Showing 25 articles matching better-drink-my-own-piss.

Underworld

Five hundred feet below ground with Ohio coal miners.

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I followed them underground, home, to church, to the strip club where they drink and gossip and taunt and jab and worry about one another. I listened while they worried about Smitty, the loner of the group, who had just ordered himself a mail-order woman.

Ben Austen is a journalist and the author of High-Risers: Cabrini-Green and the Fate of American Public Housing. Khalil Gibran Muhammad is the Ford Foundation Professor of History, Race and Public Policy at Harvard Kennedy School and the author of The Condemnation of Blackness: Race, Crime, and the Making of Modern Urban America. Together they host the podcast Some of My Best Friends Are.

”We're not pretending to have all the answers, but we are attempting to say, ‘this is a real issue and it can't be covered up by simply ignoring it.’ And if you can see it for what it is and all of its full dimensions, you have a better shot at bringing people along to get the work done to fix it.”

Jackie MacMullan is an NBA journalist who has written for The Boston Globe, Sports Illustrated and ESPN. She hosts the podcast Icons Club for The Ringer.

“[Athletes] think they don't need journalists—and they're wrong. And I tell them all this. I'm like, ‘I know you think you've got your own production company, but we can tell your story better than you can.' That's just the truth. No one tells their own story the best. It's the people around them that tell the story the best. And nobody wants a whitewashed version of you. They want warts and all. That's what makes you lovable. That's what makes you interesting. ... There are great journalists out there that can tell your story—and it might not be exactly the way you want it to be told, but it'll have weight and it'll have legacy to it.”

The Cat Years

On infertility.

I imagine my breath filling every part of my body: My little toe. My ankle. My calf. My knees. My thighs. My pelvis. When I get to my belly, I picture my breath filling the cavities in which my organs float, planets in space. I think about the planet of my uterus, which no longer carries an embryo. Tears slide into my ears as my teacher bends over me to press oil that smells like almonds into my third eye.

Parul Sehgal is a book critic for The New York Times.

“I write about books, I review books, but in a sense, to do my job at a newspaper also puts that pressure on a piece to say: why should you read or care about this? You’re trying to tweeze out what is newsworthy, what is interesting, what is vital about this book….My job is I think to be honest with the reader and to keep surfacing new ways for me and for other people to think about books. New vocabularies of pleasure and disgust.”

Thanks to Mailchimp and Pitt Writers for sponsoring this week's episode.

John D. Rockefeller: A Character Study

A two-part write-around of the world’s only billionaire.

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He was a silent boy — a silent young man. With years the habit of silence became the habit of concealment. It was not long after the Standard Oil Company was founded, before it was said in Cleveland that its offices were the most difficult in the town to enter, Mr. Rockefeller the most difficult man to see. If a stranger got in to see any one he was anxious. "Who is that man?" he asked an associate nervously one day, calling him away when the latter was chatting with a stranger. "An old friend, Mr. Rockefeller." "What does he want here? Be careful. Don't let him find out anything." "But he is my friend, Mr. Rockefeller. He does not want to know anything. He has come to see me." "You never can tell. Be very careful, very careful." This caution gradually developed into a Chinese wall of seclusion. This suspicion extended, not only to all outsiders but most insiders. Nobody in the Standard Oil Company was allowed to know any more than was necessary for him to know to do his business. Men who have been officers in the Standard Oil Company say that they have been told, when asking for information about the condition of the business, "You'd better not know. If you know nothing you can tell nothing."

Terry Gross is the host and co-executive producer of Fresh Air.

“Part of my philosophy of life is that you have to live with a certain amount of delusion. And part of the delusion I live with is that maybe, from experience, I’m getting a little bit better. But then the other part of me, the more overpowering part of me, is the pessimistic part that says, ‘It’s going to be downhill from here.’ I try not to judge myself too much because I’m so self-judgmental that I don’t want to over-judge and get into too much of ‘Am I better than I was yesterday, or not?’”

Thanks to MailChimp, Squarespace, and Blue Apron for sponsoring this week's episode.

Dead Man's Float

He was a hedge-funder with a coke problem. She liked to drink and was thrice-divorced before they got married. When the police arrived, she was clutching his dead body in the shallow end of their pool. She would soon be accused of murder—not by the cops, but her Internet psychic.

Tessie Castillo, a journalist covering criminal justice reform, and George Wilkerson, a prisoner on death row in North Carolina, are two of the co-authors of Crimson Letters: Voices from Death Row.

“I want other people to see what I see, which is that the men on death row are human beings. They’re incredibly intelligent and insightful and they have so many redemptive qualities...I don’t think I could really convey that as well as if they get their own voice out there. So I wanted this book to be a platform for them and for their voices.” –Tessie Castillo

“For me, writing was like a form of conversation with myself or with my past, like therapy. So I just chose these periods in my life that I didn’t really understand and that were really powerful and impactful to me, and I just sat down and started writing to understand them and make peace with them.” –George Wilkerson

Thanks to Mailchimp for sponsoring this week's episode.

Janet Malcolm: The Art of Nonfiction No. 4

“I think you are asking me, in the most tactful way possible, about my own ­aggression and malice. What can I do but plead guilty? I don’t know ­whether journalists are more aggressive and malicious than people in other professions. We are certainly not a ‘helping profession.’ If we help anyone, it is ourselves, to what our subjects don’t realize they are letting us take. I am hardly the first writer to have noticed the not-niceness of journalists. Tocqueville wrote about the despicableness of American journalists in Democracy in America. In Henry James’s satiric novel The Reverberator, a wonderful rascally journalist named George M. Flack appears. I am only one of many contributors to this critique. I am also not the only journalist contributor. Tom Wolfe and Joan Didion, for instance, have written on the subject. Of course, being aware of your rascality doesn’t excuse it.”

Roger Bennett is a co-host of Men In Blazers and the author of (Re)born in the USA: An Englishman's Love Letter to His Chosen Home.

“So much of my work is about human tenacity. That value of perseverance, of driving onwards. I believe life is about darkness and happiness. I believe that nothing is given, you fight for everything. And how you operate in moments of doubt and darkness ultimately define you. So I talk a lot as a professional about tenacity. What I've never linked that to before was my own biography. What did surprise me when I read the book as not being about me, but just read it as a book, was how bloody tenacious I was in fleeting moments of real awfulness.”

Sponsor: Aeon Magazine

Only a handful of animals in the world can be tamed, but that can’t stop a homesick 15-year-old girl from trying.

In “A Raccoon of My Own,” new in Aeon Magazine, American psychologist and best-selling writer Lauren Slater recalls an exquisitely painful time in her youth, when, cast adrift from home herself, she adopted a baby raccoon. Her relationship with “Amelia” blossomed—one creature adapting to, and learning from the other. But Amelia’s wild instincts could not be contained in suburban domestic life, as Lauren was soon to realize.

Read it in Aeon Magazine—a new digital magazine publishing daily essays on ideas, culture and science.