At 76, Atlanta’s Beverly “Guitar” Watkins still lives for the blues.
After a one night stand, a musican unknowingly takes a piece of a woman's soul.
"The girl tried to feel contempt for the boy, too, but it is hard to have contempt for a person who’s made off with part of your soul. She went about her life—her job at a used-clothing store, her once-a-week volunteer stint at the Outreach Center for homeless youth, her evenings out with friends. Outwardly, she did not appear much changed by the misalignment; the first layer of her thoughts was more or less the same, logical and competent enough to get her through the day.
When we're introduced, I spend a long moment trying to conjugate the reality of James Brown's face, one I've contemplated as an album-cover totem since I was thirteen or fourteen: that impossible slant of jaw and cheekbone, that Pop Art slash of teeth, the unmistakable rage of impatience lurking in the eyes. It's a face drawn by Jack Kirby or Milton Caniff, that's for sure, a visage engineered for maximum impact at great distances, from back rows of auditoriums.