Steidl, who is sixty-six, is known for fanatical attention to detail, for superlative craftsmanship, and for embracing the best that technology has to offer. "He is so much better than anyone,” William Eggleston, the American color photographer, told me, when I met him recently in New York. Steidl has published Eggleston for a decade; two years ago, he produced an expanded, ten-volume, boxed edition of “The Democratic Forest,” the artist’s monumental 1989 work. Eggleston passed his hand through the air, in a stroking gesture. “Feel the pages of the books,” he said. “The ink is in relief. It is that thick.”

The first five years of Iraqi Prime Minister Nouri al-Maliki’s tenure have been marked by a dangerous consolidation of power.

According to political allies and Western diplomats who have worked with Maliki, he isn't so much power-hungry as deeply cynical and mistrusting. The Dawa Party, which Maliki joined as a young man, was hunted by Saddam's Baathist regime. Even those living in exile -- like Maliki, who lived in Syria and Iran for more than 20 years -- organized themselves into isolated cells to protect against the regime's spies and limit the information that any one member might divulge if he were captured or compromised. Maliki's early career was saturated in perpetual suspicion.

A primer on competitive eating’s premier event, the Hot Dog Eating Contest, which airs today at noon EST:

1: During the allotted period of time, contestants eat as many hot dogs and buns (called "HDBs") as they can. 2: They're allowed to use a beverage of their choice to wash things down. 3: They must stay in full view of their own, personal "Bunnette" scorekeeper. 4: Condiments may be used, but are not required. 5: HDBs that are still in the mouth at the end of the contest only count if they are eventually swallowed. 6: Puking up the hot dogs before the end of the contest (called "a reversal") will result in a disqualification, unless you do something horrific to make up for it (more on this later.)

In the film bullets approach in slow motion a series of glistening roundels, resembling condoms just taken out of their paper wrappings. Most of the bullets go right through, leaving a clean hole. But the last roundel in the film collapses slowly, wrapping itself around the bullet like a blanket on a laundry line hit by a wayward football. It is a piece of artificially bred human skin, reinforced with eight layers of transgenic spider silk, the material spiders produce to spin their webs.

Translated from the original Dutch, exclusive to Longform.org.

The prison-industrial complex is not only a set of interest groups and institutions. It is also a state of mind. The lure of big money is corrupting the nation's criminal-justice system, replacing notions of public service with a drive for higher profits. The eagerness of elected officials to pass "tough-on-crime" legislation — combined with their unwillingness to disclose the true costs of these laws — has encouraged all sorts of financial improprieties. The inner workings of the prison-industrial complex can be observed in the state of New York, where the prison boom started, transforming the economy of an entire region; in Texas and Tennessee, where private prison companies have thrived; and in California, where the correctional trends of the past two decades have converged and reached extremes.

Pete Dexter, profiled.

"I'm sick and tired of the story," says Dexter, though he knows it is a signature moment of his trajectory from newsman to writing some of the most original and important novels in American literature, including the National Book Award–winning Paris Trout (1988), a riveting tale of an unrepentant racist who brutally murders a 14-year-old black girl in a small Georgia town in the late 1940s. Settling deep into a dark-green leather chair near a patio window that offers a commanding view of ferries chugging across the cold blue waters, Dexter begins: "It was not a good column. I was trying to write something I didn't feel." Dexter is referring to the column that almost got him killed.

Death on America’s racetracks:

At 2:11 p.m., as two ambulances waited with motors running, 10 horses burst from the starting gate at Ruidoso Downs Race Track 6,900 feet up in New Mexico’s Sacramento Mountains.

Nineteen seconds later, under a brilliant blue sky, a national champion jockey named Jacky Martin lay sprawled in the furrowed dirt just past the finish line, paralyzed, his neck broken in three places. On the ground next to him, his frightened horse, leg broken and chest heaving, was minutes away from being euthanized on the track. For finishing fourth on this early September day last year, Jacky Martin got about $60 and possibly a lifetime tethered to a respirator.

“There are critics who see their job as to be on the side of the artist, or in a state of imaginative sympathy or alliance with the artist. I think it's important for a critic to be populist in the sense that we’re on the side of the public. I think one of the reasons is, frankly, capitalism. Whether you’re talking about restaurants or you’re talking about movies, you’re talking about large-scale commercial enterprises that are trying to sell themselves and market themselves and publicize themselves. A critic is, in a way, offering consumer advice.”

During my first weeks in Rogers Park, I was surprised by how often I heard the word “pioneer”. I heard it first from the white owner of an antiques shop with signs in the windows that read: “Warning, you are being watched and recorded.” When I stopped off in his shop, he welcomed me to the neighbourhood warmly and delivered an introductory speech dense with code. This neighbourhood, he told me, needs “more people like you”. He and other “people like us” were gradually “lifting it up”.

