Monday, October 1

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A tale of romance gone wrong, from MacArthur Fellowship winner Junot Diaz's new collection This Is How You Lose Her.

"Alma is a Mason Gross student, one of those Sonic Youth, comic-book-reading alternatinas without whom you might never have lost your virginity. Grew up in Hoboken, part of the Latino community that got its heart burned out in the eighties, tenements turning to flame."

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The inimitable Blake Butler presents us with a strange gestation and a talking bear.

"God will knit it in my womb like he did you, she murmured. When you wear it you will blind the world. "

Friday, September 28

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Thursday, September 27

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A new teacher begins work at a TB hospital in rural Canada.

"The number of students who showed up varied. Fifteen, or down to half a dozen. Mornings only, from nine o'clock till noon. Children were kept away if their temperature had risen or if they were undergoing tests."

Wednesday, September 26

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Two women explore a mysterious, illogical city.

"We were alone. This was dramatic and strange. But, what was more odd was how hard we found it to take in the city visually. We walked through the gate and almost immediately came upon a wall. The back or side of a building. It was one of those situations where you could not step back to see the height of it. The sky was too low, or too far away, we could not determine."

Tuesday, September 25

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Mannequin parts, violent sex, and a fight club for women. Not for the timid.

"A cou­ple months later, he comes over to my apart­ment in the mid­dle of the night because we've long aban­doned any pre­tense of a mutual inter­est in any­thing but dirty sex and he's hold­ing a fiber­glass baby arm, painted the color of flesh. "

Monday, September 24

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A clown's harrowing, distorted journey through towns, roads, and memories.

"Now, long days along the roads, back roads and highways, roads of dust and concrete, roads bent and vibrating in the heat and the letter taped to the windshield, a membrane browning in the sun. Long days tangled in the station wagon, legs and heads flopped from windows, the back window kicked out and exploded into dust for the bulges and ruffles of a hundred Pierrots, their long red shoes and polka dots. Long days now hurtling along, lost in the vibrations of gestures, lost within the vibration of minds. These days hurtling along roads in an endless gesture, the only gesture Pierrot once knew. The gesture Pierrot never forgot."

Friday, September 21

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Welcome to your new workplace.

"Amanda Pierce, who tolerates Russell Nash, is in love with Albert Bosch, whose office is over there. Albert Bosch, who only dimly registers Amanda Pierce's existence, has eyes only for Ellie Tapper, who sits over there. Ellie Tapper, who hates Albert Bosch, would walk through fire for Curtis Lance. But Curtis Lance hates Ellie Tapper. Isn't the world a funny place? Not in the ha-ha sense, of course."

Thursday, September 20

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A chance meeting among old co-workers brings up unspoken attractions and desires.

"She adjusts her T-shirt. Was I staring at her chest? I need to watch that, but can it really be avoided? I don’t know. I don’t even really know her. I once knew her, sort of, before I was married, though you wouldn’t call it a friendship exactly. We worked at the same agency and she had been hired to oversee this huge grant, AIDS stuff, before protease inhibitors and before anyone could manage the disease. People died then. That’s all. I don’t even remember what kind of program she was running, what anyone ran back then, hospice and support groups mostly. It was horrible. They called her the Angel of Death. It was meant to be funny, escapist, black humor. But she couldn’t deal."

Wednesday, September 19

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An NYU student examines two different relationships: a friendship and a tense love affair.

"I blamed my need for Patrick’s adoration on our undergraduate rivalry. That and our occasional, unbalanced, raucous affair. It became a vendetta. Our disagreements occurred often enough to be not just memorable, but legendary, in both volume and scope. We waged verbal combat with ease, caring neither for our hewn down egos nor dismantled bonds. Other people can afford to be thoughtless; they’re ignorant of the gravity their speech holds. But linguists will devastate if only because we can do so with a well-placed term or phrase. Then it’s the silences that serve as our minions. They scrape at wounds old and new, where apologies dare not tread."

Tuesday, September 18

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Sketches from the violent, troubled life of a Middle Eastern man.

"The boy’s name was Mokhtar, but no one ever called him anything but Chico. I first got to know him when he was fifteen. He had grown up healthy and handsome. His pockets were always stuffed with money, and that was what was special about him. His life consisted of sitting in cafes, day and night, and he learned to drink alcohol and to sleep with whores. He was generous and goodhearted, but if he got angry he could be dangerous, and he often got angry when he was drunk. When Chico was seventeen his aunt died, leaving him her bank account, three houses and a bakery in the city, and a big farm out in the country. He began to give large parties, buying great quantities of food and drink for many friends, and spending even more on girls."

Monday, September 17

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A family, headed to Florida, encounters a gang of criminals in this grim classic.

"The old lady said that in her opinion Europe was entirely to blame for the way things were now. She said the way Europe acted you would think we were made of money and Red Sam said it was no use talking about it, she was exactly right. The children ran outside into the white sunlight and looked at the monkey in the lacy chinaberry tree. He was busy catching fleas on himself and biting each one carefully between his teeth as if it were a delicacy."