The Deadly Business of War-Zone Medical Care
The work of Doctors Without Borders is in jeopardy.
The work of Doctors Without Borders is in jeopardy.
The International Criminal Court embodied the hope of bringing warlords and demagogues to justice. Then Luis Moreno-Ocampo took on the heir to Kenya’s most powerful political dynasty.
A pro-Ukraine activist goes silent in separatist-held Donetsk. A foreign correspondent goes looking for him.
Who authorized the bombing of a Doctors Without Borders hospital in Afghanistan, and why?
How a young Afghan trucking-company owner became spectacularly rich.
Kidnapped by rebels when he was 9, Dominic Ongwen grew up to command fighters who slaughtered, raped, and pillaged. Is he guilty of heinous crimes or was he a hostage the whole time?
The ragtag group of fighters from America and Europe who joined the fight against extremists in Syria don’t seem to know what they are doing.
Troubles and afflictions weigh on counselors and veterans.
"The Fort was actually just an ugly house. Eighteen rooms, two stories. A kitchen, a lavatory, a staircase. One office, one entrance, two exits, thirty-six bunks, four televisions, the mini-library, two footballs, one fútbol, a basketball, and the whole of Big Ben, the biggest backyard in Texas. It housed between twenty-one and thirty-two bodies a year. Most of them stayed a couple months. They found us through each other."
An Iraq War veteran, now a paramedic, runs into trouble.
"I rewarded the man with another hit of naloxone, which made him even more alive, even less happy. Karen was busy with the gear, and I thought for sure that the coast was clear. It wasn’t. As soon as I put the note in my pocket, I saw the boy. He stood in the doorway, watching me with a basically impassive expression. He chewed his gum. He blew a splendid bubble."
A WWI unit's fears and its devotion to a homing pigeon.
"I wish you could see Cher Ami. She always looks so patient. Her coo helps ease the stress. When you peek in at her, you feel the steadiness in her little black eyes. It says she’s ready. Just a little twitching in her neck, her legs. We feed her what we can. She always gets something. Usually breakfast biscuits and pieces of apple, some snatched abandoned beans left to dry on a wall. But sometimes these days it’s seeds we find and even the lice off our greatcoats. We always apologize when its seeds or lice, but she never seems to mind. She eats it all the same. We are always careful to feed her. You know, its like she knows we’re sorry. It’s like she gets it."
Published across three consecutive issues and later adapted into the book (and mini-series) Generation Kill, the story of bullets, bombs and a Marine platoon at war in Iraq.
A correspondent is thrown into an unexpected battle.
"But war is a spirit. War provides for those that it loves. It provides sometimes death and sometimes a singular and incredible safety. There were few ways in which it was possible to preserve Perkins. One way was by means of a steam-boiler. Perkins espied near him an old, rusty steam-boiler lying in the bushes. War only knows how it was there, but there it was, a temple shining resplendent with safety. With a moan of haste, Perkins flung himself through that hole which expressed the absence of the steam-pipe."
A deserting Civil War soldier sets out for home.
"As he approached Jacob Story’s farm, Benjamin saw that the corn stood dark and high. No hard frost or gullywasher had come. The signs held true, not only for the corn but the beans and tobacco. Smoke rose from Jacob’s chimney. Noon-dinner time already, he thought. Benjamin followed the trailway through a stand of silver birch, straddled a split-rail fence, placed one foot on his land and then the other. He had hoped Emma would be in the cabin. That way he could step onto the porch, open the door, and stroll in no differently than he would coming from a field or the barn. Benjamin wanted their separation to seem that way, he wanted to never speak of the war or their months apart. He wanted it to become nothing more than a few dark moments, like a lantern carried through a cabin’s low door."
Two men take different paths during the Spanish Civil War.
