim shorts, floppy hiking boots. We set off into the heart of the woods. The boy’s crew cut ends in a braided rat’s tail. He flicks it back and forth across his shoulders. They both have beady eyes and big noses. There’s something else on their faces, but it’s not clear yet."
A worker in a slaughterhouse observes the ups and downs of generational differences.
"This morning is always pig-killing. This afternoon is always cleaning. Tomorrow is sheep-killing. It is the same each week. Tuesday, pigs. Wednesday, lambs. Just after we had opened the gates this morning a young farmer came. He is one of those who are the amateur farmers. I like them. They are unlike any farmers I know at home. They wear farming, as if it were a jacket. It never truly fits their shoulders. They farm not because they have to but because they think it is good for them, or for their children, or for society. They believe in the soil and in hard work and they add farming to their office jobs. In this factory, we can recognize them from afar. They drive their jeeps like they would drive a car, and they are always a little frightened of their animals. When they leave off their animals for slaughter they stare at the killing equipment.
A giant talking frog enlists the help of a timid Japanese man in saving Toyko from a massive earthquake.
"I'm an absolutely ordinary guy. Less than ordinary. I'm going bald, I'm getting a potbelly, I turned 40 last month. My feet are flat. The doctor told me recently that I have diabetic tendencies. It's been three months or more since I last slept with a woman—and I had to pay for it. I do get some recognition within the division for my ability to collect on loans, but no real respect. I don't have a single person who likes me, either at work or in my private life. I don't know how to talk to people, and I'm bad with strangers, so I never make friends. I have no athletic ability, I'm tone-deaf, short, phimotic, nearsighted—and astigmatic. I live a horrible life. All I do is eat, s1eep and shit. I don't know why I'm even living. Why should a person like me have to be the one to save Tokyo?"
An aging wrestler reflects as he prepares to wrestle an old nemesis: a black bear.
"Emperor Jones Number Two vs. Dave 'Warthog' Ferrari in 'The War 2 Settle The Score' was the main event of that evening's Wrestling Road Show. It was the only match on the card that featured any animals. Times were changing, Friar had told me. The draw at the gate had been better than Friar expected; he'd sold more than a hundred tickets in advance and there were now twice that many people crammed into the small gymnasium. When commissioning the gym, the Legionnaires decided to have a stage built at one end, for medal ceremonies or other such honors. That was where Friar had his ring set up. Normally you work in the round, but this set up had it's advantages for a promotion like Friar's. It was easy to bring animals in and out and people wouldn't get too nervous seeing how they had to be wrangled from their cages when it was done behind a curtain."
A girl, her pet salamander, and some family strangeness.
"Ambistoma’s gills stick out of his head instead of being tucked to his flanks. The gills are like Mamá’s hair when she wakes up. Her hair is so curly, orange, crazy. In the mornings when she pulls away from Papá’s arms, she walks towards the bathroom as if she were electrified. Her hair is knotted in tiny corkscrews, tangled here and there like coral branches. It jumps all over like thoughts of fire."
An eldery Nigerian woman tends to her deteriorating body and a family crisis.
"Her last child was thirty-seven years old. He had lived with her until nine years ago, when he traveled to China—via Libya, then Qatar, then Malaysia—in search of a better life. He was married now, to a Filipino woman he had met in a textile plant in Zhengzhou, and they had two children, a four-year-old girl whom they had named Corazón after his wife’s mother, and a one-year-old boy who was called Ramón after his wife’s father. He had sent his mother their photographs with the last parcel of canned pork and imitation-leather handbags that arrived from him with climatic regularity. The letter that accompanied the parcel informed her he was doing well, that he no longer worked in factories but now tutored Chinese professionals in the English language, and that he might come to visit next year with his family. In her reply she had urged him to come quickly because the eye trouble had recurred, and she wanted to see her grandchildren before she went blind."
A woman enters a casual relationship with a butcher.
