Doc was a medical student in his 40s, but he spent his nights with the teenagers who hung around his San Antonion apartment complex, buying them drugs and booze. The first time he asked one of them to ritualistically kill him, they laughed it off. He would ask again.
On the 1934 lynching of Claude Neal, and the Florida town that kept the identity of those responsible a secret.
An uneasy relationship between two people squatting in a crime scene house.
"But that guy was gone. In between the fourth and fifth beer at the bar, he disappeared in a haze of yellow and heat. Someone’s joke. A crack of broken glass. Tony and the guy out the door. Maybe in the back alley. And then it was all Tony Disco sidling up to me at the bar, his arm warm against mine, his breath like juniper. And now here he and I were, slumped on a dead woman’s couch."
Horrifyingly astute reflections on a series of murders.
"The bank clerk gave John a pinched look as he pulled out his calculator, checking if she’d paid him the correct interest when cashing out Mother’s savings bonds. (She had, to the penny.) He sensed her subtle gloat. John didn’t care. He’d ended two people’s pain that day, single-handedly. Was SHE ever that kind?"
A mini epic of murder, theft, and nature in the Old West.
"He trotted down the steep slope and across the range, passing monuments of salt cedar and sagebrush and croppings of bouldered limestone and sandstone. Everett marched on, glancing back to the pass like clockwork. His vision began to blur and he mistook shadows of dashing clouds overhead as armies of villains bent on doing him harm. He crept on as his headache worsened and soon he forgot his sentried errand. He kept low to the ground and stopped himself twice from collapsing completely, bracing himself on passing man-made edifices of rock and earth. His limp had worsened and he stumbled upon wreckage of some wrecked wagonette and used a long timber from the wagon-bed as a crutch until it snapped in half ten minutes later. The sun was hot and without his hat or coat he felt the full effects of it on the nape of his neck."
Nearly 70 years after Bugsy Siegel’s unsolved murder in Beverly Hills, a family finally comes forward: they know who did it.
A Japanese photographer examines the scene of the St. Valentine's Day massacre; a story from the author of The Black Hour.
"Was it the worst I’d seen? I turned to the camera, viewing the scene anew. Four men lay in a row, as though they had been tucked into a large bed. One slept at their feet, face down. The last hunched on his knees at a round-backed wooden chair. Blood ran toward the center of the room. Later that day when I returned to the newsroom, I would release the image from the machine in my hands, like a dragon from a cage. The city would see the blood, black, and no one would remember that someone—call him Togo or call him Fujita, the name will not be printed—had stood in the dust of men’s bones to face the dragon so that they did not have to."
She moved to Cape Cod to escape the glitzy Manhattan world she born into. The only witness to her murder was her 2-year-old daughter. Everyone she knew, it seemed, was a suspect.
An abused woman reacts to her downstairs neighbor's murder.
"Laurie thinks he tries to cry, and she appreciates the effort. She kisses Jimmy in return, pretends it doesn’t hurt when he scrapes his teeth over her collarbone, and ignores the phone when it rings. If it’s her mother, she’ll call again soon enough; if it’s another reporter, well, Laurie doesn’t have much to say."
A mysterious stranger in the woods; horrific escalations.
"When we were eleven Billy Jacobs told us he had seen three people standing at the edge of the woods. One was the redheaded man–or someone who from a distance resembled the redheaded man, a sicker, thinner incarnation of him. The three held big glass bottles as they waved to Billy. One let a cigarette fall from his mouth and the others shrieked with laughter. They stumbled away and were gone."
An unsettling story of murder and telemarketing; originally published in 2007 and recently anthologized in The New Black, edited by Richard Thomas.
"There is a noise—the noise teeth might make biting hurriedly into melon—punctuated by a series of screams. It makes me want to tear the headset away from my ear. And then I realize I am not alone. Someone is listening. I don't know how—a certain displacement of sound as the phone rises from the floor to an ear—but I can sense it."