Seth Wickersham is a senior writer for ESPN. His latest article is "For Kraft, Brady and Belichick, Is This the Beginning of the End?"

“You want to write about something real. I hate stories that are, the tension of the story is, talk radio perception versus the reality that I see when I’m with somebody. I can’t stand those stories because to me, you’re just writing about the ether versus a real person, and that’s not a real tension to me. The inner tensions are the best tensions. You can’t get to them with everybody, but you try.”

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Nathan Thornburgh is the co-founder and co-publisher of Roads & Kingdoms.

"You have to remain committed to the kind of irrational act of producing journalism for an uncaring world. You have to want to do that so bad, that you will never not be doing that. There’s so many ways to die in this business."

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Kiera Feldman is an investigative reporter. Her latest article is "Trashed: Inside the Deadly World of Private Garbage Collection."

"I used to have a lot of anxiety that I don’t seem like an investigative reporter. Utlimately, my reporting personality is just me. It’s just, I want to be real with people. And the number one rule of reporting is to be a human being to other people. Be decent. Be kind."

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Azmat Khan is an investigative reporter and a contributing writer to The New York Times Magazine.

"For me, what matters most is systematic investigation, and I think that’s different than an investigative story that might explore one case. It’s about stepping back and understanding the big picture and getting to the heart of something. It doesn’t have to be a number’s game, but being able to say: Look, I looked at a wide enough sample of whatever this issue is, and here is what this tells us. That is what I crave and love the most."

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Ben Taub is a staff writer at The New Yorker.

“I don’t think it’s my place to be cynical because I’ve observed some of the horrors of the Syrian War through these various materials, but it’s Syrians that are living them. It’s Syrians that are being largely ignored by the international community and by a lot of political attention on ISIS. And I think that it wouldn’t be my place to be cynical when some of them still aren’t.”

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Maggie Haberman covers the Trump Administration for The New York Times.

“If I start thinking about it, then I’m not going to be able to just keep doing my job. I'm being as honest as I can — I try not to think about it. If you’re flying a plane and you think about the fact that if the plane blows up in midair you’re gonna die, do you feel like you can really focus as well? So, I’m not thinking about [the stakes]. This is just my job. This is what we do. Ask me another question.”

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Tina Brown, the former editor of Vanity Fair and The New Yorker, is the founder of Women in the World. Her latest book is The Vanity Fair Diaries.

“I believed that my bravado had no limit, if you know what I mean. I see limits now, let’s put it that way. I do see limits. But you know, I’m still pretty reckless when I want something. That’s why I don’t tweet much. I’ll say something that will just cause me too much trouble.”

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Mara Shalhoup was until recently the editor-in-chief of LA Weekly. She is the author of BMF: The Rise and Fall of Big Meech and the Black Mafia Family.

“I’m so fearful about what it will look like for cities without an outlet for [alt-weekly] stories. And for young writers, who need and deserve the hands-on editing these kind of editors can give them and help really launch careers … it’s a tragedy for journalism. It’s a tragedy for young people, people of color. It’s a tragedy for the subjects of stories that won’t get written now. That’s just the reality.”

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Zoe Chace is a reporter and producer at This American Life.

“Radio is a movie in your head. It’s a very visual thing. It’s a transporting thing—when it’s done well. And it’s louder than your thoughts. It is both of those things. It would just take me out of the place that I was, where I was lost and couldn’t figure things out. ... They had a very personal way of telling the story to you, so that you kind of felt like you’re there with them. Like it’s less lonely, it’s literally less lonely to have them there. And that felt really good.”

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Jason Leopold is a senior investigative reporter for Buzzfeed and the author of News Junkie.

“I made the worst mistake that cost me my credibility and I could have done two things. I could have walked away, and said I’m done with this, no one wants me anymore. Or I could have—which I did—say, I’m going to learn how to do this differently, and be better. And that’s ultimately is what paved the way to this FOIA work. Because no one trusted me anymore.”

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Kara Swisher is the executive editor and co-founder of Recode.

“I do the work. I just work harder than other people. I really do. I work harder, I interview more people, I call more people, I text more people. And so I find out, and they can not talk to me — fine. I know anyway. I’d like to talk to you, I’d like to give you a chance. I’d like to be fair. I’d like to hear your side of the story. And the most important thing is, I think smart people – and these are very smart people — like smart questions. They don’t like the fawning questions. They don’t like being licked up and down all day. Some of the day they like it. They want someone who knew them before they were billionaires. Because when you’re a billionaire, every day you’re so smart. Everyone wants something from you.”

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Tyler Cowen is an economist, the co-founder of Marginal Revolution, and the host of Conversations with Tyler. His latest book is The Complacent Class: The Self-Defeating Quest for the American Dream.

“I think of my central contribution, or what I’m trying to have it be, is teaching people to think of counter arguments. I’m trying to teach a method: always push things one step further. What if, under what conditions, what would make this wrong? If I write something and people respond to it that way, then I feel very happy and successful. If people just agree with me, I’m a little disappointed.”

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Jodi Kantor is a New York Times investigative reporter and the author of The Obamas. On October 5th, she (with Megan Twohey) published an article detailing decades of sexual harassment payoffs by Harvey Weinstein, and she has covered the story extensively since.

