A profile of Bidzina Ivanishvili.

Published originally in GQ Russia.

Don’t call them “foodies.”

Hanging out in Moscow with Russia’s yuppie, 20-something journalist revolutionaries:

In other words, the protest was being brought to you by the same people you would have relied on, weeks earlier, for restaurant picks.

Inside the five-year (so far) production of the Ilya Khrzhanovsky film Dau:

Khrzhanovsky came up with the idea of the Institute not long after preproduction on Dau began in 2006. He wanted a space where he could elicit the needed emotions from his cast in controlled conditions, twenty-four hours a day. The set would be a panopticon. Microphones would hide in lighting fixtures (as they would in many a lamp in Stalin's USSR), allowing Khrzhanovsky to shoot with multiple film cameras from practically anywhere — through windows, skylights, and two-way mirrors. The Institute's ostensible goal was to re-create '50s and '60s Moscow, home to Dau's subject, Lev Landau. A Nobel Prize–winning physicist, Landau significantly advanced quantum mechanics with his theories of diamagnetism, superfluidity, and superconductivity. He also tapped epic amounts of ass.

Hipsters vs. Hasids in Williamsburg, Brooklyn. A skirmish over a bike lane becomes a battle for a neighborhood.