The first five years of Iraqi Prime Minister Nouri al-Maliki’s tenure have been marked by a dangerous consolidation of power.

According to political allies and Western diplomats who have worked with Maliki, he isn't so much power-hungry as deeply cynical and mistrusting. The Dawa Party, which Maliki joined as a young man, was hunted by Saddam's Baathist regime. Even those living in exile -- like Maliki, who lived in Syria and Iran for more than 20 years -- organized themselves into isolated cells to protect against the regime's spies and limit the information that any one member might divulge if he were captured or compromised. Maliki's early career was saturated in perpetual suspicion.

A primer on competitive eating’s premier event, the Hot Dog Eating Contest, which airs today at noon EST:

1: During the allotted period of time, contestants eat as many hot dogs and buns (called "HDBs") as they can. 2: They're allowed to use a beverage of their choice to wash things down. 3: They must stay in full view of their own, personal "Bunnette" scorekeeper. 4: Condiments may be used, but are not required. 5: HDBs that are still in the mouth at the end of the contest only count if they are eventually swallowed. 6: Puking up the hot dogs before the end of the contest (called "a reversal") will result in a disqualification, unless you do something horrific to make up for it (more on this later.)

In the film bullets approach in slow motion a series of glistening roundels, resembling condoms just taken out of their paper wrappings. Most of the bullets go right through, leaving a clean hole. But the last roundel in the film collapses slowly, wrapping itself around the bullet like a blanket on a laundry line hit by a wayward football. It is a piece of artificially bred human skin, reinforced with eight layers of transgenic spider silk, the material spiders produce to spin their webs.

Translated from the original Dutch, exclusive to Longform.org.

Pete Dexter, profiled.

"I'm sick and tired of the story," says Dexter, though he knows it is a signature moment of his trajectory from newsman to writing some of the most original and important novels in American literature, including the National Book Award–winning Paris Trout (1988), a riveting tale of an unrepentant racist who brutally murders a 14-year-old black girl in a small Georgia town in the late 1940s. Settling deep into a dark-green leather chair near a patio window that offers a commanding view of ferries chugging across the cold blue waters, Dexter begins: "It was not a good column. I was trying to write something I didn't feel." Dexter is referring to the column that almost got him killed.

Death on America’s racetracks:

At 2:11 p.m., as two ambulances waited with motors running, 10 horses burst from the starting gate at Ruidoso Downs Race Track 6,900 feet up in New Mexico’s Sacramento Mountains.

Nineteen seconds later, under a brilliant blue sky, a national champion jockey named Jacky Martin lay sprawled in the furrowed dirt just past the finish line, paralyzed, his neck broken in three places. On the ground next to him, his frightened horse, leg broken and chest heaving, was minutes away from being euthanized on the track. For finishing fourth on this early September day last year, Jacky Martin got about $60 and possibly a lifetime tethered to a respirator.

“There are critics who see their job as to be on the side of the artist, or in a state of imaginative sympathy or alliance with the artist. I think it's important for a critic to be populist in the sense that we’re on the side of the public. I think one of the reasons is, frankly, capitalism. Whether you’re talking about restaurants or you’re talking about movies, you’re talking about large-scale commercial enterprises that are trying to sell themselves and market themselves and publicize themselves. A critic is, in a way, offering consumer advice.”

During my first weeks in Rogers Park, I was surprised by how often I heard the word “pioneer”. I heard it first from the white owner of an antiques shop with signs in the windows that read: “Warning, you are being watched and recorded.” When I stopped off in his shop, he welcomed me to the neighbourhood warmly and delivered an introductory speech dense with code. This neighbourhood, he told me, needs “more people like you”. He and other “people like us” were gradually “lifting it up”.

Excerpted from Notes From No Man’s Land

One morning in mid-December, a group of soldiers banged on the door of a house in eastern Aleppo. A male voice responded from inside: “Who are you?” A soldier answered: “We’re the Syrian Arab Army. It’s O.K., you can come out. They’re all gone.” The door opened. A middle-aged man appeared. He had a gaunt, distinguished face, but his clothes were threadbare and his teeth looked brown and rotted. At the soldiers’ encouragement, he stepped hesitantly forward into the street. He explained to them, a little apologetically, that he had not crossed his threshold in four and a half years.

On the then-new phenomenon of dead downtowns.

Louis Scarcella was a star New York City detective in the ’80s and ’90s, cracking cases no one else could. Now it appears that many of the people he put away were innocent, forced into false confessions and convicted with testimony from flimsy witnesses. Scarcella maintains that he did nothing wrong, despite evidence against him much stronger than in many of his cases.