"He was lazy about it. He told me he couldn’t that night but could he give me a call? It was two weeks and one — almost two — skipped Five Dollar Fridays later that he called and demanded why I had not come in yet. I arrived at a quarter to nine. He grinned and dug his knife into pork liver. Then a plucked duck. I ate the spinach rolls he set out for me and watched him slice away. Finally I told him I was starving and he looked up from his bloodied counter and grinned some more. He put his meat in the giant freezer behind him, hung his apron and walked out to me. It was the first time, I realized, that I’d seen his legs. I could tell they were brawny behind his jeans. In fact he looked like a hockey player and I wished he did that instead of dismembering dead animals all day."
What starts as a mouse infestation turns into a complex study of a marriage and a husband's place in the world.
"But in the evening I did the bills at the dining table and one ran across my foot. I could see it through the glass top, looking exactly like the one I’d released. I realized I’d sort of imagined only one, maybe two. Mice are so identical, appearing on one and then another side of the room as if by magic, moving through walls. All that damage. Now they could be filling the walls and if I slit one with a machete they’d spill out like organs, or like corn from a sack. This could make the species more impressive, or less."
A niece's tense, monotonous visits with her bedridden aunt; an unexpected, grisly turn of events.
"Uncongenial was the word for that atmosphere; but not painful, not ugly. Then, quite soon, with the utmost perverseness, it turned very ugly indeed. Sophie faithlessly developed a horrifying and terminal, but not very promptly terminal, illness. And after a series of live-in nurses (friendly, but beset by all the normal misadventures of daily life) had held the fort spasmodically, Sophie had ended at Holly Hill, and Edie in the first major possession of her life: a midget and not particularly nice apartment, but sunny, quiet, except for music and casual voices, and never, never, never a source of shock."
A debt-ridden young woman lives as a mysterious servant to a pair of artists.
"Charles looked me up and down and said I was worth every penny. That first night, we did not lie down together. He taught me how to play sixes and sevens. I did not tell him I already knew how to play because I could see that teaching me would make him happy. In service, I have learned it is good to make sure those you serve stay happy."
Actions, thoughts, and observations of animals in a great garden; a microcosm of humanity.
"Everywhere in the garden, there is a similar confusion and frustration. The monkey sits on the ground with its hands hanging loosely around the base of a tree. It wants to whip a stick at the back of the horse’s legs. Its body seems so perfectly tuned to skitter up the tree, and it wants only for something to chase it there. The pig roots aimlessly at nothing; the frog despises the fly; the fly falls in love with the donkey and the giraffe stands awkwardly in a clearing, as if awaiting instructions."
A drifter shares a bond with a friend's mistreated dogs.
"It’s Thursday. Every Thursday he goes to see Mel’s dogs. Mel owns Mel’s Grocery and Mel’s Laundry. Mel lives above the grocery and out back he keeps two Rottweilers, one male and one female, in cages. Mel never bothered to name the dogs, so Mike named the female She. He didn’t name the male. The male is just a big dumb empty head. But She is smart. Mike likes to play with her in the vacant lot behind the old Sears building. Just last week they were playing ball. They huddled up."
A poetic story of a variety of childhood memories, detailing hopes, abuse, and dismantling.
"Our dad left without saying goodbye or taking any of his stuff. We took to poking around in the basement where my mom had thrown all his belongings in a corner. We started smoking his cigars. At first it felt like we were getting back at someone, which felt pretty good, even if we didn’t know who. We’d climb out our window on to the roof of the porch, and even if neighbors were awake, they never looked up to see us. We felt on top of things even though that’s not how we felt at all."
A surreal, minimalist exploration of dating, longing, accidents, and keen observations.
"The next day Brandon woke up to the bright morning sun shining through his bedroom window. He walked to his couch and napped until lunch. After lunch Brandon looked for jobs on the Internet. He read: Financial Analyst, Portfolio Associate, Dental Receptionist, Detention Services Officer, Helicopter Repair. Just like the day before, and the day before that, and the day before that, and the day before that, etc., there were no listings for Ethnomusicologist."
Dead creatures reflect on their current/eternal circumstance.
"Enshrouded and encased, the animal mummies are trying to be patient. They did not expect the afterlife to be lit with flickering, fluorescent bulbs. Darkened sarcophagi, woven boats rowed across the heavenly river, glimmering, gorgeous night—that was what they thought would be in store after they died and priests washed them with palm wine and pulled white linen tight."
