“It’s the American view that everything has to keep climbing: productivity, profits, even comedy. No time for reflection. No time to contract before another expansion. No time to grow up. No time to fuck up. No time to learn from your mistakes. But that notion goes against nature, which is cyclical.”
Tag: Arts & Culture
On the then-new phenomenon of dead downtowns.
“It is not only for amenity but for economics that choice is so vital. Without a mixture on the streets, our downtowns would be superficially standardized, and functionally standardized as well. New construction is necessary, but it is not an unmixed blessing: its inexorable economy is fatal to hundreds of enterprises able to make out successfully in old buildings. Notice that when a new building goes up, the kind of ground-floor tenants it gets are usually the chain store and the chain restaurant. Lack of variety in age and overhead is an unavoidable defect in large new shopping centers and is one reason why even the most successful cannot incubate the unusual--a point overlooked by planners of downtown shopping-center projects.”
An interview with the novelist.
The immersive mise en scène of a Hollister flagship store, redolent of California beach towns that don’t exist, “lazy, hygienic sexuality,” and weed.
How a burst blood vessel transformed the mind of a deliberate, controlled chiropractor into that of an utterly unfiltered, massively prolific artist.
A 1993 profile of Ricky Jay, one of the world’s great sleight-of-hand conjurers, historian of unusual entertainments and confidence scams, and bibliomaniac; who rarely performs and never for children.
On George Plimpton and the founders of The Paris Review.
Early in the fifties another young generation of American expatriates in Paris became twenty-six years old, but they were not Sad Young Men, nor were they Lost; they were the witty, irreverent sons of a conquering nation.