Showing 25 articles matching fk33.cc_Magnesium Sulfate trihydrate Factory in China.

Roxanna Asgarian is the law and courts reporter for the Texas Tribune. Her new book is We Were Once a Family: A Story of Love, Death, and Child Removal in America.

“Every once in a while, I'll have someone just freak out at me. And it keeps you honest, in a way, because they don't owe you anything. People don't owe you anything as a journalist. ... But everyone reacts to trauma differently and some people really do want to talk about it. And I think the families in this book really wanted to talk about it and it felt like no one was even paying attention to them.”

Azam Ahmed is an international investigative correspondent for The New York Times. His new book is Fear Is Just a Word: A Missing Daughter, a Violent Cartel, and a Mother's Quest for Vengeance.

“I think the fundamental question I always ask when I go into a new place, whether I’m covering currencies, or hedge funds, or geopolitics in Afghanistan, or the war—it’s what does this mean to the world right now? What does the world need to know and how does it fit into that space?”

John D. Rockefeller: A Character Study

A two-part write-around of the world’s only billionaire.

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He was a silent boy — a silent young man. With years the habit of silence became the habit of concealment. It was not long after the Standard Oil Company was founded, before it was said in Cleveland that its offices were the most difficult in the town to enter, Mr. Rockefeller the most difficult man to see. If a stranger got in to see any one he was anxious. "Who is that man?" he asked an associate nervously one day, calling him away when the latter was chatting with a stranger. "An old friend, Mr. Rockefeller." "What does he want here? Be careful. Don't let him find out anything." "But he is my friend, Mr. Rockefeller. He does not want to know anything. He has come to see me." "You never can tell. Be very careful, very careful." This caution gradually developed into a Chinese wall of seclusion. This suspicion extended, not only to all outsiders but most insiders. Nobody in the Standard Oil Company was allowed to know any more than was necessary for him to know to do his business. Men who have been officers in the Standard Oil Company say that they have been told, when asking for information about the condition of the business, "You'd better not know. If you know nothing you can tell nothing."

Julie K. Brown is an investigative reporter for the Miami Herald. Her new book is Perversion of Justice: The Jeffrey Epstein Story.

“No reporter wants to be a part of the story. ... But the one thing I know is that the authorities weren't going to do anything about this unless it stayed in the news and there was pressure. And I thought the only way to do pressure was to continue to write stories and to be in their face by going on TV. So I took advantage of the fact that I am sort of a part of this story in the hope that it would pressure authorities to do something about it.”

Window Shopping

Dreaming of the perfect apartment.

Should anyone ever choose to remake and bastardize Breakfast at Tiffany’s, I propose an opening sequence re-imagined to reflect more contemporary preoccupations. The revised opening scene should be filmed against the backdrop of an early evening in Brooklyn. The throngs of suits coming home from their nine to five grinds in Manhattan would be emerging from the subway stairwells like ants from an anthill, rushing off down various streets towards their various homes and families and dinners. All except for the would-be protagonist who, as the crowd rushes past her, makes her way to the closed-for-the-night real-estate storefront opposite the subway station. Somewhere, “Moon River” might still be playing, as if it had never stopped. Disheveled, lugging her purse and gym bag, she pauses for a number of minutes to read listings she has already read, and which she committed to memory weeks ago: a studio on Pineapple Street; a loft on Gold Street; a townhouse on Argyle Street; a two-bedroom coop on First Place; a one-bedroom condo on Carlton Avenue; a brownstone on Henry Street. It’s fall and the leaves blow in eddies on the sidewalk. She gets cold and turns away from the window to walk off down the street just as dusk begins to arrive in earnest. The occasional “For Sale” sign swings on its hinges, and the story of the day ends only to begin again in the morning.

Al Baker is a crime reporter at The New York Times, where he writes the series “Murder in the 4-0.”

“When there’s a murder in a public housing high rise, there’s a body on the floor. Jessica White in a playground, on a hot summer night. Her children saw it. Her body fell by a bench by a slide. You look up and there’s hundreds of windows, representing potentially thousands of eyes, looking down on that like a fishbowl. …They’re seeing it through the window and they can see that there’s a scarcity of response. And then they measure that against the police shooting that happened in February when there were three helicopters in the air and spotlights shining down on them all night and hundreds of officers with heavy armor going door to door to door to find out who shot a police officer. They can see the difference between a civilian death and an officer death.”

Thanks to MailChimp and Squarespace for sponsoring this week's episode.

The Essays That Made Gloria Steinem an Icon

Posing as a Playboy bunny. Deconstructing porn. Examining the myth of Jackie Kennedy Onassis. Gloria Steinem, who turned 80 in March, has always been a fearless writer. And nowhere is that more clear than in her timeless essay collection, Outrageous Acts and Everyday Rebellions.

The book is our second pick in our partnership with Open Road Media, a program dedicated to bringing you classic nonfiction works at a special price. Outrageous Acts and Everyday Rebellions spans decades of Steinem's work and features her some all-time greatest pieces, including our favorite, "If Men Could Menstruate," which you can read in full on Longform. It perfectly demonstrates the wry wit that makes Steinem's incisive writing all the more enjoyable.

Download Outrageous Acts and Everyday Rebellions between now and May 12 for the special Longform price of $4.99 at Amazon, Apple or Barnes & Noble.