On Christmas Day, an elevator operator cons holiday charity out of a variety of tenants.

"On the way home from work a few nights earlier, Charlie had seen a woman and a little girl going down Fifty-ninth Street. The little girl was crying. He guessed she was crying, he knew she was crying, because she'd seen all the things in the toy-store windows and couldn't understand why none of them were for her. Her mother did housework, he guessed, or maybe was a waitress, and he saw them going back to a room like his, with green walls and no heat, on Christmas Eve, to eat a can of soup. And he saw the little girl hang up her ragged stocking and fall asleep, and he saw the mother looking through her purse for something to put into the stocking—This reverie was interrupted by a bell on 11. He went up, and Mr. and Mrs. Fuller were waiting. When they wished him a merry Christmas, he said, 'Well, it isn't much of a holiday for me, Mrs. Fuller. Christmas is a sad season when you’re poor."

On heading home for Thanksgiving:

How I envy people who enjoy the company of their parents without the aid of pharmaceuticals.

A collection of hilarious shorts imagining American celebrations in other lands.

"In Nigeria they send emails telling you that if you help them move millions of dollars to the US you can keep a hefty percentage of that and they would be extremely thankful."

Adolescent desires and yearnings permeate the memories of an all-boys academy.

"At school, we were allowed to wear costumes but were not allowed to bring treats. So we'd made the most of it -- we wore our costumes, we overcrowded the hallways with streams of sleepy ghosts. And often, through the punctured eyeholes of our masks, we tried to imagine how things might be if only we had girls. We envisioned an influx of princesses, maybe a witch or two or three positioned by the lockers. But we were an academy, an all-boys academy, and the possibility of both girls and treats were, in Principal Foster's eyes, completely out of the question."

Paul Auster does his usual blend of fiction and memoir in a recounted Christmas story.

"I spent the next several days in despair, warring with the ghosts of Dickens, O.Henry and other masters of the Yuletide spirit. The very phrase "Christmas story" had unpleasant associations for me, evoking dreadful outpourings of hypocritical mush and treacle. Even at their best, Christmas stories were no more than wish-fulfillment dreams, fairy tales for adults, and I'd be damned if I'd ever allowed myself to write something like that. And yet, how could anyone propose to write an unsentimental Christmas story? It was a contradiction in terms, an impossibility, an out-and-out conundrum. One might just as well imagine a racehorse without legs, or a sparrow without wings."