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Gerhard Steidl is Making Books An Art Form

Steidl, who is sixty-six, is known for fanatical attention to detail, for superlative craftsmanship, and for embracing the best that technology has to offer. "He is so much better than anyone,” William Eggleston, the American color photographer, told me, when I met him recently in New York. Steidl has published Eggleston for a decade; two years ago, he produced an expanded, ten-volume, boxed edition of “The Democratic Forest,” the artist’s monumental 1989 work. Eggleston passed his hand through the air, in a stroking gesture. “Feel the pages of the books,” he said. “The ink is in relief. It is that thick.”

2020 Letter (On China)

China is neither a Marxist fundamentalist regime nor a universally-surveilled open-air prison, in which one is free to do nothing but worship the party and carry out its edicts. That is however the impression created by quite a bit of the media. I think that’s not the fault of individual journalists, instead more structural explanations are at work. News bureaus are highly concentrated in Beijing, due in part to natural corporate consolidation, but mostly because the government maintains a strict cap on foreign journalist visas. As a result, the bulk of journalists are based in the part of China that has the most politics and the least sense of growth. Everything here is doom and gloom, a fact well conveyed to the outside world.

The Sorcerer of Jazz

“Miles Davis was a deeply competitive artist, and the idea that he was losing audiences to white rock musicians with inferior skills—and, worse, had to open for them at concerts—inspired him to beat them at their own game. But he did so very much on his own terms.”

Women As Bosses

“Some companies are beginning to allow women to take their management-training courses. A woman sitting in on an executive conference is less of a shock to the male than she was only a few years ago. A few big companies–R.C.A., the Home Life Insurance Co., and the New York Central, for example–have even ushered women into the board room.”

Eating the Whale

There is an alternate definition for meat, one that simply means the thing inside of the thing—i.e., the meat of a coconut or the meat of a problem. My inquiry aimed to understand the living, the dead, and the part in the middle as well, the thing inside of the thing. I’m trying to tell you why I had finally resolved to taste whale.

The Rise and Inglorious Fall of Myspace

How what was once one of the most popular websites on Earth—with ambitions to redefine music, dating, and pop culture—became a graveyard of terrible design and failed corporate initiatives:

In retrospect, DeWolfe says, the imperative to monetize the site stunted its evolution: "When we did the Google deal, we basically doubled the ads on our site," making it more cluttered. The size, quality, and placement of ads became another source of tension with News Corp., according to DeWolfe and another executive. "Remember the rotten teeth ad?" DeWolfe says. "And the weight-loss ads that would show a stomach bulging over a pair of pants?"

The Age of Mechanical Reproduction

An essay on a pregnancy attempted:

When I tell people what we are doing, they want to hear about the room where you produce. I tell them that there is a lot of paperwork. That they take your picture and look at your license. Then they walk you back to the room. You are handed a list of instructions and some stickers and a plastic cup. The cup has a forest-green lid. In the room is a VCR. I like to write down the names of the videos so I can share them with my wife and friends: Ass Angels #4, Original Black Queens of Porn (Afro-Centrix #113), and Chock Full of Asians. The latter features a woman with enlarged breasts so swollen they look luminous, like the sense apparatus of a recently discovered deep-sea fish.

Michael Grabell and Bernice Yeung are investigative reporters at ProPublica. They won the George Polk Award for Health Reporting for their coverage of the meatpacking industry's response to the pandemic, including their feature "The Battle for Waterloo."

This is final part of a week-long series of conversations with winners of this year's George Polk Awards in Journalism.

Heather Havrilesky writes the Ask Polly and Ask Molly newsletters. Her latest book is Foreverland: On the Divine Tedium of Marriage.

“It’s not a good story when you're bullshitting people. I didn't want this book to feel like bullshit…. I wanted to show enough that you could feel reassured that it's normal to feel conflicted about your life and the people in it. It's normal to feel anxious about how much people love you. And it's normal to feel avoidant about how much people love you. It's normal to feel like a failure in the face of trying to stay with someone over the course of your entire life.”

Azmat Khan is an investigative reporter for the New York Times Magazine. She won the George Polk Award for uncovering intelligence failures and civilian deaths associated with U.S. air strikes.

“I think what was really damning for me is that, when I obtained these 1,300 records, in not one of them was there a single instance in which they describe any disciplinary action for anyone involved, or any findings of wrongdoing. … When I was looking at this in totality, suddenly it’s really hard to say you have a system of accountability.”

This is the last in a week-long series of conversations with winners of this year's George Polk Awards in Journalism.

“Go, Fight, Win”

A former ambassador to China and potential 2012 GOP candidate on the power of optimism:

Remember others. The greatest exercise for the human heart isn't jogging or aerobics or weight lifting – it's reaching down and lifting another up. Find a cause larger than yourself, then speak out and take action. Never let it be said that you were too timid or too weak to stand by your cause. Learn what it feels like to give 100 percent to others. It’ll change your life.

Insider Baseball

Joan Didion versus the boys on the bus:

American reporters “like” covering a presidential campaign (it gets them out on the road, it has balloons, it has music, it is viewed as a big story, one that leads to the respect of one’s peers, to the Sunday shows, to lecture fees and often to Washington), which is one reason why there has developed among those who do it so arresting an enthusiasm for overlooking the contradictions inherent in reporting that which occurs only in order to be reported.

Insider Baseball

On the 1988 presidential election and the boys on the bus.

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“American reporters ‘like’ covering a presidential campaign (it gets them out on the road, it has balloons, it has music, it is viewed as a big story, one that leads to the respect of one’s peers, to the Sunday shows, to lecture fees and often to Washington), which is one reason why there has developed among those who do it so arresting an enthusiasm for overlooking the contradictions inherent in reporting that which occurs only in order to be reported.”

Renata Adler is a journalist, critic, and novelist. Her nonfiction collection is After the Tall Timber.

“Unless you're going to be fairly definite, what's the point of writing?”

Thanks to MailChimp, and Pitt Writers for sponsoring this week's episode.

Girls at War

On a group of teenage believers raised in settlements on the West Bank:

They say it takes one generation to found a new language. These girls are a new language, believing that they belong to the land on which they were born, and sponsored by the government they despise, which pays for their roads and electricity.