A couple goes about their relationship while the world outside may or may not be descending into chaos.

"When the announcement was made, my first instinct was to hold my breath in case whatever it was had already been released into the air. 'What?' Victor asked, coming in and turning down the volume. I exhaled. 'Gas masks,' I said."

Two shorts: 'Dear Creatures' examines a relationship and a chance observation; 'Imaginary Birds' examines place, potential creations, and identity.

"Some of you will leave, break through the walls to build more in someone else’s country, uninvited and entirely necessary. You will bring tablets to make the water drinkable, pieces of printed paper to explain your theories; scrawl pictures in the dust when words become too heavy in the mouth. You will wipe soot from leaves, soak oil from birds. You will weave shelters from torn branches with ends still weeping sap. You will build things up for others to break down."

A young man explains the physical and psychological turmoils of his anatomical differences.

"Sorry, I keep forgetting you’ve seen my file. As I was saying. Even after I started dating, I still had to leave the gloves on. I’d tell a girl that my hands were covered in burn scars or that I had early onset arthritis. It was easier to lie to them, give them something they’ve heard of, something they could believe. Something they could deal with."

A mother and her two daughters vacation at Lake Champlain; an exploration of fears both mythological and personal.

"A few months ago, we saw a documentary piece on Champ, part of a low-budget sea monster show on PBS. We converged in the living room, feeling defensive of our lake, our monster, our private August world. The camera panned across sepia-toned photographs of the steamboat from which Champ was sighted in 1870, portraits of distinguished believers pointing to their graphite renderings of the serpent. Mallory’s fingers tightened on the arms of her chair as she watched a computer-generated Champ dive and surface, as a blonde actress standing waist-deep in the lake shrieked and snapped the iconic Champ photograph: a humped back and a slender brachiosaur neck rising from the dark water."

A nameless, interlocking conversation about a tryst.

"Of course he was American, but I courted him, not the other way around. And now he's returned to the United States and you miss him. B-- removes a cigarette from her silver case. Please don't light that, A-- says, I haven't finished my meal. All right, go on then, tell us about him. When was the affair? C-- asks. He went home two weeks ago. You didn't tell us, D-- says. I didn't think you would understand. I understand that you're my friend and should have said something. So I was right, you don't understand."

A dreamlike look at a person's lavish celebration with various figures from her life.

"They are all waiting by a picnic table in a park this person has driven past many times before. There they are, it's everyone. There are balloons taped to the benches, and the girl this person used to stand next to at the bus stop is waving a streamer. Everyone is smiling. For a moment this person is almost creeped out by the scene, but it would be so like this person to become depressed on the happiest day ever, and so this person bucks up and joins the crowd."

A tale of romance gone wrong, from MacArthur Fellowship winner Junot Diaz's new collection This Is How You Lose Her.

"Alma is a Mason Gross student, one of those Sonic Youth, comic-book-reading alternatinas without whom you might never have lost your virginity. Grew up in Hoboken, part of the Latino community that got its heart burned out in the eighties, tenements turning to flame."

The inimitable Blake Butler presents us with a strange gestation and a talking bear.

"God will knit it in my womb like he did you, she murmured. When you wear it you will blind the world. "

A prehistoric human specimen sets precipitous events in motion.

"Whereas before we would march down the sterile, artificially lit halls of the Institute, nodding to one another as we passed, the air around us a cold flutter of clipboards and clicking pens, we now began to stop and greet one another, laughing. Two weeks with Loeka, and some of the men started showing up to the lab in more brightly colored shirts and gag neckties."

Wildly diverse thoughts while waiting for coffee.

"I then remember that I am only ordering coffee and wonder how that would be depicted and I settle on an outline of Columbia only to realize that I am giving far too much credit to the register’s operator to deduce that coffee is the blow state’s largest legal export and then wonder if it could be a button with a brown “C” and realize how easily that would be confused with Coke."

A couple's relationship, analyzed in standard and experimental shorts.

"A brown beard and sideburns thirty years ago; now bald on top and feathery white tufts above his ears. Thick-knuckled fingers wrapped in wrinkles; reddish palms, the same as the end of his nose and the rims of his eyes. Construction, a soda fountain, washing neighborhood cars, infantry, insurance adjustment, management, retirement. Brother, father, grandfather, husband. Tin Roof Sundae ice cream, creamed corn, cornbread. Breadwinner, collector of rare bottlecaps, once sled down a hill of grass. This morning imagined his death, falling from the wings of a bird to the green ground, splayed like a leaf, equal parts love and regret. "

A butcher contemplates death and life in various forms.

"I don’t like the idea of being stuck anywhere. I would rather be in hell. You know why? Because even though they all say that hell sucks, that there’s nothing decent going on there, I’ll bet you a trillion dollars that every once in a while you’ll be resting on your pitchfork, taking a slight break while The Whipmaster sips at his coffee, and you’ll look out over the valleys and hills of hell and think, hey, fire and brimstone are sort of pretty at this hour, almost like a big, violent sunset. "

A sample from Powell's 2009 novel-in-questions.

"Are you happy? Are you given to wondering if others are happy? Do you know the distinctions, empirical or theoretical, between moss and lichen? Have you seen an animal lighter on its feet than the sporty red fox? Do you cut slack for the crime of passion as opposed to its premeditated cousin? Do you understand why the legal system would? Are you bothered by socks not matching up in subtler respects than color? Is it clear to you what I mean by that? Is it clear to you why I am asking you all these questions?"

Sketches of a lonely woman's search for love and happiness.

