An excerpt from the winner of the Man Booker Prize.
Tag: novel excerpts
Secrets, dangers, and murder in a German police state.
"Andreas didn’t know what to say. What he wanted was for her to come and live in the basement of the rectory with him. He could protect her, home-school her, practice English with her, train her as a counsellor for at-risk youth, and be her friend, the way King Lear imagined being friends with Cordelia, following the news of the court from a distance, laughing at who was in, who was out. Maybe in time they’d be a couple, the couple in the basement, leading their own private life."
A young boy, a pack of cigarettes, a looming summer.
"But he had found them. They were his, and he was going to smoke one or maybe three or four if that’s what he decided. And plus by himself, as in totally alone. And no one could stop him, no one, for that matter, would even know. He looked around again and saw the same—lazy cars and robins, the willow with its doves, an old man down the street, that was it, and sun and sky and breeze."
A man arrives in the US from Hong Kong in search of his mistress; family and medical complications arise.
"At sixty, Boss Yeung had completed what the ancients deemed a full span of life. Now the cycle would start over, and he’d be born again in time to guide his heir, who would conquer China and then the world. He had outlived his father, his grandfather, possibly every male in the long line of ancestors that had led to him. Against his protests, his eldest daughter, Viann, was planning a lavish celebration in Hong Kong, with longevity peach cakes gilded in twenty-four-carat gold flakes and fireworks over the harbor. He wasn’t eager to publicize his age, to give off the impression that he was close to retiring and no longer possessed the fire that had lit the ambitions of his youth."
On the way to a reading, an academic stumbles into a mysterious infrastructure.
"For some reason he couldn’t put his finger on he was feeling happy. Naturally it had been a relief to come in out of the rain—though this particular brand of happiness seemed unrelated to anything as simple as relief. No, there was something about being in the tunnel that was making him feel very happy, almost ecstatically so. Against the wall just inside the door someone had arranged cleaning implements—several brooms, a bucket with a mop in it, a pile of rags—but other than that the tunnel was empty. The walls at this end had been painted with the green, glossy paint beloved of institutions the world over, the paint having been applied in what seemed like a spirit of gay abandon. The smooth concrete floor was splashed with it, and it depended in hardened drips from a series of thin pipes running lengthwise along the ceiling."
Survivors of a shipwreck have their endurance tested, and their story concludes on Thanksgiving Day; an excerpt from Jo's Boys.
"The other boats were out of danger and all lingered to watch the splendid yet awesome spectacle of the burning ship alone on the wide sea, reddening the night and casting a lurid glare upon the water, where floated the frail boats filled with pale faces, all turned for a last look at the fated Brenda, slowly settling to her watery grave. No one saw the end, however, for the gale soon swept the watchers far away and separated them, some never to meet again till the sea gives up its dead."
Baby Girl and Perry, two small town partners in crime; from Hunter's forthcoming debut novel.
"The Estates was a ritzy-ass neighborhood with a gate at the front and open sidewalks on either side. Perry and Baby Girl had hit the neighborhood before, strolled right in. Those sidewalks were an in- vitation: Come on in, and steal some stuff while you’re at it. Perry had started to think if rich people weren’t afraid of their stuff being taken, they wouldn’t feel so rich."
An anthropologist's log from field work in Papua New Guinea; an excerpt from the Kirkus Review prize winner.
"I am tired tonight. Trying to learn another language—3rd one in 18 months—probing a new set of people who but for the matches & razors would rather be left alone—it has never felt more daunting to me before. What was it B said? Something about how all we’re watching is natives toadying to the white man. Glimpses of how it really was before us are rare, if not impossible. He despairs at the deepest level that this work has no meaning. Does it? Have I been deluding myself? Are these wasted years?"
An excerpt from All the Light We Cannot See, announced as a nominee for the National Book Award.
"Her fingers travel back to the cathedral spire. South to the Gate of Dinan. All evening she has been marching her fingers around the model, waiting for her great-uncle Etienne, who owns this house, who went out the previous night while she slept, and who has not returned. And now it is night again, another revolution of the clock, and the whole block is quiet, and she cannot sleep."
A series of memories and addictions from various years.
"I come here after my shift at the record store and sit around at picnic tables outside, scribbling into notebooks while drinking shitty coffee and waiting for my girlfriend, Velvet, to get off work so we can go get high. The crowd here is varied: AA people alongside art people and punks alongside dirty Deadheads and downtown casualties. There are many open mic poetry events, usually outdoors at dusk. One night I decide to read. I go to the mic and drop weapons. I go to the mic and read about Kuwait City and southern Iraq. I go to the mic and read about prostitutes and hashish and drinking homemade wine made out of grape juice in the middle of the Indian Ocean. I go to the mic and curse over and over again. Nobody claps. Nobody moves. I am not asked to read again."
An excerpt from Goebel's novel: a man's strange world of peyote, addiction, family, and conflicting identities.
"I dropped tobacco from a cig I took apart and kept the loose stuff in my palm, and I circled the tree counter clockwise, like the turn of the earth, and dropped the tobacco staring up in the tree and praying, like an old wide-faced (I)ndian showed me to do in rehab in the snow in Minnesota around a big oak tree, horses in the field of night, snowflakes falling like drunks, like a dream, stars holy above, and as I finished dropping the last speck, finishing a circle around the ponderosa, praying for the old man in the Upper East Side to have, there it was, standing up in a rich grass, by its quill, right out of the ground. Get it? EAGLE FEATHER. This is a wild trip."
An excerpt from Rombes' forthcoming novel: on memories of a destroyed lost film.
"And with her Aimee — that was her name, not Rachel or Raquel — brought several pages of her grandmother’s notes for the film, notes suggesting that it was not nearly complete, and that its ending would involve an apocalypse the likes of which had never been rendered on screen before. Aimee turned out to be a real chatterbox, which surprised me, except when it came to the topic of Maya’s notes for the calamitous ending, which she talked about in hushed tones as if not to arouse the curiosity of some invisible butcher towering just behind her there in the cafeteria, in a sort of transparent region of space that loomed behind her and that I could almost make out. And she wouldn’t allow me to examine her grandmother’s notes in front of her, forbidding me to so much as look at them in her presence."