The lives of elevators.
Chris Earnshaw began taking photographs of Washington, D.C. more than 40 years ago. By the time he paid a visit to a museum to tout his work, he had in his possession—in plastic bags and filing drawers—3,000 Polaroids of a city long gone.
Nobody noticed Connie Converse when she was trying to get a record deal in New York in the 1950s. Nobody stopped her when she left her life in Michigan in 1974, never to be seen again. Today, her music is heard by tens of thousands.
In the middle of a new drought, looking back at a drowned California town.
David Hosack attends to a mortally wounded Alexander Hamilton.
"Hosack felt a hitching panic build, his instincts wound too tightly, overtaxed, a clockwork spring about to snap. Only Hamilton could do this to him. The frame prone before him was frail, narrow, woman-small. His coat, waistcoat, shirt, underclothes sopping him up, holding him together. Delicate embroidery sodden, delicate fingers cold with the loss of blood. Hosack had seen this man’s blood before, and the blood and vomit and delirious fever-dreams of his wife, his children. But this was—Hosack sickened, the scene before him tilting. Three years before—Hamilton’s son, Phillip, bleeding out after his own duel on the same Weehawken site. Their faces so alike, their mangled bodies. Their right sides."
Revisiting California’s grape vines more than 70 years after the publication of The Grapes of Wrath.
A hundred years ago, in the midst of an American food crisis, two spies who had once sworn to kill each other came together with a plan to feed America: hippo meat.
On a book of photographs shot by Leni Riefenstahl in the 1950s and 1960s depicting an African tribe.