The truth about a girl's father, shrouded in mystery.
A postapocalyptic world, motherhood, and centaurs.
"The girls were born the day before the world ended. You had eighteen hours of bliss and then the satellites went out, and with them the systems that sent news around the world. An asteroid, you heard people say. Huddled in your darkened hospital bed, your daughter’s mouths so pink and empty. Like birds. One asteroid and then another, and another, and then so many more that no one could keep track. They pounded into the oceans and the hills. The shaking made the earthquakes come, and from them, the volcanoes. The oceans rose. The clouds that came in the wake of the asteroids were thick and hard, studded with cosmic ash."
As a mother and son share cocktails on the porch, past problems are discussed and imagined.
"She was aware of the resonance of her son's voice. She guessed the neighbors were used to it by now, and would assume Bradley was having another mental fit. They didn't know how hard these family deaths had hit her son, and how tough it was to keep him from getting aroused, or agitated, a word his therapist used a lot. She knew too, that her son, like his father, was persistent and could fixate on things."
A single mother and her children attend an Alaskan cruise ship magic show.
"The magician from Luxembourg did his tricks, which seemed more sophisticated than those of his predecessors. Maybe because they involved roses? Before him there had been merely carnations. The roses, this was a step up. Women holding roses appeared in boxes, boxes on wheels, and the man from Luxembourg turned these boxes around and around. Then he opened the boxes, and the women were not there; they were somewhere else. Behind screens! In the audience!"
Kelli Stapleton, whose teenage daughter was autistic and prone to violent rages, had come to fear for her life. So she made a decision that perhaps only she could justify.
A single father's life is complicated by his son's new friend: a severed hand.
"That decided it—we would walk away. Let some other dad deal with the fallout of their kid digging up evidence of, what? A murder, maybe? A ritual dismemberment? The Mob torturing some poor fool before sending him to sleep with the fishes in the East River? My mind reeled at the possibilities. Whatever the case, getting involved was the last thing we needed, especially with me battling Mo for custody. I could see the headline in The Post: LET’S GIVE THE BOY A HAND! Her lawyer would have a field day."
A man, a woman, and a child negotiate their uneasy triangle in the days and weeks following 9/11.
"His briefcase sat beside the table like something yanked out of a landfill. He said there was a shirt coming down out of the sky."
A young woman struggles in the wake of her mother's disappearance in this Hugo-nominated work.
"After Mom left, I waited for my dad to get home from work. He didn't say anything when I told him about the coat. He stood in the light of the clock on the stove and rubbed his fingers together softly, almost like he was snapping but with no sound. Then he sat down at the kitchen table and lit a cigarette. I'd never seen him smoke in the house before. Mom's gonna lose it, I thought, and then I realized that no, my mom wasn't going to lose anything. We were the losers."
In the bayou south of New Orleans, a program called the Nurse-Family Partnership tries to reverse the life chances for babies born into extreme poverty. Sometimes, it actually succeeds.