How the Brooklynization of culture killed regional music scenes.

An interview with Pavement’s Bob Nastanovich on his career afterlife as a “a clocker and chart-caller” and occasional breeder at an Iowa race horse track.

A profile of the Against Me! frontman.

He’s their hero, but he’s also their soulmate, the one person in the world who understands them. That’s why Stephen Wesley and the legions of fans like him can’t get enough of the Mountain Goats. And that burden is crushing Darnielle.

On the passionate relationship between fans and John Danielle of the Mountain Goats.

Stylistically speaking, in terms of clothing, they arrived in shirts and pants and shoes (there’s really no other way to say it). They had haircuts, but it didn’t really look it. While other bands were mumbling or over-enunciating their dreary positions or penny-candy philosophies, Pavement kind of screamed for a generation. But they did it in a way that was so deeply American that it was almost Scandinavian.

Playwright Will Eno profiles the band and their cult as they grow up and prepare for a reunion.

A fifteen year history of the music site Pitchfork detailing its prescient take on the relationship between culture and consumption.

On the increasing tension between the pleasant, thoughtful indie rock of car commercials and those who insist on something weirder.