Showing 25 articles matching world trade center.

‘We Will Have to Go Through a Hell to Reach Our Future. There Is No Other Way.’

Yemen on the brink of hell:

In a sense, south Yemen itself offers a grim cautionary tale about the events now unfolding in Taiz and across the country. Until 1990, when the two Yemens merged, South Yemen was a beacon of development and order. Under the British, who ruled the south as a colony until 1967, and the Socialists, who ran it for two decades afterward, South Yemen had much higher literacy rates than the north. Child marriage and other degrading tribal practices came to an end; women entered the work force, and the full facial veil became a rarity. It was only after Ali Abdullah Saleh imposed his writ that things began to change. When the south dared to rebel against him in 1994, Saleh sent bands of jihadis to punish it. The north began treating the south like a slave state, expropriating vast plots of private and public land for northerners, along with the oil profits. Tribal practices returned. Violent jihadism began to grow.

Excerpts from 'Bones in the Desert'

From the Translator’s Note:

Just over two weeks ago, on April 3, the renowned Mexican writer and investigative journalist Sergio González Rodríguez unexpectedly passed away from a heart attack at age 67. [His book] Bones in the Desert is a far-reaching investigation into the still-unsolved murders of hundreds of women and girls in the communities surrounding Mexico’s Ciudad Júarez, on the US border with El Paso, Texas. In the years since its publication in 2002, Bones in the Desert has left an indelible imprint on the modern literature of the Americas, both through its own merits and its foundational influence on Roberto Bolaño’s 2666. In crafting a fictionalized version of Ciudad Júarez, Bolaño collaborated directly with González Rodríguez, relying on him for substantial “technical help” in answering questions about the nature of the murders, and eventually including him as a character in the novel.
  1. The Twilight Zone

    An excess of people and an excess of desert.

  2. No Longer a Girl

    The hallmarks that would come to characterize the official narrative surrounding the serial murders were already being established.

Laura Shin is a journalist covering cryptocurrency and hosts the podcast Unchained. Her new book is The Cryptopians: Idealism, Greed, Lies, and the Making of the First Big Cryptocurrency Craze.

“I was extremely well-acquainted with what the failings were with our traditional financial system. I was seeing through my other reporting how everything works now, and really understanding, whoa, this is not a good system. And then getting this education on what bitcoin is, I understood right away: wow, this is going to change the world.”

Mitchell Prothero covers intelligence and crime for Vice News. His new podcast with Project Brazen is Gateway: Cocaine, Murder, and Dirty Money in Europe.

“I’m really interested in transnational networks—crime, intelligence. I’m fascinated by the gray. Like, when is something legal and when is something illegal? One thing with this Gateway project [was that] nobody could ever tell me that moment where money goes from absolutely being illegal to being legal.”

In the Land of the Dear Leader

The author travels to North Korea in the years after Kim Jong Il’s succession. He also gets a haircut:

But suddenly the whole chair starts vibrating and I find myself surrendering to her, as she begins to knead the acupressure points on my forehead and neck. Next it's ginseng unguent all over my face. Gobs of pomade smelling like bubble gum go on my hair. Then, like a true daughter of the revolution, she upholsters her blow dryer and begins combing in the pomade and sculpting my now subdued hair. The pungent aroma of heated pomade, like fat frying in a pan, fills the room. My stylist gives my hair a little twist with the comb. It feels like she's making a Dairy Queen curl on top. Then she fries it in place with the dryer. Another dab of pomade. More mincing motions with the comb. Another blast of hot air. Suddenly I feel a moist breeze around my ears. She's taken out a can of imported aerosol spray and is cementing her creation in place. She's delicately patting my new coiffure now the way a baker taps a loaf of bread to see if it's springy to the touch. She murmurs something. I'm breathless with expectation. I open my eyes and gaze into the mirror. Magnifique! It looks like I have a loofah sponge on my head! I am reborn -- a cross between Elvis and a 1950s Bulgarian hydrology expert! At last I have become a true son of Pyongyang!

Miles Johnson is an investigative reporter for the Financial Times. He is the author of Chasing Shadows: A True Story of Drugs, War and the Secret World of International Crime and the host of Hot Money: The New Narcos.

“I’m really fascinated always by the ways in which people just have to do really boring parts of running a crime organization … I love the banalities of this stuff. We have a fictionalized version of crime groups and it’s obviously glamorous, and they’re really smart, but there’s a lot of stuff that’s bumbling incompetence as well or just quite unglamorous.”

Sabrina Rubin Erdely, a contributing editor at Rolling Stone, has also written for GQ, Philadelphia and SELF.

