A man struggles to deal with his depressed, suicidal wife.
"And Helen? Helen takes care of the basics. Then she cries in the mornings in the kitchen while the coffee brews. She leans against the counter with her face in her hands. And Phil finds this behavior sexy, which is possibly messed up and weird."
A series of linked fantasies, veering from the whimsical to the grave.
"If you sang unrequited love songs, I’d take you on tour. We'd go to Broadway. You'd stand onstage, talons digging into the floorboards. Audiences would weep at the melancholic beauty of your singing."
An astronaut, a superhero, a love story.
"Sometimes she feels like her marriage to a superhero was preordained; what other options did she have when her passion was split between flight and the stars? When she gets home, she’ll wrap her arms around his neck, twist her legs around his, lie down on his back and they’ll go carving through the night sky, ignoring gravity’s plaintive calls to come back down, the lights of industrial Houston like the stars reflected ten fold, the opaque water of the Gulf spotted with the miniature cities of oil rigs."
What will you remember when it's all over?
"That night, like every night that year, long after dark had fallen, I climbed the tree at the top of the hill behind town hall. That night was different, though. When I'd almost made it to the top, instead of the bird with whom I'd been having an affair, I met a fellow border guard."
A lonely woman's attraction to a waitress leads her to quiet social experiments.
"Odette had fallen in love with a waitress who was too good to be true. Odette thought the woman looked familiar and asked if they'd met somewhere. The waitress said, 'I've never even met myself. I don't know who you are, for sure.' Odette tried again the next weekend, made sure she was seated at an appropriate table. Still nothing."
A surreal, minimalist exploration of dating, longing, accidents, and keen observations.
"The next day Brandon woke up to the bright morning sun shining through his bedroom window. He walked to his couch and napped until lunch. After lunch Brandon looked for jobs on the Internet. He read: Financial Analyst, Portfolio Associate, Dental Receptionist, Detention Services Officer, Helicopter Repair. Just like the day before, and the day before that, and the day before that, and the day before that, etc., there were no listings for Ethnomusicologist."
A story of strange actions and potential love for a one-armed misanthrope.
" The next day it wasn't raining so hard, just a drizzle that faded in and out like bad reception. After lunch I did a little work on my fake arm. They need a lot more upkeep than you'd think—I had to oil the elbow cam, replace a couple of grommets, and adjust the socket to keep it from rubbing my stub raw. That rubbing wasn't much fun, but it was cupcakes compared to the phantom aches I got every so often. You've probably heard about them on television: just because you've lost a limb doesn't mean it can't hurt like a bitch where the limb used to be. I couldn't say which was worse—the pain itself or the way it reminds you of what you aren't anymore."
A man balances a lonely job and a lost love in a future universe where thousands of years can pass in the span of contemporary minutes.
"How will I get her to stay this time? I pull out the brochure for this place. It's yellowed and crumbling. The marketing slogan for the planet is at the top: It's Livable! The picture shows a human woman and a male Xorbite. The Xorbite is pointing at his main lung with a tentacle, as if to say, I am really enjoying this non-toxic nitrogen-based atmosphere! The previous version brochure had the woman holding a fish, until someone's mother sued the tourism bureau for false advertising claiming her son died because the picture misleadingly suggested that it was possible to catch fish here. The dead boy's mother won and the bureau had to change the brochure or stop printing it, but since the bureau has no funding, instead of retaking the picture, the bureau just touched up the image so that the woman now appears to be holding a football (or possibly a pizza) in one hand and giving the Xorbite a thumbs up with the other. The happily breathing Xorbite is giving her a tentacles-up sign as well."
A family man visits his wayward, troubled brother.
"I've driven here after all these years to figure out—maybe for the first time—the person my brother is. My brother who I've known only in memory. And in two-minute phone calls and birthday cards and rumors. My brother who is sometimes kind and sometimes cruel. Kind when he brought me pizza after my accident, when, at two in the morning with an IV poking through my skin, we ate and laughed to the rhythmic beep-beep of the heart monitor. Cruel when he chased Tommy Gleeson—our autistic neighbor—down the street with a pipe, cornered him, and then stepped on his stomach until he vomited."
From the latest winner of the National Book Award for Fiction: a former nun's infatuation with classical music leads to unexpected connections and actions.
" At any rate, she played Chopin. Played him in utter naturalness until the Mother Superior was forced to shut the cover to the keyboard and gently pull the stool away. Cecellia lifted the lid and played upon her knees. The poor scandalized dame dragged her from the keys. Cecellia crawled back. The Mother, at her wit's end, sank down and urged the young woman to pray. She herself spoke first in fear and then in certainty, saying that it was the very Devil who had managed to find a way to Cecellia's soul through the flashing doors of sixteenth notes. Her fears were confirmed when, not moments later, the gentle sister raised her arms and fists and struck the keys as though the instrument were stone and from the rock her thirst would be quenched. But only discord emerged."