"We each took a shovel, cursing the officer and the soldier whose question put us in our position, but before we dug a hole big enough for three corpses, another truck came from the bullring to the cemetery. This time, four of the Moroccan regulares sat on the tailgate. They shared a cigarette and joked with one another while bodies jostled heavily behind them. So we began unloading the dead. I hesitated touching their hairy forearms or muddy ankles, their bare feet or damp armpits, moist from fear. Their clothes and skin were soaked through, and their blood was warm and slick, making them difficult to handle. For many, their bowels had released their grip in death, and we worked while trying to cover our noses with a shoulder. Most of the bullets had entered their chests, though some destroyed their jaws so that their mouths swung open across a shoulder. What should we do about this one? a soldier asked, pointing at a still-blinking rojo. Blood clouded his eyes, and he breathed with his mouth open. Flies grazed at the corners of his lips. A bullet had sheared a hole through his trachea, which wheezed with each breath. The commanding officer glanced down, then turned away. He’ll be dead by the time you finish digging his grave, he said."
Loss, redemption, and magic highlight a friendship between two different men.
"He was standing beside the Cutlass, looking at Billy with an old man's expectant smile, waiting for him to unlock the door and hold it for him till he'd placed his still-calcium-rich but nonetheless old bones in the passenger seat. Billy stared at him, trying to figure out what was at risk if he unlocked that door. Then he snorted a tiny laugh, unlocked the door, held it for Gaspar as he seated himself, slammed it and went around to unlock the other side and get in. Gaspar reached across and thumbed up the door lock knob. And they drove off together in the rain."
How humanitarian disasters are good for nature.
After sending dirty photos overseas, a high school girl is pursued by a returning soldier.
"She wondered how Ben could be everywhere she was. She had known that he would come for her, or in any case that one of them would. She hadn’t thought that it would be so soon. She hadn’t thought that it would be so strange. She had wanted to date civilian boys for a while, boys who didn’t know what it was like to bleed a man out. Not forever, but while she was young."
Tracking down a Congolese war criminal.
While being stripped and sold, old ships reflect on their long histories and the generations of men associated with them.
"But we were the ones they came back to, dawn after dawn, year after year. We were the ones who brought them home, hoary and frail, to Snug Harbor. The nurses tucked them into wooden wheelchairs. They spent the landlocked hours making models of us in bottles, the Nellie P. and the Golden Eagle, the Sallie Ann and the Spirit of Victory. Hunched between the wall with the clock and the wall with the crucifix, they assembled us from memory. Their fingers traced each narrow bottleneck. They slipped inside as far as they could reach."
How the CIA used a fake science fiction film to sneak six Americans out of revolutionary Iran. The declassified story that became Ben Affleck’s Argo.
A wounded soldier is groomed for his media appearances in this setpiece from Abrams' satirical novel.
"Kyle Pilley was one of the best moneymakers the division had seen in the past six months and Harkleroad was practically piddling his pants with glee at the thought of all the goodwill his story would buy them in the mainstream media. He was already laying plans for Pilley to be interviewed, via remote satellite, by the Big Three morning-breakfast news shows (Good Morning America was on board, Today and CBS This Morning were teetering on the brink of a yes), not to mention features in the New York Times, Los Angeles Times, and, if Harkleroad was really, really lucky, Time and/or Newsweek. Yes, Kyle Pilley was the best thing to happen to Lieutenant Colonel Eustace Harkleroad and the rest of the Shamrock Division since they’d entered Iraq."
“Suddenly, he had to ask for help with buttons, zippers and shoelaces. And he loathes asking for help.”
Looking for answers following a mysterious string of slayings and suicides at the base.
Army Spc. Erik Schei was shot in the head in Iraq. This is the story of his recovery.
Tim O'Brien's meditation on war and peace, reality and fiction, truth and lies. From The Things They Carried.
"You admire the fluid symmetries of troops on the move, the great sheets of metal-fire streaming down from a gunship, the illumination rounds, the white phosphorus, the purply orange glow of napalm, the rocket's red glare. It's not pretty, exactly. It's astonishing. It fills the eye. It commands you. You hate it, yes, but your eyes do not. Like a killer forest fire, like cancer under a microscope, any battle or bombing raid or artillery barrage has the aesthetic purity of absolute moral indifferencea powerful, implacable beautyand a true war story will tell the truth about this, though the truth is ugly."