Vanity Fair
Mar 2011
Five years ago, Mel Gibson was one of Hollywood’s few genuine family-men and a leading box office attraction; inside his wild descent from star to pariah.
Five years ago, Mel Gibson was one of Hollywood’s few genuine family-men and a leading box office attraction; inside his wild descent from star to pariah.
How Warren Beatty seduced the studios into making the comedy Ishtar, which set the modern bar for cinematic debacles. (An excerpt from Peter Biskind’s Star.)
The 1979 Oscars pitted Hal Ashby’s Coming Home against Michael Cimino’s The Deer Hunter, wildly different films both on the the topic of the Vietnam War.
The struggle behind the making of Terence Malick’s first movie in twenty years and the two producers who, depending on your source, either made it possible or nearly ruined it.