The Simon

A woman buys a life-like, anamatronic man named Simon.

"She found the little velvet bag, dropped two tokens into his neck, and went to the computer while he booted up. She searched the website, but there weren’t any programs for what she wanted. Apparently, there were rules, the first of which stated that a robot may not injure a human being. Not even a little. Not a butter-knife nick or a cigarette burn or an intentional pull of the hair. She bought the phrase “I hate you” and a package described as brooding that looked close enough to anger. She stuck the USB drive under his arm and waited for the green light."

Hold On

Human emotions and contact in the far future.

"Ethan begins moonlighting at the touch center on weekday mornings. Off-peak hours. He robo-cabs it there and back alone. Still, working there is a leap from the isolation of his apartment, and it’s the first time he’s felt inspired in years. He knows he’s not handsome by conventional standards, but he can give a mean hug and they never have enough guys to work at places like this anyway."

Topology of a Paranoid Critical Town

A daycare pickup becomes a surreal look into nature and human development.

"In the middle of the landscape, a pile of toys rises from the earth to form a tower. Children approach it in a perpetual stream, grabbing toys, as many as they can carry. They run off with their arms full, toys spilling from their tiny ravenous bodies. The pile keeps growing and growing. The father remembers seeing the President on television once, back when television was still a toy. When I grew up during the Depression, the President told the Nation, my only toy was a wood plank full of rusty nails, which I had to share with sixty-six brothers. Bullshit. What politician ever knew how to share? The father watches as a group of children forms a circle around the base of the pile, holding hands. They are wearing nothing but loincloths."