Excerpted from Notes From No Man’s Land

One morning in mid-December, a group of soldiers banged on the door of a house in eastern Aleppo. A male voice responded from inside: “Who are you?” A soldier answered: “We’re the Syrian Arab Army. It’s O.K., you can come out. They’re all gone.” The door opened. A middle-aged man appeared. He had a gaunt, distinguished face, but his clothes were threadbare and his teeth looked brown and rotted. At the soldiers’ encouragement, he stepped hesitantly forward into the street. He explained to them, a little apologetically, that he had not crossed his threshold in four and a half years.

On the then-new phenomenon of dead downtowns.

“When I was covering the Ebola epidemic in West Africa, was there a real difference between my wanting to get to the village or hospital where people were dying terrible deaths, and my wanting people to be dying terrible deaths in whatever village or hospital I happened to be going to? Every assignment presents some variation of that question.”

“If I had to pick one sentence I’ve heard more than any other in the last six years of conversation about economics, it would be ‘Why aren’t people more angry?’ The Brexit vote showed that plenty of them are. But perhaps it expressed that other feeling, the one of bewilderment, just as much. ‘Take back control’ is a cynical but extremely astute pitch to an electorate in that state of mind.”

After a botched bank robbery in 1990, Sture Bergwall, aka Thomas Quick, confessed to a string of brutal crimes. He admitted to stabbings, stranglings, incest and cannibalism. He was convicted of eight murders in all, and after the final trial he went silent for nearly a decade. But a few years ago, Bergwall came forward again—there was one more secret he had to tell.

Inside the world of online dating:

If the dating sites had a mixer, you might find OK Cupid by the bar, muttering factoids and jokes, and Match.com in the middle of the room, conspicuously dropping everyone’s first names into his sentences. The clean-shaven gentleman on the couch, with the excellent posture, the pastel golf shirt, and that strangely chaste yet fiery look in his eye? That would be eHarmony.

Tom Wolfe on the development of ”New Journalism,” an unconventional reporting style which he helped to pioneer.

I had the feeling, rightly or wrongly, that I was doing things no one had ever done before in journalism. I used to try to imagine the feeling readers must have had upon finding all this carrying on and cutting up in a Sunday supplement. I liked that idea. I had no sense of being a part of any normal journalistic or literary environment.

An interview with the ‘media ecologist’ on corporations, feudalism, the Dark Ages, the birth of currency, debt, how PR was invented, and why—

"...Any man that has a mortgage to pay is not going to be a revolutionary. With that amount to pay back, he’s got a stake in the system. True, he’s on the short end of the stick of the interest economy, but in 30 years he could own his own home."

Joan Didion versus the boys on the bus:

American reporters “like” covering a presidential campaign (it gets them out on the road, it has balloons, it has music, it is viewed as a big story, one that leads to the respect of one’s peers, to the Sunday shows, to lecture fees and often to Washington), which is one reason why there has developed among those who do it so arresting an enthusiasm for overlooking the contradictions inherent in reporting that which occurs only in order to be reported.

On the 1988 presidential election and the boys on the bus.

"Look, people's lives are people's lives, and some of them can't cope or be as organized as some of us might like. But it's only in the area of sex that we get involved in the ethics of promoting risk-taking, the idea that we should withhold information or devices because we don't want people to need them. Would you make the same argument about cholesterol drugs? Saying, If we give people a drug that will reduce cholesterol, they won't be as likely to exercise and eat properly like they really should?"

An uncertain future for the retailer.

"Sears was so powerful and so successful at one time that they could build the tallest building in the world that they did not need," says James Schrager, a professor of entrepreneurship and strategy at the University of Chicago's Booth School of Business. "The Sears Tower stands as a monument to how quickly fortunes can change in retailing, and as a very graphic example of what can go wrong if you don't 'watch the store' every minute of every day."

In the weeks after Davis shot the six cops, faked out the costly, nationwide manhunt for 17 days, and held a major portion of the NYPD to a standoff in the Twin Parks Houses near Fordham Road, huge black-and-white mug shot-like photos of a starry-eyed, baby-faced killer adorned the front pages of the tabloids under headlines like “They Won’t Take Me Alive” and the local news anchors excitedly invoked his name at the top of every show.

Louis Scarcella was a star New York City detective in the ’80s and ’90s, cracking cases no one else could. Now it appears that many of the people he put away were innocent, forced into false confessions and convicted with testimony from flimsy witnesses. Scarcella maintains that he did nothing wrong, despite evidence against him much stronger than in many of his cases.