"I think that people are, by their nature, good and want to act rightly. So I'm very interested in why people do these things that result in really bad actions. My lack of outrage actually is one of the things that probably helps me in my reporting because I really am propelled by this pure curiosity. ... I just want to know, 'Where did that come from?'"

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Michael Paterniti, a correspondent for GQ, has also written for Esquire, Rolling Stone and Outside. His latest book is The Telling Room.

"I want to see it, whatever it is. If it's war, if it's suffering, if it's complete, unbridled elation, I just want to see what that looks like—I want to smell it, I want to taste it, I want to think about it, I want to be caught up in it."

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Joshua Davis is a contributing editor at Wired and author of the new ebook John McAfee's Last Stand.

"This is a pretty unique situation [for me]. Never has a multimillionaire tech pioneer gone on the lam for a murder and called me from hiding. Yeah, this is a first."

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Brendan I. Koerner is a contributing editor at Wired and the author of The Skies Belong to Us.

"It was this big review in The New York Times and I was terrified that it was going to say something awful about the book or about me as a writer. And my son said to me — he's 5, I should say — "If it's bad, you won't die." That's a good point, you know? So I always think of that when I pick up a new review and take that risk of someone slamming something that I've genuinely poured my heart and soul into. You'll live to fight another day."

Thanks to TinyLetter and the The Literary Reportage concentration at NYU's Arthur L. Carter Journalism Institute for sponsoring this week's episode.

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Jerry Saltz is a Pulitzer-winning art critic for New York.

“To this day I wake up early and I have to get to my desk to write almost immediately. I mean fast. Before the demons get me. I got to get writing. And once I’ve written almost anything, I’ll pretty much write all day, I don’t leave my desk, I have no other life. I’m not part of the world except when I go to see shows.”

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Ta-Nehisi Coates is the author of Between the World and Me and a national correspondent for The Atlantic. His latest cover story is “My President Was Black."

“[People] have come to see me as somebody with answers, but I don’t actually have answers. I’ve never had answers. The questions are the enthralling thing for me. Not necessarily at the end of the thing getting somewhere that’s complete—it’s the asking and repeated asking. I don’t know how that happened, but I felt like after a while it got to the point where I was seen as having unique answers, and I just didn’t. I really, really didn’t.”

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Nathaniel Rich writes for Rolling Stone, Harper's and the New York Times Magazine. His latest novel is Odds Against Tomorrow.

"I'm drawn to obsession. I think I'm an obsessive in a way, probably most writers are. It's an obsessive act to sit at a desk by yourself."

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Wil S. Hylton, a contributing writer for The New York Times Magazine, is the author of Vanished.

"I despise the fucking nut graf. I think it's a joke, a cop out. The story probably should be about something larger than itself but if you have to tell people what that is, you've failed from the beginning. If they can't find it, you didn't put it there and you shouldn't be beating them over the head with it."

Thanks to TinyLetter and The Fog Horn for sponsoring this week's episode, and to the Writing Department at the University of Pittsburgh for hosting.

Doug Bock Clark has written for GQ, Wired, and The New Yorker. His new book is The Last Whalers: Three Years in the Far Pacific with a Courageous Tribe and a Vanishing Way of Life.

“I think for me the answer has always been you just find the people. You just listen to their stories. I think we're all microcosms, right? We're all fractals of the bigger world. Whether it's my own life or your life or the Lamalerans or other people I've encountered reporting. I think one of the things I'm constantly aware of is how these sort of greater world historical forces are working on us and shaping our lives. For more people than most people would assume, if you just followed their life and looked at it in the particulars but also in the broader circumstances, you could probably draw larger themes from them and their experiences. I never had any worries about whether I could expand the Lamaleran story. It was always just about getting those specific stories right, and I knew the rest of it would come.”

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Hanif Abdurraqib is a poet, essayist, and critic whose work has appeared in The New Yorker, The New York Times Magazine and many other publications. His new book is A Little Devil in America: In Praise of Black Performance.

“I learn from hearing my elders tell stories. There’s an inherent knowing of yourself as a vessel for narration who also has to—is required to—hold the attention of others at all costs. And that’s essentially what I’m trying to do. The broader project of my writing is almost a constant pleading of: Don’t leave yet. Stay here with me for just a little bit longer.

Aminatou Sow and Ann Friedman are co-hosts of the podcast Call Your Girlfriend and co-authors of the new book Big Friendship: How We Keep Each Other Close.

“People telling you about their lives is a real privilege and honor. No one owes you to tell you their story. Sometimes in the world of people who write or people who make media there is just this expectation that everything is on the table, especially if you’re two women who make media, that we’re supposed to just share our pain and everything that’s going on in our lives but that’s not fair and it’s not true and I think the larger project of this book is really sharing these stories in service of having an honest dialogue about how other people are doing friendship.”

