On the strange ethics of Stieg Larsson’s Millenium trilogy:
What matters instead is the division of the world into good and evil, a division that begins with splitting sex into positive and negative experiences, then ripples out from that in fascinating ways.
A Stockholm prostitute is found hacked apart in a dumpster, her head is never found. Two accomplished doctors, confirmed creeps, are arrested. Uncertainty endures.
After his untimely death at age 50, prior to the publication of any of his novels, Larsson is posthumously at the center of a publishing empire built on the international success of The Girl with the Dragon Tattoo.