Marriages and friendships are upended after a man buys a supposed unicorn.
"When I got there I found Ralph sitting in his chair dressed in his robe, and by the drape of it and by a flap of it that hung open at the top of his thigh, I could tell he wasn't wearing anything underneath. Worried I might have intruded on some private and disturbing moment, I stopped and was about to turn back around but then saw the heavy rise and fall of his chest and realized he had fallen asleep. I was quiet then as I opened the gate and took my seat next to him, gently flipping the robe back in place to cover his nethers. The unicorn hardly noticed me or my quiet administrations. As far as I could tell from watching it, the unicorn hardly noticed anyone. It was generally quite still, or not still, not exactly still. It seemed to have a way of standing still that made it look like it was in constant motion, or as if it existed in another place at the same moment it existed in our place, a shimmering, jittery, vibrating kind of stillness."
A young couple approaches the task of caring for calves.
"Paul followed his dreams by becoming a soldier, and when he came home was sleepless and dreamless, folded himself into the envelope of space Lori had made for him in her bed, and one day decided he was going to buy a calf. He wanted something warm and gentle around. He said he would raise it and slaughter it when it was grown, but Lori did not believe this even at the very beginning."
A museum taxidermist offers fantastic assessments of his work and philosophy.
"Each day masses throng displays I have created, though hardly do they pause to consider dark hours and livid eyes and lemur fingers needed to bring to full completion the task they come to see once I am gone. They will surround a parliment of owls, each feather of them set as if responding to a wind that blows for them, and them alone. They will gape before cave bears whose bones I clothed with pelts I once acquired of Russian merchants and stitched together until made sufficient cape to draw about the great beasts’ napes and narrow shoulder bones."
After a tragic accident involving a rabid dog, grief drives citzens to extreme, illogical measures to prevent further occurrences.
"What I'm saying is, with no dogs and no cats, the chance that another father would have to carry his animal-murdered child into their home, where the child's mother sat, doing the bills, happy or something like happy for the last time in her life, happy until the instant she looked up and saw--what I guess I'm saying is, with no dogs and no cats, the chances of that happening to someone else (or to us again) went down to that very beautiful number of Zero. Which is why we eventually did have to enact our policy of sacrificing all dogs and cats who had been in the vicinity of the Village at the time of the incident."
A father and son work the Chinese cattle markets in this story from the 2012 winner of the Nobel in Literature.
"People trusted him implicitly. If a transaction reached a stalemate, the parties would look at him to acknowledge that they wanted things settled. 'Let's quit arguing and hear what Luo Tong has to say!' 'All right, let's do that. Luo Tong, you be the judge!' With a cocky air, my father would walk around the animal twice, looking at neither the buyer nor the seller, then glance up into the sky and announce the gross weight and the amount of meat on the bone, followed by a price. He'd then wander off to smoke a cigarette."
A hunter is overcome by a vengeful snake and bear.
"When the sun was above the treeline, and the hunter returned to the cabin, they were ready for him. The bear swung the cast iron fireplace poker, knocked him to his knees, then lunged forward and pinned the hunter to the pine floorboards, with the same force she remembered feeling from him, setting her teeth to his jugular. Stunned, incapacitated, the hunter managed only a whimper as the snake joined the attack, bit a hole in him, entered him, slithering in, feeling her way, the same way she remembered him doing."
A whirlwind of city observations; people and spaces explored with precision and skepticism.
"On weekend nights, the building was an inferno of noise. People had parties and people fought and argued into the early hours, glass shattering, timber cracking, objects making dull thuds against the walls and floors. Wild cries of sexual pleasure, not easily distinguished from cries of distress, rang out. The police cars and the fire tenders and the ambulances wailed around the streets. Then towards dawn when everything fell silent for an hour, my thoughts became my own again, able at last to hear the chime of the neighbour’s clock."
The Ivory-Billed Woodpecker was extinct. Then it wasn’t. The story of an uncertain resurrection.
