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Don DeLillo

6 articles
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Coming Sun. Mon. Tues.

An accelerated overview of a couple's life together.

"They are in his small room drinking wine. Her eyes are lovely. The boy is talking. He is being bitter about something. Eventually it becomes clear. It’s the world. He is being bitter about the world. He chain-smokes and drinks a lot of wine."

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Pafko At the Wall [Excerpt]

The beginning of Don DeLillo's Underworld, in memory of Andy Pafko.

"Pafko is out of paper range by now, jogging toward the clubhouse. But the paper keeps falling. If the early paper waves were slightly hostile and mocking, and the middle waves a form of fan commonality, then this last demonstration has a softness, a selfness. It is coming down from all points, laundry tickets, envelopes swiped from the office, there are crushed cigarette packs and sticky wrap from ice-cream sandwiches, pages from memo pads and pocket calendars, they are throwing faded dollar bills, snapshots torn to pieces, ruffled paper swaddles for cupcakes, they are tearing up letters they've been carrying around for years pressed into their wallets, the residue of love affairs and college friendships, it is happy garbage now, the fans' intimate wish to be connected to the event, unendably, in the form of pocket litter, personal waste, a thing that carries a shadow of identity -- rolls of toilet tissue unbolting lyrically in streamers."

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Pafko At The Wall [Excerpt]

A fictionalized account of a moment in baseball history from a contemporary master of detailed Americana.

"Russ wants to believe a thing like this keeps us safe in some undetermined way. This is the thing that will pulse in his brain come old age and double vision and dizzy spells -- the surge sensation, the leap of people already standing, that bolt of noise and joy when the ball went in. This is the people's history and it has flesh and breath that quicken to the force of this old safe game of ours. And fans at the Polo Grounds today will be able to tell their grandchildren -- they'll be gassy old men leaning into the next century and trying to convince anyone willing to listen, pressing in with medicine breath, that they were here when it happened."

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Don DeLillo: The Art of Fiction No. 135

We have a rich literature. But sometimes it’s a literature too ready to be neutralized, to be incorporated into the ambient noise. This is why we need the writer in opposition, the novelist who writes against power, who writes against the corporation or the state or the whole apparatus of assimilation. We’re all one beat away from becoming elevator music.
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Still Life

A man, a woman, and a child negotiate their uneasy triangle in the days and weeks following 9/11.

"His briefcase sat beside the table like something yanked out of a landfill. He said there was a shirt coming down out of the sky."

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Between Hell and History

On Don DeLillo’s Underworld.