Ball Don’t Lie

For a rebellious, Korean-American teen like myself who was awkwardly trying to situate himself, without much success, Jackson’s writing, with its rap and jazz references and its relentless, engaging voice, provided a vision of Black agency that felt almost illicit.

The Front Lines of Ferguson

Two days in crisis.

Read more

At that moment, I didn’t feel like a journalist. There was nothing about this event that I felt the need to chronicle. There was no time to find out what the bombs actually were and what was actually coming out of the guns and what type of gas was coming out of the canisters. In this moment, there was nothing I felt the need to broadcast to the world. I didn’t even have the desire to communicate my safety or lack thereof.

I was just a black man in Ferguson.