With a mix of danger and empathy, a teenager attempts to save an injured wolf.
"She turned and wheeled away. So quick. He hardly had time to get one heel in front of him in the dirt before she hit the end of the rope. She did a cartwheel and landed on her back and jerked him forward onto his elbows. He scrambled up but she was already off in another direction and when she hit the end of the rope again she almost snatched him off the ground. He turned and dug both heels in and took a turn of the rope around his wrist. She had swung toward the horse now and the horse snorted and set off toward the road at a trot with the reins trailing. She ran at the end of the rope in a circle until she passed the cholla that had first caught the trapchain drag and here the rope brought her around until she stood snubbed and gasping among the thorns."
"The next morning, Tuesday, it was still raining and the cat still wasn’t back when I left for work. I drove to the office under the gloomy, gray skies listening to the rain beating on the windshield and the ripping sound the car tires made on the wet streets, thinking. I have crooked little feelings, I guess, nothing you could write a magazine article about. Not like these people with these giant, rectangular emotions that sound like volumes of an encyclopedia. Guilt, Hysteria, Independence, Joy, Loss, Zed. Rot."
Stalking bluefin tuna, the most valuable wild animal in the world.
The inimitable Blake Butler presents us with a strange gestation and a talking bear.
"God will knit it in my womb like he did you, she murmured. When you wear it you will blind the world. "
An exploration of an old couple with mystical powers.
"He lifted his arms like a high-diver preparing to jump, closed his eyes, and opened his mouth toward the sky. As he did this his body came apart in twelve pieces, each falling and forming into a tiny complete man. The men landed with a soft crunch in the snow, then hopped together and ran remarkably fast: under the deer carcass, past the oak tree, and into the bare forest, smaller and smaller to her eye, until their naked running bodies and small puffs of breath were lost among the trees."
Freedom, the GOP, and a rhesus macaque on the loose.
A futuristic nursery room, controlled by their children's thoughts, wreaks havoc on a husband and wife.
"As for the nursery, thought George Hadley, it won't hurt for the children to be locked out of it awhile. Too much of anything isn't good for anyone. And it was clearly indicated that the children had been spending a little too much time on Africa. That sun. He could feel it on his neck, still, like a hot paw. And the lions. And the smell of blood. Remarkable how the nursery caught the telepathic emanations of the children's minds and created life to fill their every desire. The children thought lions, and there were lions. The children thought zebras, and there were zebras. Sunsun. Giraffesgiraffes. Death and death."
In this fable, a selfish royal firework is unable to see the fault of his ways.
"'How very silly of him not to stay here!' said the Rocket.'I am sure that he has not often got such a chance of improving his mind. However, I don’t care a bit. Genius like mine is sure to be appreciated some day'; and he sank down a little deeper into the mud."
A murderer fights off vengeance seekers, including God.
"I sundered Him, and He rejoined Himself. I interrupted Him, and He resumed Himself. I adjourned Him, and He reconvened Himself. I perforated Him, and He performed holy acts of closure. I peeled Him, but He only laughed—the old fox!—and could not be tricked into repealing Himself in order to end up sitting among the superannuated gods."
Experimental surrealism; a mix of memories and strange evocations.
"A railcar arrives in the middle of desolation. A girl enters and sees a mangy rat pacing the floor inside. He approaches her and asks her for the latest news. 'There is no one left,' she sobs. After many days, she makes a nest for herself in the railcar. She adopts the mangy rat and begins to groom him with her fingers."
In this curious world, a young couple find their lives filled with strange cats and a consuming video game.
"They did not stroll alone. When they left the apartment they’d see the marmalade perched beside a newspaper stand across the street or slinking in through the complex door as they walked out. Along with the cosmopolitan pigeons and robins, and the urban rats and mad squirrels, cats were stationed at odd intervals on their meandering route. One night an olive green and basalt cat sat perched on its haunches in the ruby umbrella of light cast by a low street lamp on Carmine St. Laura and Eric would swear that the same cat had sat as still as stone on the corner of Commerce St. and Cherry Lane the evening before. In a shadowed alcove on Bedford St. a giant tabby guarded a litter of three sable kittens, its marble eyes mirroring the random lights of the city night."