A simple title; a complex, detailed look at the ebbs and flows of modern dating and instability.
"'I’ve never felt you act this way before,' said Michelle, unsteadily, looking down; something in her previously assured, or at least focused, was now tired and scared, the protest of it having dispersed to something negotiable or seizable. They stood not looking at each other as the rain fell on them in an idle, general insistence of somethingness. Paul felt himself trying to interpret the situation, as if there was a problem to be solved, but there wasn’t anything, or maybe there was but Paul was three or four skill sets away from comprehending it, like an amoeba trying to create a personal webpage using CSS."
Sketches of a lonely woman's search for love and happiness.
"...three weeks later asking the redheaded dishwasher to drive her home and directing him to the spot she knew those girls went to, her lips aflame, when he pulled up sliding over, the stick shift digging into her hip, putting her mouth on his freckled neck, it smelled like mashed potatoes and industrial soap and sweat, her hand first on his thigh and then crabcrawling to his zipper, it was already hardening under there despite him saying, Hey hey, what, and Peggy Paula saying, Just, please, and the dishwasher quiet after that, letting Peggy Paula, letting her, following her into the backseat, holding her tight when it happened, saying I’m sorry and Peggy Paula saying Shh, stinging his shoulder with her lips and his back with her nails and feeling filled up and afraid and like her heart could kick the windows out."
Two gay brothers--one semi-closeted, one out--navigate a lifetime of tensions and problems.
"But something changed between Davis and me the afternoon we met downtown for lunch, sitting in a coffee shop in a small vinyl booth, facing one another. Davis leaned forward as he talked. When we were in high school, he confided, he'd sometimes taken our mother's Impala and driven downtown to have sex with a Korean man he'd met in a park, an accountant who lived in a boardinghouse near Dupont Circle. He and the man never really spoke, Davis said; nothing was exchanged between them, nothing but sex, which was hurried and guilty, and which provided only the most momentary relief, followed by Davis's long drive back to our house in the suburbs, listening to the call-in shows on stations our mother had preprogrammed on her car radio. He'd also had sex a few times with a popular boy, he said, a football player he'd occasionally brought back to our house while our mother was working, offering him some beer or a little marijuana, though the boy never acknowledged him afterward, not even with a quick nod if they happened to pass one another in the hallway the next day at school."
Three women bribe a Red Cross driver for a ride to a battlefield to identify the lost men in their lives.
"They climbed into the back of the Red Cross truck, carrying small bags of lunch and the knickknacks they hoped to bury. The interior smelled of disinfectant, of cigarettes. The metal seats offered only the ache of ice. Underneath their unwashed winter coats, they wore clothing for the dead -- Carmen in Savic's favorite dress, the one he always begged her to wear without a bra, and now much too thin for this cold; Marina in jeans and a sweater, wearing her brother's skiing cap and a large cross around her neck, folding and unfolding her spotted hands; Gisele bundled up, zipped up, buttoned up with all the clothing she could wear, not a bit of wife showing."
A man embarks on a troubled relationship with a psychic.
"She called it, so, fine, I gave her twenty bucks. But I forgot all her predictions, being the king of the drunken blackout. My brain tries its best to sweep up, and most times I do appreciate it. I had some residuals the next morning from her reading, mainly of outrage and disappointment at what she saw for me, but no specifics. It really wasn’t fair having her walk around the bar like that. Everyone was there to meet their future, and then she walks by, selling it. And then those of us who are ugly. And those of us that can’t dance. We’re gluttons for punishment: we’re desperate for good news."
A couple's love leads to an oddly sweet collection of "mementos."
"She liked textures, how the hair on his chest and belly bunched between her fingers, the slow swirling of her palms and fingertips a steady growing arousal. Afterwards, her cheek on his matted chest, he rested his arm on her back, relaxed but secure. Then she dug in his navel."
Personal histories and mysteries emerge when a woman stakes out the woman who may have cannibalized her boyfriend.
"Now she is hungry. I can tell by the way she moves. And her laughter isn´t real nor is that hair. It is a wig woven from the hair of all the men she has eaten. This has gone on for so long. I can tell. Her hair reaches her waist. Turning, she looks right at me, does not see me. Does not recognize the picture that must have been inside my lover's heart that she split open before boiling."
A mother recalls her sexual past while on a trip to Disney World.
