Toughing It Out
In March of 1991, Vanilla Ice had the #1 album in the country (To the Extreme), a movie about to be released (TMNT II: The Secret of the Ooze), and a dogged belief that his 15 minutes weren’t about to end.
Showing 25 articles matching rock music.
In March of 1991, Vanilla Ice had the #1 album in the country (To the Extreme), a movie about to be released (TMNT II: The Secret of the Ooze), and a dogged belief that his 15 minutes weren’t about to end.
Linda Sanders EW Mar 1991 10min Permalink
A profile of Kanye West written in the style of an all-access magazine piece - using only quotes and statements that Kanye West has made on Twitter and other web outlets.
Jonah Weiner Slate Aug 2010 10min Permalink
Twenty-seven-year-old Mike Will Made It and the rise of the super-producer.
John Seabrook New Yorker Jul 2016 25min Permalink
Was the biggest record sale in the history of Discogs actually someone selling the record to themself? Was a serial hoaxer who had posed as Jimi Hendrix’s son in blackface actually behind both the 1989 album and its 2017 sale?
A profile of the grieving musician, who lost his teenage son 18 months ago.
Chris Heath GQ Apr 2017 25min Permalink
The mainstream narrative is that a pop star ripped up a photo of the pope on “Saturday Night Live” and derailed her life. What if the opposite were true?
Amanda Hess New York Times May 2021 10min Permalink
How the pop star’s father and a team of lawyers seized control of her life—and have held on to it for thirteen years.
Ronan Farrow, Jia Tolentino New Yorker Jul 2021 45min Permalink
"If I had been a straight-A student my whole life and had rapped about Jesus coming back to save us all, I wouldn’t get no media. The motherfuckers wouldn’t give a fuck about me. But since I’m telling the truth, and been through what I’m stressing and know what I’m talking about, I’m a threat."
David Sheff, Snoop Dogg Playboy Oct 1995 35min Permalink
His health failing and his business in tatters, the head of Death Row Records faces murder charges that could put him away for life.
Previously: Does a Sugar Bear Bite? (Lynn Hirschberg • New York Times Magazine • Jan 1996)
Matt Diehl Rolling Stone Jul 2015 20min Permalink
Harmony smiles, blinks and frowns. She can hold a conversation, tell jokes and quote Shakespeare. She’ll remember your birthday, McMullen told me, what you like to eat, and the names of your brothers and sisters. She can hold a conversation about music, movies and books. And of course, Harmony will have sex with you whenever you want.
Jenny Kleeman The Guardian Apr 2017 25min Permalink
The artist discusses her latest record, Biophilia, science and music education.
Up until she developed a vocal-cord nodule a few years ago, Björk made a point of not investigating how that instrument worked. “With arrangements and lyrics,” she says, squinting over her coffee, “I work more with the left side of my brain. But my voice has always been very right brain. I didn’t try to analyze it at all. I didn’t even know until I started all this voice work, two years ago, what my range was. I didn’t want to let the academic side into that—I worried the mystery would go.”
Nitsuh Abebe New York Feb 2012 10min Permalink
“Like they said in Step Brothers: Never lose your dinosaur. This is the ultimate example of a person never losing his dinosaur. Meaning that even as I grew in cultural awareness and respect and was put higher in the class system in some way for being this musician, I never lost my dinosaur.”
Zach Baron GQ Jul 2014 20min Permalink
He created the template for contemporary hit-making, made Ace of Base the biggest group in the world, and mentored the most successful songwriter since the Beatles. Why have you never heard of Denniz Pop? Excerpted from The Song Machine: Inside the Hit Factory.
John Seabrook Slate Oct 2015 1h Permalink
As the hip-hop group Odd Future rose to fame, their sixteen-year-old breakout star Earl Sweatshirt mysteriously disappeared.
(After a stretch at a school in Samoa, he seems to have reappeared yesterday.)
Kelefa Sanneh New Yorker May 2011 35min Permalink
Ken Burns is a documentary filmmaker whose work includes The Vietnam War, Baseball, and The Central Park Five. His new series is Country Music.
“History, which seems to most people safe — it isn’t. I think the future is pretty safe, it’s the past that’s so terrifying and malleable.”
Thanks to MailChimp, Vistaprint, and Pitt Writers for sponsoring this week's episode.