A snapshot of a woman in the midst of depression.
"She shuffle-dashes back into the house, thinking she could use a nap, thinking that one of these days she’s going to get her act together and drag her ass out of this drain she’s circling, maybe get on some anti-depressants—something—but that means going to a doctor, which means finding a doctor, way too much wrapped around all that. Besides, she’s not sure she’s depressed, it's not like she sits around weeping; self-pity is the least of it. No, it’s more a complete failure to act."
After their father leaves, two siblings set up a humane pest control business.
"Neither of us signed on for anything, I want to point out. That's the way it is with families. You're born into someone else's mess, their tics and crannies, their cancers, their travel lusts. We didn't stand a chance, I want to tell him. Instead, I try to comfort the voles by sticking my hand into their cages, letting them run across it, roll in my open palm, nibble at my fingertips. I don't even flinch when nibbles turn to bites. It's their nature, I tell myself. It is who they are."
A widow balances a new hobby and her interactions with her grown children.
"She signed up for an introductory course at the Museum of Natural History, sending her check in the mail with a slip of paper wrapped around it. It was the sort of thing that her children made fun of her for, but Marjorie had her ways. The class met twice a week at seven in the morning, always gathering on the Naturalist’s Bridge just past the entrance to the park at 77th Street. Marjorie liked that, the consistency. Even on days when she was late—all year, it had only happened twice, and she’d been mortified both times—Marjorie knew just where to find the group, as they always wound around the park on the same path, moving at a snail’s pace, a birder’s pace, their eyes up in the trees and their hands loosely holding onto the binoculars around their necks."
A father and son attend a Mexican bullfight, experiencing a clash of time and cultures.
"My son cheers loudly now. His eyes are bright and he sports shiny cowboy boots. I try to smile and clasp my cool fingers together. The woman sitting behind me leans over to her friend again, 'No more American rodeos. Bullfights are much nicer. Quieter. The bull is an elegant animal. And lastly,' she says, 'We are Spanish.'"
On spending six months on the southern coast of Argentina with the “Jane Goodall of penguins” and several hundred of her research subjects.
A poetic support of the downtrodden, and a father's refusal to buy a family dog.
"My dad wouldn't let me have a pal. Who will have to walk that pal, he said. I will. And it's going to be snowing or it's going to be raining and who will be waiting by the vacant lot at the corner in the cold wet wind, waiting for the damn dog to do his business? Not you, Billy boy Christ, you can't even be counted on to bring in the garbage cans or mow the lawn. So no dog."
Contemporary fabulist Kate Bernheimer spins a yarn about a girl, a husband, and a secret zoo.
"Each morning, before the husband comes to breakfast, the girl goes down the basement stairs to feed the pets. At sunrise animals must be fed. She remembers this from school."
A young man analyzes his personal problems while making a cattle delivery.
"I think about driving back through this mess after I drop the cows off, and speed up the drive in my eyes so that it’s like watching a movie in fast forward: me and the truck diving into the green again. I see my daddy in the house waiting for me, sitting at his same seat at the table. I picture this in my head even though I know he probably ain’t even going to be there, that the house will smell like empty: dust and cut grass and Comet and fried grease."
A short appreciation of a weird dog, from notable comic-book author Matt Fraction.
"Often he chases his tail--but do not let Space Dog fool you. He is making himself the physical representation of an Abraxas, an Ourobouros: symbolic of life and all of her vicious cycles, of time and tide, of history itself. It is an interpretive cry of existential angst and ennui from Space Dog."
In the midst of unspoken emotions, a horseback riding trip goes terribly awry.
"And he was right, it did, but I kept on talking and soon I was telling him about the pain in my mouth and the back of my head and what Billy had done that day in the barn, and the ghosts I carry with me. Blood was coming out with the words and pieces of tooth, and I kept talking till I told him everything, but when I looked at his face I knew all I’d done was make the gap wider with the words I’d picked so carefully that he didn’t want to hear."
The gift of a dog causes a woman to reflect on earlier dogs, and earlier relationships.
