Here’s what I really want to do at 32: fuck a girl and then, as she’s sleeping in bed, make breakfast for her. So she’s like, “What? You gave me five vaginal orgasms last night, and you’re making me a spinach omelet? You are the shit!” So she says, “I love this guy.” I say, “I love this girl loving me.” And then we have a problem.

George Lois never actually worked at Esquire, he simply designed the most iconic magazine covers of the 60s as a moonlighting gig while revolutionizing (and, generally pissing off) the advertising industry by day.

“As we enter into a new age, maybe art will be free. Maybe the students are right. They should be able to download music and movies. I’m going to be shot for saying this. But who said art has to cost money?”

“Fiction writers are good people, usually. There’s a lot of pretenders, but I haven’t met a lot of sons of bitches.”

An interview with mind behind both Five Easy Pieces and The Monkees.

A interview with John Pistole, head of the TSA.

The director of Slumdog Millionaire and 127 Hours on his aversion to America, the advantages of small budgets, and the challenges of directing the opening ceremony for the London Olympics.

Jay-Z on his new book Decoded, his parents’ record collection, and the real reason rappers have a tendency to grab their junk on stage.

An interview with Douglas Hofstadter, who after winning the Pulitzer for Gödel, Escher, Bach retreated into the lab and published only sparingly in technical journals, on what it would mean if a program could generate humor and/or masterful compositions.

An interview with R. Crumb on how he adapted Genesis into comic form.

Tony Kaye was one of the biggest commercial directors of his time. Then he directed American History X and, by his own admission, completely lost his mind.

An 1992 interview with Martin Scorsese. On Goodfellas, “I figured to do it as if it was one long trailer, where you just propel the action and you get an exhilaration, a rush of the lifestyle.”

An interview with William Gibson on the “dark, dark world of marketing, advertising, and trend forecasting.”

Alex Haley interviews the Honorable Elijah Muhammad’s number two - Malcolm X - in a Harlem restaurant.

An interview with Sandy Koufax on “the management of excellence.”

An interview with Greil Marcus on the songs of Van Morrison and why people are afraid of imagined things.

An interview with Lawrence Schiller, himself one of the great interviewers of his time, whose research fueled Norman Mailer’s Executioner’s Song.

Bill Murray grants a rare interview and appears to admit, among other things, that he occasionally approaches strangers from behind on the streets of NYC, puts his hands over their eyes, and says “guess who.”

In January 1966–the same month In Cold Blood was first published–Truman Capote sat down with George Plimpton to discuss the new art form he liked to call “creative journalism.”

The champ is now a vegan, claims to be broke, and says he feels freer than ever before. “I have this uncanny ability to look at myself in the mirror and say, ‘This is a pig. You are a fucking piece of shit.’”

A interview with David Mitchell, author of the recent The Thousand Autumns of Jacob de Zoet and Cloud Atlas, on stretching a fictional universe across multiple novels and centuries of real history.

An interview with New Yorker critic Alex Ross about his book The Rest is Noise and why there’s really no such thing as “classical music.”

An email dialogue between David Gates and Jonathan Lethem on writing fiction in the age of online experiences.

“The problem is I’m older now, I’m 40 years old, and this stuff doesn’t change the world. It really doesn’t.” –Steve Jobs, 1996

A 1992 Q&A with Woody Allen, conducted in the midst of the media swarm around his newly public relationship with Soon-Yi.