Details from a Lord of the Rings fantasy game interrupt details of a tragic, complicated personal life.

"Right about now, I assume you’ve gotten a bit bored. Dead babies! Let me tell you, dying babies bore the shit out of pretty much everyone, I’ve learned. So, let me take a moment to tell you a humorous LOTRO anecdote (that is, Lord of the Rings Online) about my level 25 minstrel character, Sinuviel. You see, LOTRO is free up to a point, and great fun if you have access to a computer that is badass enough to run it. Just before my fiancé, James, died, I bought a refurbished ASUS laptop for dirt cheap, and it was the best thing in the world for distracting me from how boring my dying child was to everyone I’d ever known."

An uneasy relationship between two people squatting in a crime scene house.

"But that guy was gone. In between the fourth and fifth beer at the bar, he disappeared in a haze of yellow and heat. Someone’s joke. A crack of broken glass. Tony and the guy out the door. Maybe in the back alley. And then it was all Tony Disco sidling up to me at the bar, his arm warm against mine, his breath like juniper. And now here he and I were, slumped on a dead woman’s couch."

The death of a pet leads to unique, unsettling mental strains.

"She needed to take a seat. Altogether too much for a morning already, and it was only seven. She collapsed backwards onto the couch and the thing jumped into the lap of her nightgown, settling into the space there, the way Caleb had done as a puppy. She touched it tentatively, and the thing seemed to shiver pleasantly under her hand."

Deep in debt, a man makes a large racetrack wager and recalls his history of gambling.

"I lean in to the betting window and tell her I want a grand on my horse. She looks shocked at first. She knows it’s a bet I shouldn’t be making, a bet I can’t afford, but she doesn’t know I’m running out of options. If I can’t come up with some serious cash soon, my number’s up. She types in some information but it seems to take her longer than usual."

In a series of diary entries, a woman explores her terrifying relationship with a vampiric count.

"The first thing I saw this way was me. I was in bed beside him, and began to drift into sleep. When my eyes closed I saw myself, dozing. My hair was silver and gold on the moonlit pillow and my mouth was smeared with his blood. I opened my eyes and he was leaning over me, studying me. I asked him what was the matter."

Survivors of a shipwreck have their endurance tested, and their story concludes on Thanksgiving Day; an excerpt from Jo's Boys.

"The other boats were out of danger and all lingered to watch the splendid yet awesome spectacle of the burning ship alone on the wide sea, reddening the night and casting a lurid glare upon the water, where floated the frail boats filled with pale faces, all turned for a last look at the fated Brenda, slowly settling to her watery grave. No one saw the end, however, for the gale soon swept the watchers far away and separated them, some never to meet again till the sea gives up its dead."

Nighttime mysteries of flower petals and animals.

"The streets filled with coyotes at night. Their cries pulsated into our sleep in such a way that everyone thought they were a dream and never mentioned them to anyone else. I slept in their sounds until the last few skirted back to hiding places. Under cars and in bramble thickets."

Struggling with sobriety, a man considers faith in all its complications.

"Wishes pour out of me, spilling onto the couch like blood from a bull on an altar. Big wishes for the whole of humanity—world peace and things like that— then, medium wishes—a better job, a wife, kids even, which I’ve never, ever wanted before, and even small wishes I laugh at but still mean—the Cubs in the Series, for example. I wish to hate booze, wish that my stomach would catch fire and burn me to death from the inside out if I ever take another drink. I wish for a better life, for a new me, for a better spirit. Without knowing exactly what that means, I wish for a better spirit."

Horrifyingly astute reflections on a series of murders.

"The bank clerk gave John a pinched look as he pulled out his calculator, checking if she’d paid him the correct interest when cashing out Mother’s savings bonds. (She had, to the penny.) He sensed her subtle gloat. John didn’t care. He’d ended two people’s pain that day, single-handedly. Was SHE ever that kind?"

As a mother and son share cocktails on the porch, past problems are discussed and imagined.

