A son interviews his mother about language and love in the South.
A deaf boy and his mother take part in an odd religious community.
"My mother wasn’t always this way. Before the accident we never even went to church, never mind twice in one day. Then my dad had to go and wrap his car around a tree and mumble some crazy shit about angels and white tunnels while he’s dying. It was just bad luck that brought us here. My mother Googled churches in the area, and it’s no surprise which ranked number one on the search results page."
In a Haitian tent city, a referee prepares for a soccer game.
"Almost unconsciously, I began gathering various items from the tent: my official registration card, a couple of Fox whistles, two pairs of black socks, a black undershirt, an armband, two flags, my kangaroo-leather turf shoes, and then three different jerseys that I had so painstakingly preserved. I stuffed all of this into an Agency sack, which I normally used for collecting my ration of nourimil cereal."
A narrator's strange daily life is fused with strange appearances from the natural world.
"Freezing, I sprang from bed and assembled, in darkness relieved only by a bluish gleam cast by the iceberg, sweaters, flannel pajama bottoms, my heaviest wool socks, and a down-filled coat suitable for an assault on Everest. For the iceberg that crowded my bedroom was no symbol of the world’s entropy or of a man’s estrangement from his kind, nor was it any longer a figment of the dreaming mind. (We don’t suffer cold in dreams, nor do we sneeze as I did twice while fumbling at my clothes.) Dressed, I drew aside the rime-stiffened curtain and gazed out on a flotilla of icebergs gliding solemnly down the flooded street. (To acknowledge, as you no doubt have, that I spawned one berg, a pack of them is easily granted.)"
A mother's illness through the eyes of a child; from the author of Hill William, forthcoming from Tyrant Books.
"The next day Mom and Dad were getting ready to go someplace. Before they left, my mother sat at the kitchen table. Ruby stood at the sink washing Styrofoam plates, bragging about how many preserves she put up or how many potatoes she was going to plant this year. My dad told her it wasn’t healthy to wash Styrofoam plates and use them again. Grandma whispered, 'Shit.'"
A child's uneasy participation in a hunting party; an excerpt from Jackson's forthcoming novel Mira Corpora.
"A bearded man orders the children to circle up and divide into groups. A brother and sister pull my ears and claim me. They say that I’m their lucky charm. The siblings are pale with spindly legs, denim shorts, floppy hiking boots. We set off into the heart of the woods. The boy’s crew cut ends in a braided rat’s tail. He flicks it back and forth across his shoulders. They both have beady eyes and big noses. There’s something else on their faces, but it’s not clear yet."
An eldery Nigerian woman tends to her deteriorating body and a family crisis.
"Her last child was thirty-seven years old. He had lived with her until nine years ago, when he traveled to China—via Libya, then Qatar, then Malaysia—in search of a better life. He was married now, to a Filipino woman he had met in a textile plant in Zhengzhou, and they had two children, a four-year-old girl whom they had named Corazón after his wife’s mother, and a one-year-old boy who was called Ramón after his wife’s father. He had sent his mother their photographs with the last parcel of canned pork and imitation-leather handbags that arrived from him with climatic regularity. The letter that accompanied the parcel informed her he was doing well, that he no longer worked in factories but now tutored Chinese professionals in the English language, and that he might come to visit next year with his family. In her reply she had urged him to come quickly because the eye trouble had recurred, and she wanted to see her grandchildren before she went blind."
A woman struggles with her faith while caring for her addicted husband.
"She stood up, brushing off the back of her jeans. She would choose to believe the anointing had worked. That there would be some change. That she and Mitch would embrace and begin the path toward healing. God would never give her more than she could handle. It said that in the Bible. Nothing beyond what you can bear. She and Mitch were only being tested, refined like silver."
Two missionaries share their histories, experiences, and brushes with sin.
"They could walk together and talk without holding anything back. It had been like that since their third week together in school. They were sitting up on the roof of Oldham-Betts, and Samuel said, 'It’s hard to be up here and not smoke a cigarette,' and when Leslie gave him a sideways look, Samuel said, 'Look, I have a past. It’s pretty apparent, right? I’m a good thirteen years older than everybody here. There’s some things I had to walk away from. Can you handle that?' 'Who am I,' Leslie said, 'to judge you. I’ve got my own things to walk away from.' And Leslie—this kid—began to lay out his confessions, chief among them the lust he held in his heart when he looked upon a woman, this guilt he carried around with him daily, along with images he had seen in the magazines his father had kept behind some Time/Life books about World War II."