"We ride the Jungle Cruise. The animals are fake yet it remains a big draw of Adventureland. That and the turkey legs, which are big as clubs but 100% real. You should see how America eats them. I feel almost skinny. My husband picks up a stuffed giraffe as a souvenir. Call it luck. Until I planted that hissing plate of fajitas (hot, very hot) before him at Mary’s Cantina I had no idea anyone could see pregnant skin as potential."
A widow balances a new hobby and her interactions with her grown children.
"She signed up for an introductory course at the Museum of Natural History, sending her check in the mail with a slip of paper wrapped around it. It was the sort of thing that her children made fun of her for, but Marjorie had her ways. The class met twice a week at seven in the morning, always gathering on the Naturalist’s Bridge just past the entrance to the park at 77th Street. Marjorie liked that, the consistency. Even on days when she was late—all year, it had only happened twice, and she’d been mortified both times—Marjorie knew just where to find the group, as they always wound around the park on the same path, moving at a snail’s pace, a birder’s pace, their eyes up in the trees and their hands loosely holding onto the binoculars around their necks."
A woman walks on her ceiling, listening to a song written by her estranged lover.
"As she walked, looking up at her toes, or sometimes, as she stood, staring down at the room from a stillness because walking threw her aim off, she punctuated her morning diatribe with only the best or most awful parts of the song he dedicated her on the airwaves, and then, throwing a dart, down at the plate, would attempt to pop a balloon."
A woman mourns and reflects on a suffering romance.
"I resolved to stay mute on my walk to work. But then I saw a man wearing your green cap, and I called for you. The sidewalks echoed. When he turned I saw he was somebody else. His smile was too white, his eyes too blue. He was too young and his face too square. Everybody stared. I fled. I told myself to stop the wishful thinking. But eight more times it happened. Eight more times I called you because eight men had clothes or gaits or napes like you."
Friendship between two quirky outsiders turns into a tumultuous love.
"He got her screenname from one of the other members of the group and started sending her jokes and one-liners, nothing too creepy or personal. Nothing threatening. He told her that he was part of their little group. He told her to guess who he was. There was no fear in this. Norm was a true original. He’d been locked away so long that he had no real sense of how others viewed him."
During a train ride, a man reflects on his past lovers.
"I have not thought of that boy—Joey—for many years; but I see him quite clearly tonight. It was several years ago. I was still in my teens, he was about my age, give or take a year. He was a very nice boy, too, very quick and dark, and always laughing. For a while he was my best friend. Later, the idea that such a person could have been my best friend was proof of some horrifying taint in me. So I forgot him. But I see him very well tonight."
A man enters an ill-fated relationship with his friend's ex-lover.
"They sat in a small, downstairs living-room with an upright piano against the wall and above the piano a portrait of her. She was wearing a dark green sweater in the picture and looking disinterestedly into her lap. The sweater had a broad neck, showing her prominent shoulder bones. She was wearing the same sweater that evening. That night they didn’t do anything but sit around and talk. There were some scores on the piano and Morgan wondered if she played. Her hair was fair and lustreless and drawn loosely back from her face. She smoked all of the time. He wondered what her relations with Sears were. She had evidently known him for a long time."
Dancing in the office, after hours, leads to a fragile romance.
"It is too lovely to be a joke, though, and you both know it. The two of you are as clumsy as costumed animals on stilts, but in the most charming way ever. The office lights know it is the best thing they will see sitting up there and blink sadly in approval."
The lives and tribulations of two small town families intersect and collide.
"I was five months along, due in April, around the same time Bran would have turned twelve. That seemed ominous to me, but my aunt assured me that I was suffering from nothing more than nerves. My husband laughed at me, said Calum couldn’t keep track of all his kids. He was bound to lose one or two."
Love advice from a beloved aunt.
I try to call my Great Aunt Doris every day. She's ninety-years old and lives alone. I love her desperately and as she gets older, especially of late as she becomes more feeble, my love seems to be picking up velocity, overwhelming me almost, tinged as it is with panic -- I'm so afraid of losing her.
Upon seeing a random young woman, a man's mind goes through potential speaking points and stories.
"But no one can insist that his 100% perfect girl correspond to some preconceived type. Much as I like noses, I can't recall the shape of hers - or even if she had one. All I can remember for sure is that she was no great beauty. It's weird."
A couple's late night conversation reveals much in its sparse dialogue.
" I could tell she was tired now, she was talking with her face on the pillow and her speech was slurred a little. 'And when you get back with the bottle and after you see your friend we could talk for a while and maybe sleep together.'She was quiet for a long time. Finally she said: 'I'm going with him.'"
Poe's "The Raven," reimagined
" That's right, buddy, the crow is talking. Pinch yourself; it isn't a dream. The crow is talking. Feed me meat."