Translation of an exclusive interview with Syrian President Bashar al_Assad:

“Have they not realised that since the Vietnam War, all the wars their predecessors have waged have failed? Have they not learned that they have gained nothing from these wars but the destruction of the countries they fought, which has had a destabilising effect on the Middle East and other parts of the world? Have they not comprehended that all of these wars have not made people in the region appreciate them or believe in their policies?”

Before the viewing ends at 4 p.m., 975 people pass through the evidence rooms, many of them former students, survivors, and friends and relatives of the dead. Absent, as they have consistently been in the five years since the massacre, are Wayne and Kathy Harris, Eric's parents, and Tom and Sue Klebold, who raised Dylan. Although they live in the same Littleton-area homes they occupied on April 20, 1999, they have contributed virtually nothing to the public's understanding of who their sons were and why they killed.

On Terri Schiavo, “persistent vegetative state,” and life or death decisions:

Imagine it. You are in your early twenties. You are watching a movie, say on Lifetime, in which someone has a feeding tube. You pick up the empty chip bowl. “No tubes for me,” you say as you get up to fill it. What are the chances you have given this even a passing thought?

Afternoons with Altman and Allen.

For a year or two during the mid-1970s, living in New York, I was a moviegoer. I was in my early 20s then, working off and on, driving a cab, setting up the stage at rock shows, writing occasional pieces for The Village Voice. But there were also long empty spells. I tried to write some fiction and couldn’t, tried to read and could—but only for so long. I ended up going to the movies.

Before I met Robert Jeffress, I wanted to hate him. Jeffress is the conservative preacher who made national headlines in October, when he called Mormonism a cult. He’s the senior pastor at First Baptist Dallas, the oldest megachurch in America, and I am certainly not a Baptist. He endorsed Rick Perry for president, and I’m definitely no fan of Perry’s. As a matter of fact, Robert Jeffress and I probably disagree on every major political and religious issue. And yet, I really, really like him.

On collecting books.

I have lived in books, for books, by and with books; in recent years, I have been fortunate enough to be able to live from books. And it was through books that I first realised there were other worlds beyond my own; first imagined what it might be like to be another person; first encountered that deeply intimate bond made when a writer's voice gets inside a reader's head.

Not all that long ago, as the editor in chief of Gawker.com, Daulerio was among the most influential and feared figures in media. Now the forty-two-year-old is unemployed, his bank has frozen his life savings of $1,500, and a $1,200-per-month one-bedroom is all he can afford. He's renting here, he says, to be near the counselors and support network he has come to rely on lately.

After oil was discovered on their Oklahoma reservation, the Osage Nation became the richest people per capita in the world. Then they began to be murdered off mysteriously. In 1924 the nascent FBI sent a team of undercover agents, including a Native American, to the Osage reservation.

“Project Veritas, founded in 2010, is a tax-exempt charity that says its mission is to “investigate and expose corruption, dishonesty, self-dealing, waste, fraud and other misconduct.” It raised $4.8 million and employed 38 people in 2016, according to its public tax filing. It also had 92 volunteers.”

Being off the grid suits Kurt Vile just fine. Sitting on the wraparound porch in jeans and a green T-shirt he got at the Ramones Museum in Berlin, unruly curls falling well below his shoulders, the 38-year-old Philadelphia singer-guitarist squirts several drops of a tincture labeled “Calm Mind” into a plastic water bottle and gives it a thorough swish. “Ayurvedic herbs,” he explains after gulping down his concoction. “It’s like nature’s Xanax.” He doesn’t sound entirely convinced.

‘Florida and Ohio, man,’ the barista at the local café said to my husband, when he asked about the tourist trade. ‘People here at least acknowledge that it’s real. But people from Florida and Ohio don’t even seem to think it’s happening.’ Having lived in both places, I believe him: I have long had a theory that the surrealism that has overtaken the political landscape in America can be traced back to the poisoned ground of Ohio Facebook.

But the more that I tried to remind myself of the various ways in which I did, in fact, seem to have a body that was moving, with a heart that pumped blood, the more agitated I became. Being dead butted up against the so-called evidence of being alive, and so I grew to avoid that evidence because proof was not a comfort; instead, it pointed to my insanity.

“When I was covering the Ebola epidemic in West Africa, was there a real difference between my wanting to get to the village or hospital where people were dying terrible deaths, and my wanting people to be dying terrible deaths in whatever village or hospital I happened to be going to? Every assignment presents some variation of that question.”