Hunter S. Thompson: The Art of Journalism No. 1
A 12-hour interview on career and craft.
A 12-hour interview on career and craft.
Douglas Brinkley, Terry McDonell The Paris Review Sep 2000 35min Permalink
“Modern writing at its worst does not consist in picking out words for the sake of their meaning and inventing images in order to make the meaning clearer. It consists in gumming together long strips of words which have already been set in order by someone else, and making the results presentable by sheer humbug.”
George Orwell Horizon Apr 1946 20min Permalink
The economics of being a young writer.
Keith Gessen n+1 Mar 2006 10min Permalink
Confessions of a Sweet Valley High ghostwriter.
Amy Boesky The Kenyon Review Feb 2013 20min Permalink
An interview on craft.
Elizabeth Gaffney, Benjamin Ryder Howe, David McCullough The Paris Review Sep 1999 30min Permalink
“For people who pay close attention to the state of American fiction, he has become a kind of superhero.”
Joel Lovell New York Times Magazine Jan 2013 25min Permalink
I can’t ask anything. Once in a while if I’m forced into it I will conduct an interview, but it’s usually pro forma, just to establish my credentials as somebody who’s allowed to hang around for a while. It doesn’t matter to me what people say to me in the interview because I don’t trust it.
Hilton Als, Joan Didion The Paris Review Apr 2006 30min Permalink
This interview with Kurt Vonnegut was originally a composite of four interviews done with the author over the past decade. The composite has gone through an extensive working over by the subject himself, who looks upon his own spoken words on the page with considerable misgivings . . . indeed, what follows can be considered an interview conducted with himself, by himself.
David Hayman, David Michaelis, George Plimpton, Kurt Vonnegut, Richard Rhodes The Paris Review Apr 1977 40min Permalink
"For example, I remember reading Hemingway and loving his work so much—but then at some point, realizing that my then-current life (or parts of it) would not be representable via his prose style. Living in Amarillo, Texas, working as a groundsman at an apartment complex, with strippers for pals around the complex, goofball drunks recently laid off from the nuclear plant accosting me at night when I played in our comical country band, a certain quality of West Texas lunatic-speak I was hearing, full of way off-base dreams and aspirations—I just couldn’t hear that American in Hem-speak. And that kind of moment is gold for a young writer: the door starts to open, just a crack."
George Saunders, Patrick Dacey BOMB Magazine Jun 2011 40min Permalink
An interview on craft:
Writing The Subs in three nights was really a fantastic athletic feat as well as mental, you shoulda seen me after I was done...I was pale as a sheet and had lost fifteen pounds and looked strange in the mirror.
Jack Kerouac, Ted Berrigan The Paris Review Jun 1968 45min Permalink
She is an unknown struggling writer. Her boyfriend is Jonathan Franzen.
Kathryn Chetkovich The Guardian Jun 2003 20min Permalink
On writing what you loathe. Leslie McFarlane, ghostwriter of the early Hardy Boys novels, was so ashamed of the work he couldn’t even bring himself to name the books in his diary. “June 9, 1933: Tried to get at the juvenile again today but the ghastly job appalls me.”
Gene Weingarten Washington Post Aug 1998 20min Permalink
The original new journalist on his start at the Times, his daily writing routine, and why he’s always taken notes on shirt boards.
Gay Talese, Katie Roiphe The Paris Review Jun 2009 50min Permalink
In January 1966–the same month In Cold Blood was first published–Truman Capote sat down with George Plimpton to discuss the new art form he liked to call “creative journalism.”
George Plimpton, Truman Capote New York Times Jan 1966 35min Permalink