The January Tunnel

On the way to a reading, an academic stumbles into a mysterious infrastructure.

"For some reason he couldn’t put his finger on he was feeling happy. Naturally it had been a relief to come in out of the rain—though this particular brand of happiness seemed unrelated to anything as simple as relief. No, there was something about being in the tunnel that was making him feel very happy, almost ecstatically so. Against the wall just inside the door someone had arranged cleaning implements—several brooms, a bucket with a mop in it, a pile of rags—but other than that the tunnel was empty. The walls at this end had been painted with the green, glossy paint beloved of institutions the world over, the paint having been applied in what seemed like a spirit of gay abandon. The smooth concrete floor was splashed with it, and it depended in hardened drips from a series of thin pipes running lengthwise along the ceiling."

I Thought You Were a Poet

An essay on poetry and madness.

People still think of poets as an odd bunch, as you’ll know if you’ve been introduced as one at a wedding. Some poets spotlight this conception by saying otherworldly things, playing up afflictions and dramas, and otherwise hinting that they might be visionaries. In the past few centuries, of course, the standard picture of psychopathology has changed a great deal. But as it’s often invoked, the idea of the mad poet preserves, in fossil form, a stubbornly outdated and incomplete image of madness. Modern psychiatry and neuroscience have supplanted this image almost everywhere else.