"...three weeks later asking the redheaded dishwasher to drive her home and directing him to the spot she knew those girls went to, her lips aflame, when he pulled up sliding over, the stick shift digging into her hip, putting her mouth on his freckled neck, it smelled like mashed potatoes and industrial soap and sweat, her hand first on his thigh and then crabcrawling to his zipper, it was already hardening under there despite him saying, Hey hey, what, and Peggy Paula saying, Just, please, and the dishwasher quiet after that, letting Peggy Paula, letting her, following her into the backseat, holding her tight when it happened, saying I’m sorry and Peggy Paula saying Shh, stinging his shoulder with her lips and his back with her nails and feeling filled up and afraid and like her heart could kick the windows out."

An armchair astronaut attempts to become the first black man to walk on the moon.

"The robot had this fold-down flap on its backside and Wesley sat there, buckled in, and told us he and the robot were going to outer space. There were fuses attached to the thing's feet and we stood back as he lit them like Wile E. Coyote. Well, that crazy robot went up all right—right up in flames! And we all about fell on our faces laughing, Wesley loudest of all."

The man behind Ripley's Believe It Or Not!, and his "Ghostly Appendage."

"If an Appendage may be allowed an opinion, here is mine: Given an era of less anxiety and more discretion, take away the Great Depression and two World Wars, and Ripley might have been your run of the mill suburban crackpot. A plastic bag sorter, hoarder of stoppers and snaps, jam jars, jawbreakers, broken ping pong paddles, push mowers, racially inspired lawn ornaments, waffle irons. He was simply a man at ease with bizarre objects, weird bibelots, fantastic freaks of nature who made him feel, by association, less odd."

Adolescent desires and yearnings permeate the memories of an all-boys academy.

"At school, we were allowed to wear costumes but were not allowed to bring treats. So we'd made the most of it -- we wore our costumes, we overcrowded the hallways with streams of sleepy ghosts. And often, through the punctured eyeholes of our masks, we tried to imagine how things might be if only we had girls. We envisioned an influx of princesses, maybe a witch or two or three positioned by the lockers. But we were an academy, an all-boys academy, and the possibility of both girls and treats were, in Principal Foster's eyes, completely out of the question."

Two gay brothers--one semi-closeted, one out--navigate a lifetime of tensions and problems.

"But something changed between Davis and me the afternoon we met downtown for lunch, sitting in a coffee shop in a small vinyl booth, facing one another. Davis leaned forward as he talked. When we were in high school, he confided, he'd sometimes taken our mother's Impala and driven downtown to have sex with a Korean man he'd met in a park, an accountant who lived in a boardinghouse near Dupont Circle. He and the man never really spoke, Davis said; nothing was exchanged between them, nothing but sex, which was hurried and guilty, and which provided only the most momentary relief, followed by Davis's long drive back to our house in the suburbs, listening to the call-in shows on stations our mother had preprogrammed on her car radio. He'd also had sex a few times with a popular boy, he said, a football player he'd occasionally brought back to our house while our mother was working, offering him some beer or a little marijuana, though the boy never acknowledged him afterward, not even with a quick nod if they happened to pass one another in the hallway the next day at school."

A robot anatomist contemplates the mysteries of the mind.

"While we knew a little about the structure of the brain, its physiology is notoriously hard to study because of the brain's extreme delicacy. It is typically the case in fatal accidents that, when the skull is breached, the brain erupts in a cloud of gold, leaving little besides shredded filament and leaf from which nothing useful can be discerned."

A Green Beret returns from Haiti and surprises his wife with news of his unusual spiritual "marriage."

"She got it, sort of, how fluid and free your mind might become when life took on the quality of hallucination. How that might blow your coping strategies all to hell? Dirk meditated daily in the middle of the den, which Melissa took for a joke at first—Green Berets, snake-eaters, did not meditate, nor did anyone else she knew except people from Chapel Hill. 'Keeping it real' was how he explained himself; meanwhile Melissa took wary note of her dreams and watched her life fill up with nagging signs and portents."

A woman makes a companion from spoiled soup in this weird tale from the "Queen of Russian horror," Anna Starobinets.

"I moved, but a week later I'd already started fretting. After all, I did have a responsibility. I was constantly wondering how it was getting on there without me. Completely alone. In the plastic bags."

The history of a relationship between a son and his mostly-absent father.

"He lay down. His spine pressed into the soil a notch at a time, undid him. Upside down was a land of female legs. He was fond of these new bell-shaped skirts, wide enough to crawl under and be kept safe, and wished he had waited to marry, or married differently. He thought, What if I stayed here? Let the sun swallow me, and the orange dazzle under my eyelids become not just the thing I see but the thing that I am, and let the one daisy with the bent stem, and the rose smell and the girl upside down on the pub bench eating an upside-down ploughman's with her upside-down friend be the whole of the law and the girth of the world."

The author ("media inventor" Robin Sloan) describes this as a "short story about recession, attraction, and data visualization."

"That night, at the bookstore, I started working on the new visualization, thinking I could impress Kat with a prototype. I am really into the kind of girl you can impress with a prototype."

The hungry, woozy thoughts of a young hitchhiker.

"The time since our last bath has made us smell completely wanton, like we’re bad apples. That is why I am not allowed to faint, no matter how hungry I get. If I swoon, there won’t be help. My body will not be held in arms until it can be laid gently among the reeds. Rather, my skull will split against, and brains will spill great fountains on the sidewalk. The crowd will continue, too busy to observe the tableau by their feet. If anyone hears my splash, they’ll see the dark sky and be convinced that it’s somehow got to do with rain."

An abstract observation of a man on life support.

"The contract was spongy white yellow and was held by a paper clip and smelled of musk and told her to unplug them no matter what. He had wanted it that way. She too. But now here she was three sweaters down and two pairs of striped socks snug and warm against a niece’s fourteen-year-old cream calves and her drink resting on his chest sweating itself to dilution."