A man encounters the boundaries of knowledge while investigating his father's murder.
"This is maybe still too big for him to know right now, the image too hard for him to see, but eight days ago his father Gerald was found dead in Greenland. He hasn’t talked to his father in three weeks even though his apartment is a mile away, and Rob has no idea what he’d possibly be doing in Greenland. He has no idea why anybody would go to Greenland. Ever."
A dirty story about delicate hands. Part of Guernica's two-part erotic fiction issue. NSFW.
"Jimmy bathes with his eyes closed, his long dark hair clinging to the ceramic edges of the tub. He fantasizes about trashy and brassy broadsimagines their mouths and breasts and thighs and eyes."
How reality TV has changed tattooing.
Tattoos and tattoo artists have an undeniable power to attract, repulse, and intimidate. But when confronted with all this life and color, reality TV steamrolls it into the familiar “drama” of preening divas and wounded pride. “Everybody thinks they’re gonna change it,” said Anna Paige, an artist who said she’d turned down her chance at TV stardom. “Everybody thinks they’re gonna have some power.” But wait, isn’t she profiting from tattooing’s mass appeal? “I would have made money anyway.”
An elderly woman and her extended family make their traditional pilgrimage to a cave shrine.
"Much depended on the weather, for a trek up the wind-swept mountain could not be undertaken except on a fine day. When the conditions seemed propitious, the bandobast would start the night before. The feast that followed the puja was always the most eagerly awaited part of the pilgrimage, and the preparations for it occasioned much excitement and anticipation: the tin-roofed bungalow would ring to the sound of choppers and chakkis, mortars and rolling-pins, as masalas were ground, chutneys tempered, and heaps of vegetables transformed into stuffings for parathas and daal-puris. "
The author of History Lesson For Girls meditates inventively on the magnificent force of a big truck.
"You’re sitting at a red light, and there it is, all that power underneath you, all around you, jiggling your bangles, making it hard to light a cigarette, making you have to go to the bathroom, making the poetic stare hard to maintain as you listen for the illustrative comment—once you’ve been there, I’d say it’s like being present when a star is created, up way up where these things happen, these mysteries, these strong beautiful mysteries of destruction and creation."
On the Balkan musical genre Turbo-Folk, its ties to Serbian ultranationalism, and the strongman nightclub owner who brought it to Croatia.
Ethnicity and primary education in Bosnia & Herzegovina.Part of Guernica's 'Writer's Bloc' series.
He arrived in Bolivia in November 1966, disguised as a Uruguayan businessman. After desertions, drownings, and difficulty contacting their support group in La Paz, his small troop was surrounded the following October. The inside story of how they were found and destroyed.
What it means to become a superpower while three quarters of the population lives on less than fifty cents per day—four scenes from India in transition.
Short fiction from the author of this year's giant novel, The Instructions
"He was carrying a black-lacquered cane with a diamond-studded handle and I envied him his cane. I imagined thumping my fingertips against it, the sound that would make, and flipping it upside-down to make believe it was the letter L."
At a dinner party, the author meets one of Afghanistan’s last remaining maskhara — an entertainer, thief and murderer.
An office misunderstanding.
"A guy in a suit, I don't know him, walks by my cubicle holding one of the paper plates, his mouth full, chewing his last bite, folds the plate around his napkin and fork and cake crumbs, leans into my cubicle, reaches around a corner and stuffs the plate in my garbage can. No look, no excuse me, no nothing."
A youth set to the shifting sounds of CCM, Christian Contemporary Music:
This, by the way, is considered the ultimate sign of quality CCM, even amongst Christians: the ability to pass as secular. Every band’s goal was to have teenagers stop their grooving mid-song and exclaim, like a soda commercial actress who’s just realized she’s been drinking Diet, “Wait, this is Christian?”
On the reverberations of a 1974 peasant massacre in El Salvador.
On internships at Disney World, where “labor is meant to have an almost invisible quality.”
How the tapping of Angola’s natural resources has kept the country a killing field, and made it one of the world’s most glaringly inefficient kleptocracies.
Lockheed Martin is the largest government contractor in history. They train TSA workers and Guantanamo interrogators. Every American household pays them around $260 per year in taxes. The new military industrial complex is a single company.