"'Ruff, ruff,' Rex had said, and she kissed him, then the puppy. That was days before and they were still trying to find a name that seemed to suit, one day calling the pup Beep, since, when he whined, he sounded like a car horn. "
The perceptions of an Italian mule, pressed into military service on the long WWII onslaught on Stalingrad.
"Everything had become habitual and therefore right. Everything had joined together to form a life that was right and natural: hard labour, the asphalt, drinking troughs, the smell of axle grease, the thunder of the stinking, long-barrelled guns, the smell of tobacco and leather from the driver’s fingers, the evening bucket of maize, the bundle of prickly hay."
A flash fiction account of a blind woman's struggles with her guide dog.
"The blind woman wonders if she can return the dog or if it would be like the time she tried to return a sweat-stained dress by claiming it was that way when she bought it. The dog barks again, giving a quick tug at its leash. The woman does not complain at the dog’s bad behavior because she knows she is the one who has caused it. The next time the dog barks the woman decides to bark back."
A supposedly deceased grandmother's unexpected visit is rife with confusion and memories.
"I nodded, and thought about what that might mean. 'But,' I said, 'there was an autopsy.'I didn’t want to offend her, and here she was, but there had been an autopsy."
On Timothy Treadwell, who lived and died by the bears of Alaska.
Former U.S. Presidents are reincarnated as horses.
"Martin Van Buren is barn sour, but even he shouts out impossible promises at the turkeys from the dim interior of his stall: 'You are my constituents, my turkeys,' Van Buren neighs, 'and the love I feel for you is forever.' The turkeys promenade around the yard and ignore him. Rutherford wonders if they, too, have human biographies hidden beneath their black feathers."
A woman makes the choice between deer and cattle.
"I want to explain. I was raised on milk and beef. That’s how I was robbed of my swift, slender legs. That’s how I was given the shape of a woman. "
Animals,physical proximity and emotional distances link a troubled family and an eccentric neighbor.
"I am an expert now on the importance of throwing oneself back into neglected friendships and job. I suppose the advice is universal: teenaged girl, single working woman, middle-aged man living with his wife and the daughter he used to fail to recognize among the crowd of other people’s children pouring out of school when he went to pick her up. Now she drives herself."
A boy ("the kid"), a man, a girl, a dog, a a bag of drugs, and the Buddha.
"The kid didn't laugh, because he never fake-laughed. The girl laughed because she was nervous. There was an uneasy space where the kid was not laughing. "
Poe's "The Raven," reimagined
" That's right, buddy, the crow is talking. Pinch yourself; it isn't a dream. The crow is talking. Feed me meat."
“It was a tiny incident in itself, but it gave me a better glimpse than I had had before of the real nature of imperialism–the real motives for which despotic governments act.” Memories of a British soldier in Burma.
The search for the genetic distinction that allows certain animals, humans included, to be domesticated.
Nobody loved chimpanzees more than St. James Davis and his wife LaDonna; the couple spent more than 30 years—and gained a modicum of fame—raising one as their son. Then they almost died in a brutal chimp attack.
What it takes to recover from a near-death brawl with a bear.
A (graphically) detailed account of a bear’s attack on a father and daughter hiking in Glacier National Park.
In the feral communities of Russia’s Far East, tiger poaching is among the few lucrative pursuits. This is the story of a tiger who fought back.
Why Darwin’s theory of sexual selection is wrong and “gayness is a necessary side effect of getting along.”
On the golden anniversary of her first trip to study chimps, an ode to Jane Goodall.
A writer struggles to understand, among other things, why humans do more for whooping cranes than for themselves.
A writer struggles to defend his arbor vitae trees from a pack of hungry deer—“an episode of great vexation and buffoonery.”
The shooting death of the last wild Passenger Pigeon, atomic energy, mastodon watering holes, and other footnotes in Ohio history.
An obsessive marine biologist gambles his savings, family, and sanity on a quest to be the first to capture a live giant squid.
The complex, highly evolved world of Moscow’s subway-riding stray dogs.
The science of same-sex relationships in the wild.