Truman Capote

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A widow meets the acquaintance of a mysterious, frightening young girl.

"Miriam ate ravenously, and when the sandwiches and milk were gone, her fingers made cobweb movements over the plate, gathering crumbs. The cameo gleamed on her blouse, the blond profile like a trick reflection on its wearer. 'That was very nice,' she sighed, 'though now an almond cake or a cherry would be ideal. Sweets are lovely, don’t you think?' Mrs. Miller was perched precariously on the hassock, smoking a cigarette. Her hairnet had slipped lopsided and loose strands straggled down her face. Her eyes were stupidly concentrated on nothing and her cheeks were mottled in red patches, as though a fierce slap had left permanent marks."

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Truman Capote and Marilyn Monroe in conversation.

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A profile of Marlon Brando, 33, holed up in a hotel suite in Kyoto where he was filming Sayonara.

My guide tapped at Brando's door, shrieked "Marron!," and fled away along the corridor, her kimono sleeves fluttering like the wings of a parakeet.

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In January 1966–the same month In Cold Blood was first published–Truman Capote sat down with George Plimpton to discuss the new art form he liked to call “creative journalism.”