A sociologist’s controversial first book and the debate over who gets to speak for whom.
“I tell them it’s like driving a car at night: you never see further than your headlights, but you can make the whole trip that way.”
Alex Malarkey co-wrote a bestselling book about a near-death experience. Last week he admitted he made it up. Why wasn’t anyone listening to a quadriplegic boy and a mother who simply wanted to tell the truth?
An inventive spoof on childhood mystery novels.
"Almanac's father fell face forward onto the concrete garage floor, dead, blood pooling beneath him, and ending Almanac's childhood right then and there."
“If you have read 6,000 books in your lifetime, or even 600, it’s probably because at some level you find “reality” a bit of a disappointment.”
After being caught in a downpour, a traveler takes refuge in the home of a twisted old man; Happy Halloween.
"As the man mumbled on in his shocking ecstasy the expression on his hairy, spectacled face became indescribable, but his voice sank rather than mounted. My own sensations can scarcely be recorded. All the terror I had dimly felt before rushed upon me actively and vividly, and I knew that I loathed the ancient and abhorrent creature so near me with an infinite intensity. His madness, or at least his partial perversion, seemed beyond dispute. He was almost whispering now, with a huskiness more terrible than a scream, and I trembled as I listened."
The author ("media inventor" Robin Sloan) describes this as a "short story about recession, attraction, and data visualization."
"That night, at the bookstore, I started working on the new visualization, thinking I could impress Kat with a prototype. I am really into the kind of girl you can impress with a prototype."
On collecting books.
I have lived in books, for books, by and with books; in recent years, I have been fortunate enough to be able to live from books. And it was through books that I first realised there were other worlds beyond my own; first imagined what it might be like to be another person; first encountered that deeply intimate bond made when a writer's voice gets inside a reader's head.