A Conspiracy of Hogs: The McRib as Arbitrage

The absurd scale of McDonald’s’ economics suggests a company more like a commodity trader than a chain of restaurants.

At this volume, and with the impermanence of the sandwich, it only makes sense for McDonald’s to treat the sandwich as a sort of arbitrage strategy: at both ends of the product pipeline, you have a good being traded at such large volume that we might as well forget that one end of the pipeline is hogs and corn and the other end is a sandwich. McDonald’s likely doesn’t think in these terms, and neither should you.

Ask A Mormon! A Conversation

But you were drinking and having premarital sex, right? Isn’t that kind of an indirect way of questioning your faith? Is disobeying questioning? It can be, but I don't think I was really pondering questions of faith when I started drinking in high school, and the premarital sex didn't actually happen until after I graduated. I think looking back the answer is yes, I was looking at other options. But I didn't think about it in those terms then. I think lots of people of every faith experiment in these ways but ultimately decide to embrace their religion.

What I Learned in Two Years at the Tea Party

One reason the Tea Party's patriotic political statements are so taupe is that they mirror the religious rhetoric, which is high on generalizations about God and low on nuance and complexity and conflict. Go ahead, replace "constitution" and "patriotism" with "God" and "faith" in some tea party speech sometime—it's not as wacky as it should be.

Weekend At Kermie's: The Muppets' Strange Life After Death

To this day, no one (outside of the movie's own crew) knows how the Muppets rode bicycles in The Great Muppet Caper, the classic Henson movie from 1981. In that scene, Kermit stands up on one frog-leg on the seat of his bicycle to impress Miss Piggy, and then the whole gang joins them on their bikes, doing circles and figure eights, singing “Couldn’t We Ride?” It's a wonderful piece of filmmaking, and still a complete delight to watch because the effect relied on the ingenuity and bravado of the puppeteers and crew, not CGI wizardry. Contrast the joy and ebullience of this scene to the elegant chiaroscuro slickness of the post-Henson Muppet Christmas Carol in which we see old fogies Statler and Waldorf, as the Marley brothers, floating in mid air. No viewer is impressed; no one really thinks about it at all. And that's because when a then 29-year-old Brian Henson directed that film, he threw the rules out the window. Statler and Waldorf “float” because Goelz and Nelson, the men working the old guys, were standing behind them during filming and then were removed in post production. It’s an elegant fix—a cutting of the Gordian knot—but it is a complete break with an aesthetic 35 years in the making.