“Being a reporter really robs you of self-consciousness and shyness. You realize that it’s this great gift of being able to ask crazy questions, either really personal or very probing or especially with a powerful — to walk up to Harvey Weinstein, essentially and say, ‘What have you been doing to women all these years, and for how long? All of these other people may be afraid to confront you about it, but we are not.’ That is our job.”

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Jim Nelson is the editor-in-chief of GQ.

“One of the things that was initially a challenge was we would all think of ‘the print side’ and ‘the digital side.’ Now what we all think about is, ‘Okay, stop saying GQ.com and GQ the print edition. It’s just GQ!’ And once you cross that line, you don’t ever want to go back to it. I can’t imagine. The job has changed so much, even in the last three years, that when I look back, I think, ‘God, I was just such a quaint little fucker.’”

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Sarah Ellison is a special correspondent at Vanity Fair and the author of War at the Wall Street Journal.

“There’s no lack of stories. ... There’s always an element where you’re going to be parachuting into something that someone has likely written about, to some degree. You can’t shy away from going into something that’s a crowded field.”

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Patricia Bosworth is a journalist and biographer. Her latest book is The Men in My Life.

“The [acting] rejections are hellish and ghastly. At least they were to me. And I got tired of being rejected so much and also tired of not being able to control my life. And as soon as I became a writer, I had this control, I felt more active, more energized. But it was a decision that took a long time coming.”

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Michael Barbaro is the host of The Daily.

“I don’t think The Daily should ever be my therapy session. That’s not what it’s meant to be, but I’m a human being. I arrive at work on a random Tuesday, and I do an interview with a guy like that, and it just punched me right in the stomach.”

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Vanessa Grigoriadis writes for Vanity Fair, Rolling Stone, and The New York Times Magazine. Her new book is Blurred Lines: Rethinking Sex, Power, and Consent on Campus.

“I’m a controversial writer. I’ve never shied away from controversy. I’ve only really courted it because I realized a lot earlier than a lot of other people who are involved in this whole depressing business that clicks are the way to go, right? Or eyeballs, as we used to call them, or readership. I come out of a Tom Wolfe-like, Hunter S. Thompson kind of tradition. You don’t mince any words, you just go for the jugular and you say as many things that can stir people up as possible.”

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Dr. Jelani Cobb is a New Yorker staff writer and the author of three books, including The Substance of Hope: Barack Obama and the Paradox of Progress. He teaches journalism at Columbia University.

“Ralph Wiley — the sports writer, late Ralph Wiley — told me something when I was 25 or so, and he was so right. He said I should never fall in love with anything I’ve written. … The second thing he told me was, ‘You won’t get there overnight, and believe me, you don’t want to.’ I’m embarrassed to say that I didn’t get it when he told me that. I was like — why would I not want to get there overnight? Now I’m like: Thank God I didn’t get there overnight. Because there’s so much writing I would have to explain.”

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PJ Vogt is the co-host of Reply All.

“Every radio story is broken. Everything is missing some piece it’s supposed to have. Everything has some weird interview that didn’t go the way you thought it was going to go, or you thought you had an answer but you were wrong.”

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Alex Goldman is the co-host of Reply All.

“I am not the authority on the internet. I’m not an expert on particularly anything, except stuff that I like.”

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Hillary Clinton is the former Democratic nominee for president. Her new book is What Happened.

“I hugged a lot of people after [my concession speech] was over. A lot of people cried … and then it was done. So Bill and I went out and got in the back of the van that we drive around in, and I just felt like all of the adrenaline was drained. I mean there was nothing left. It was like somebody had pulled the plug on a bathtub and everything just drained out. I just slumped over. Sat there. … And then we got home, and it was just us as it has been for so many years—in our little house, with our dogs. It was a really painful, exhausting time.”

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Rachel Kaadzi Ghansah is an essayist. Her latest piece is “A Most American Terrorist: The Making of Dylann Roof.”

“I remember feeling like ‘you’re playing chess with evil, and you gotta win.’ Because this is the most terrible thing I’d ever seen. And I was so mad. I still get so mad. Words aren’t enough. I’m angry about it. I can’t do anything to Dylann Roof, physically, so this is what I could do.”

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Ellen Barry is the former New York Times bureau chief for South Asia.

“Every time you leave a beat—and this is something that I think as foreign correspondents we rarely communicate to our readers—you’re walking away from a story which has really been your whole life for four or five years. And it’s hard to walk away…The majority of us live a story for a certain number of years, and then we just turn our backs on it.”

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Kate Fagan is a columnist and feature writer for ESPN. Her latest book is What Made Maddy Run: The Secret Struggles and Tragic Death of an All-American Teen.

“When I was professionally closeted, I was kind of bitter. I didn’t have a ton of empathy. And I don’t think I always asked the right question, because I wouldn’t ask people questions that I wouldn’t want to be asked…I had walls up. I wouldn’t even allow myself to be vulnerable in my writing. Because the whole point of my existence at that time was to circumvent any moment that could create vulnerability in a way that would frighten me. And I think you could that see in my writing.”

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