Sep 2019 Permalink
“The first point he makes several times is that his new album will appeal to everyone; the second is that he is a changed man who’s grown up and calmed down. All I can say with certainty is that Brown is a stranger to the concepts of modesty and consistency.”
Decca Aitkenhead The Guardian Oct 2013 15min Permalink
The main thing that attracts me to Buddhism is probably what attracts every artist to being an artist—that it’s a godlike thing. You are the ultimate authority. There is no other ultimate authority. Now, for some artists that’s difficult, because they want to have the art police. They want to have the critic who hands out tickets and says, “That’s too loose.”
Amanda Stern, Laurie Anderson The Believer Jan 2011 20min Permalink
“As we enter into a new age, maybe art will be free. Maybe the students are right. They should be able to download music and movies. I’m going to be shot for saying this. But who said art has to cost money?”
Ariston Anderson, Francis Ford Coppola The 99 Percent Jan 2011 10min Permalink
On the photographer Catherine Opie who has “made a study of the freeways of Los Angeles, lesbian families, surfers, Tea Party gatherings, America’s national parks, the houses of Beverly Hills, teen-age football players, the personal effects of Elizabeth Taylor, the Michigan Womyn’s Music Festival, Boy Scouts, her friends, mini-malls, and tree stumps.”
Ariel Levy New Yorker Mar 2017 25min Permalink
A few years ago, before anyone knew his name, before rap artists from all over the country started hitting him up for music, the rap producer Lex Luger, born Lexus Lewis, now age 20, sat down in his dad’s kitchen in Suffolk, Va., opened a sound-mixing program called Fruity Loops on his laptop and created a new track... Months later, Luger — who says he was “broke as a joke” by that point, about to become a father for the second time and seriously considering taking a job stocking boxes in a warehouse — heard that same beat on the radio, transformed into a Waka song called “Hard in da Paint.” Before long, he couldn’t get away from it.
Alex Pappademas New York Times Magazine Nov 2011 15min Permalink
Jon Caramanica is a music critic at The New York Times.
“I like to interview people very early in their careers or very late in their careers. I think vulnerability and willingness to be vulnerable is at a peak in those two parts. Young enough not to know better, old enough not to give a damn. … The story I want to tell is—how are you this person, and then you became this? Then at the end, let’s look back on these things and let’s paint the art together. But in the middle when your primary obsession is how do I protect my role? How do I keep my spot? How do I keep the throne? I’m not as interested in that personally as a journalist or as a critic. ”
Thanks to MailChimp, Read This Summer, Google Play, and Pitt Writers for sponsoring this week's episode.
Aug 2018 Permalink
Albert Samaha is an investigative journalist and the deputy inequality editor at BuzzFeed News. His book Concepcion: An Immigrant Family's Fortunes comes out in October.
“I don’t think any child of the recession will ever not feel precarious. And being in journalism makes that even more so. ... At this point I’ve embraced the precarity of working in this industry. I’m sure at some point it’s going to be grating for people to hear me talk about how precarious and insecure I feel. … But I’ve got too many friends who are way too talented, who can’t use that talent in the ways that they are passionate about, for me to ever feel like my place in this industry is fully cemented.”
Thanks to Mailchimp and CaseFleet for sponsoring this week's episode.
Apr 2021 Permalink
"I think what Kanye West is going to mean is something similar to what Steve Jobs means. I am undoubtedly, you know, Steve of Internet, downtown, fashion, culture. Period. By a long jump. I honestly feel that because Steve has passed, you know, it’s like when Biggie passed and Jay-Z was allowed to become Jay-Z."
Jon Caramanica New York Times Jun 2013 20min Permalink
A biography of Jimi Hendrix’s Electric Lady Studios.
“So the stakes are high. I’m not just writing this to write. I’m writing because I think there’s something I need to say.” — Rachel Kaadzi Ghansah on the Longform Podcast
Rachel Kaadzi Ghansah The Believer Jan 2015 20min Permalink
Steve Miller had a clear-cut legal case when the Geto Boys used his guitar-hook in their raunchy 1990 single “Gangster of Love.” The racial implications weren’t so simple.
Excerpted from The Geto Boys(Bloomsbury’s 33 1/3 series, 2016) .
Rolf Potts 33 1/3 Jun 2016 10min Permalink