"She was aware of the resonance of her son's voice. She guessed the neighbors were used to it by now, and would assume Bradley was having another mental fit. They didn't know how hard these family deaths had hit her son, and how tough it was to keep him from getting aroused, or agitated, a word his therapist used a lot. She knew too, that her son, like his father, was persistent and could fixate on things."

A woman's life is complicated by a sick lover and a job playing Bigfoot.

"I wait for the woman to relax, watching for the instant when she begins to think: maybe there won’t be a monster after all. I can always tell when this thought arrives. First their posture goes soft. Then their expression changes from confused to relieved to disappointed. More than anything, the ambush is about waiting the customer out. I struggle to stay in character during these quiet moments; it’s tempting to consider my own life and worries, but when the time comes to attack, it will only be believable if I’ve been living with Bigfoot’s loneliness and desires for at least an hour."

Two fictions about yearning, morphing, and instincts.

"The stewardess needed time to figure out what protocol she should follow or what precedent the man and his possessions had set. The man preferred not to wait and ran as fast as he could through the door to boarding, past passengers who had already gone through and formed a line inside the tube with the little windows, waiting like blood in a syringe, now followed at an animal’s pace by the little suitcase on legs, ridden like a horse by the passport with the long fingers, a sight that both fascinated and terrified and caused personnel, propelled by some odd sense of duty, to stand in the way of the trio and block their path, to protect the plane and its pilots and cabin crew from what they couldn’t define."</p>

Drug trips in space; from Motherboard's new science fiction series.

"During the Earth trials, someone told her that being in orbit was just falling around the planet forever. Back in the safe house somewhere in the Midwest, with 2,000 milligrams of MDMA ricocheting across her brain stem, it wasn't practical information. But she had retained it. Ground Control didn’t know the first thing about throwing a party. The drugs were free, but those nights on Earth always ended with psychonauts sobbing in the corners of the room, touching each others’ faces in the darkness. Of course, the Earth was falling too—around the sun."

Three brothers, imprisoned and hunted by a cruel knight.

"Who am I? I do not know how he changed our names. But in this world of lions and giants and the blinding shine of armor, I am called Joyless, as if it were a name."

A WWI unit's fears and its devotion to a homing pigeon.

"I wish you could see Cher Ami. She always looks so patient. Her coo helps ease the stress. When you peek in at her, you feel the steadiness in her little black eyes. It says she’s ready. Just a little twitching in her neck, her legs. We feed her what we can. She always gets something. Usually breakfast biscuits and pieces of apple, some snatched abandoned beans left to dry on a wall. But sometimes these days it’s seeds we find and even the lice off our greatcoats. We always apologize when its seeds or lice, but she never seems to mind. She eats it all the same. We are always careful to feed her. You know, its like she knows we’re sorry. It’s like she gets it."

A woman bonds with her terminally ill sister over food, memories, and shaky lives.

"When Ava won the middle school election, there was peach cobbler with a filling so warm it burnt my tongue. When I failed chemistry, she silently let me lock myself in my room, but I came down for dinner to lasagna with short ribs that fell apart at the slightest nudge. Mom would only speak to us seriously once our mouths were full; with blueberry-banana pancakes the morning of the SATs, chicken-stuffed bell peppers after soccer games, and over spaghetti carbonara for high school heartaches. We came to interpret her innermost thoughts in meticulous meals culled from Julia Child and the Rombauers. It was like she needed something to distract us when she was fully there."

A fragmented story of a mysterious online networker of "workers" and "clients."

"Worse than the ones who smelt of wool and mould were girls who buffed their skins to marble, reeking of fruit liniments, tripping on tiny stilts, giggling like passive ewe, pretending to be air."

A single mother and her children attend an Alaskan cruise ship magic show.

"The magician from Luxembourg did his tricks, which seemed more sophisticated than those of his predecessors. Maybe because they involved roses? Before him there had been merely carnations. The roses, this was a step up. Women holding roses appeared in boxes, boxes on wheels, and the man from Luxembourg turned these boxes around and around. Then he opened the boxes, and the women were not there; they were somewhere else. Behind screens! In the audience!"