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Jace Clayton is a music writer and musician who records as DJ /rupture. His book is Uproot: Travels in 21st-Century Music and Digital Culture.

“What does it mean to be young and have some sound inside your head? Or to be in a scene that you want to broadcast to the world? That notion of the world is changing, who you’re broadcasting to is changing, all these different things—the tool sets. But there’s this very fundamental joy of music making. I was like, ‘Ok. Let’s find flashpoints where interesting things are happening and can be unpacked that shed different little spotlights on it, but do fall into this wider view of how we articulate what’s thrilling to be alive right now.’”

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Patricia Lockwood is a poet and essayist. Her new book is Priestdaddy: A Memoir.

“[Prose writing is] strange to me as a poet. I’m like, ‘Well I guess I’ll tell you just what happened then.’ But the humor has to be there as well. Because in my family household…the absurdity or the surrealism that we have is in reaction to the craziness of the household. So something like your underwear-clad father with his hand in a vat of pickles, sitting in a room full of $10,000 guitars and telling you that he can’t afford to send you to college—that’s bad. That’s a sad scene. But it’s also totally a lunatic scene. It’s, just the very fact of it, all these accoutrements, all the elements of the scene—they are funny.”

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Taffy Brodesser-Akner is a contributing writer at The New York Times Magazine and GQ.

“My writing career was something that was always about to happen, just as soon as the baby falls asleep, just as soon as I finish watching this five-hour bout of As the World Turns, just as soon as... What do you do when you realize that you have not been doing the thing you were going to do? You're in your 30s. You get to work.”

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Vanessa Grigoriadis is a contributing editor at Vanity Fair and New York.

On the art of the celebrity interview: "People are smart. Particularly these people. They're sitting there thinking, 'When is she going to drop that question?' They know what you're doing. So the way I think about it is: let's have an actual, genuine, human, interesting conversation. ... [Journalists] have all sorts of schemes of what they think works for them. My scheme is no scheme."

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Thailand's Moment of Truth: A Secret History of 21st Century Siam

Andrew MacGregor Marshall, a longtime Reuters reporter based in Thailand, resigned and forfeited his ability to enter the country in order to report on the revelations about the Thai royal family and military contained within the Wikileaks “Cablegate” dump.

Thailand has the world's harshest lèse majesté law. Any insult to Bhumibol, Queen Sirikit or their son Crown Prince Vajiralongkorn, is punishable by three to 15 years in jail.

The cables reveal a toxic power struggle between elected officials, the military, and the monarchy, with the huge shadow of exiled telecommunications billionaire Thaksin Shinawatra looming over the country’s post-King Bhumibol future.

The impending end of his reign has sparked intense national anxiety in Thailand. King Bhumibol's son and heir, Crown Prince Vajiralongkorn, has a reputation for being a cruel and corrupt womanizer. A notorious video showing a birthday party for his pet poodle Foo Foo -- who holds the rank of Air Chief Marshal -- has been widely circulated in Thailand; in it, the prince's third wife, Princess Srirasmi, dressed only in a thong, eats the dog's birthday cake off the floor while liveried servants look on.

Editor’s Note: Marshall’s findings will be published as a 4-part series, hosted here by the permission of the author, and re-publishable through a Creative Commons license. His writings on the topic have already reached near book length, for a good overview, see Marshall’s introduction in Foreign Policy.

  1. Part 1 [53,000 words]

  2. Part 2 [35,000 words]

Ginger Thompson is a Pulitzer Prize-winning senior reporter at ProPublica. Her most recent article is "How the U.S. Triggered a Massacre in Mexico."

“How many times have I written the phrase ‘a town that was controlled by drug traffickers?' I had no idea what that really meant. What does it mean to live in a town that’s controlled by drug traffickers? And how does it get that way? One of the things I was hoping that we could do by having the people who actually lived through that explain it to us was that—to bring you close to that and say, ‘No, here’s what that means.’”

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Molly Crabapple is an artist and writer. She is a columnist for VICE and her work has appeared in The New York Times, The Paris Review and Vanity Fair.

“As long as the marginalized communities I’m writing about don’t think I’m full of shit, that’s success to me.”

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Scott Anderson is a war correspondent and novelist. He’s written for The New York Times Magazine, Harper’s, Vanity Fair, and more.

“I really feel that what’s at the root of so many wars now, modern wars, unconventional wars, it really just comes down to a bunch of young guys with access to guns coming up with a pretext to rape and murder and pillage and steal from their neighbors.”

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