A profile of Eric Holder.
Wil S. Hylton
On an artist who’s spent nearly 50 years bending the rules of space and light, and his life’s work, an extinct volcano in Arizona where he has been developing a network of tunnels and underground rooms since 1974.
The specter of a biological attack is difficult for almost anyone to imagine. It makes of the most mundane object, death: a doorknob, a handshake, a breath can become poison. Like a nuclear bomb, the biological weapon threatens such a spectacle of horror — skin boiling with smallpox pustules, eyes blackened with anthrax lesions, the rotting bodies of bubonic plagues — that it can seem the province of fantasy or nightmare or, worse, political manipulation.
On the life of an American soldier AWOL in Canada:
I asked him what it's like to have the entire U.S. Army after you, and he thought for a moment and said slowly, "It's like I'm carrying a heavy rock in my backpack." This is as close to introspection as McDowell gets.