A farm family is beset by body horrors, crows, and the appearance of a mysterious figure.

"I wish some flood would cover me and bring me peace and comfort. Every day I miss my mother. My heart seems to have been torn from my chest, just like my father’s. Sometimes I go up to her sewing room when Janna is busy with our father. I close the door so that Fig can’t follow, and I sit in the armchair that no one ever used, the one our mother draped swatches of calico over when she didn’t have anywhere else to put them. The room is full of Mother’s smell, lavender and starchy cloth, and the hyssop that flavored her tea. It has also retained her silence, the atmosphere of quiet contentment that she exuded when busy with her sewing. Her ancient Singer sewing machine seems to dominate the room, its black enamel and fussy gold lettering giving it an air of slightly pompous authority as it perches on the battered oak desk. The dressmaker’s dummy occupies one corner, iron hoops and wooden moulds in the shape of a lady’s torso, its head a shrunken knob. The window opens outward, and you can climb over the windowsill and step out onto the roof."

A 1950s summer romance, imagined by an agonized, metafictional narrator.

"At some point during the evening he walked Rebecca home. She lived on Lake Shore Drive, a wide road that skirted the beach and ran parallel to the small river that flowed into Lake Minnehaha. Lake Ramapo? Lake Tomahawk. Lake O-shi-wa-noh? Lake Sunburst. Leaning against her father’s powder-blue Buick convertible, lost, in the indigo night, the creamy stars, sound of crickets, they kissed. They fell in love."

An interactive fiction: a son and the illusion of his dead father; the intersection of technology and real life.

"Once I created his page I tried to return to my life. I was twenty-six years old, a man of inconsistent employment. During the winter I shoveled snow for the elderly. They paid me in germs and butterscotch candy. My landlord, an independently wealthy sexagenarian, accepted the candy as payment. She also insisted I tidy the complex. I changed light bulbs. I dusted the parking lot. I swept cigarette butts into the street. I clubbed the occasional beehive. My life was guarded and lonely, and susceptible, I soon discovered, to the distraction my father provided."

Human emotions and contact in the far future.

"Ethan begins moonlighting at the touch center on weekday mornings. Off-peak hours. He robo-cabs it there and back alone. Still, working there is a leap from the isolation of his apartment, and it’s the first time he’s felt inspired in years. He knows he’s not handsome by conventional standards, but he can give a mean hug and they never have enough guys to work at places like this anyway."

A troubled wife's obsession with her husband's ex.

"I’d been researching generic articles on divorce for a long time, but never found anything that reminded me of Henry’s. They were young, but they weren’t as stupid as he seemed to say. They seemed to have really been in love. The picture he’d shown me was of them on a boat on a lake—a lake we’d been to, one we’d brought a picnic lunch to. They looked so happy and he looked so young, his hair not yet flecked with stray whites and grays."

A story of bird and human patterns.

"Rose is nothing without him because difference defines everything. The eyes of the Cooper’s hawk are closer to the front of the head than the sharp-shinned hawk. The downy woodpecker’s bill is small relative to its head while the hairy woodpecker’s bill is long and thick. House finches are more slender than purple finches. When she finds his hairs scattered on the pillow, they are straight, black pins while hers are bright, red commas."

A divorcee attempts to get back on his feet.

"Ira had been a married man for fifteen years, a father for eight (poor little Bekka, now rudely transported between houses in a speedy, ritualistic manner resembling a hostage drop-off), only to find himself punished for an idle little nothing, nothing, nothing flirtation with a colleague, punished with his wife’s full-blown affair and false business trips (credit-union conventions that never took place) and finally a petition for divorce mailed from a motel. Observing others go through them, he used to admire midlife crises, the courage and shamelessness and existential daring of them, but after he’d watched his own wife produce and star in a fabulous one of her own he found the sufferers of such crises not only self-indulgent but greedy and demented, and he wished them all weird unnatural deaths with various contraptions easily found in garages."