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Joel Lovell, deputy editor of The New York Times Magazine, interviewed live at the University of Pittsburgh.

"I think if you can make a writer feel like it's okay to not know what they're doing—they don't really know exactly what their story is, they're a little lost in their material—that's a fine place to be. If you can sort of talk it through, if you can minimize their anxiety a little bit, then I think you've done most of your job. After that it's just looking at the words and just figuring out which ones work."

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The George Saunders Interview

"For example, I remember reading Hemingway and loving his work so much—but then at some point, realizing that my then-current life (or parts of it) would not be representable via his prose style. Living in Amarillo, Texas, working as a groundsman at an apartment complex, with strippers for pals around the complex, goofball drunks recently laid off from the nuclear plant accosting me at night when I played in our comical country band, a certain quality of West Texas lunatic-speak I was hearing, full of way off-base dreams and aspirations—I just couldn’t hear that American in Hem-speak. And that kind of moment is gold for a young writer: the door starts to open, just a crack."
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A Major-League Divorce

How Frank and Jamie McCourt bought the Dodgers for “for less than the price of an oceanfront home in Southampton” and eventually became entangled in one of the most expensive divorces in California history, which laid bare their finances and confirmed what many already knew: they had bankrupted one of the most storied franchises in baseball.

In all, the McCourts reportedly took $108 million out of the team in personal distributions over five years—a sum that Molly Knight, a reporter with ESPN who has extensively covered the story, notes is eerily similar to the cash payment that she says Frank McCourt has claimed he made for the team.

Slaying of State Senator's Associate Remains a Mystery in Baltimore

Karen Holloman opened the door of her uncle's apartment with his best friend, Larry Young, a step behind. As they edged inside, she looked to her left and saw the end of her uncle's bed and his motionless feet. "He's been in here asleep all along," Holloman muttered, for a moment annoyed at the worry he had caused by not answering his phone. Her anger froze as she entered his room: The Rev. Marvin Moore lay dead in his bed, a bullet hole through the back of his head, a pool of blood gathered beneath his limp arm.

GPS and the End of the Road

On the transformation of travel:

[I]t is astounding how quickly these technologies have changed one of the most basic aspects of our existence: the way we move through the world. When driving down the highway, you can now expect to see, in a sizable portion of the cars around you, GPS screens glowing on dashboards and windshields. What these devices promise, like the opening of the Western frontier, and like the automobile and the open road, is a greater freedom — although the freedom promised by GPS is of a very strange new sort.

Blowback in Somalia

The notorious Somali paramilitary warlord who goes by the nom de guerre Indha Adde, or White Eyes, walks alongside trenches on the outskirts of Mogadishu’s Bakara Market once occupied by fighters from the Shabab, the Islamic militant group that has pledged allegiance to Al Qaeda. In one of the trenches, the foot of a corpse pokes out from a makeshift grave consisting of some sand dumped loosely over the body. One of Indha Adde’s militiamen says the body is that of a foreigner who fought alongside the Shabab. “We bury their dead, and we also capture them alive,” says Indha Adde in a low, raspy voice. “We take care of them if they are Somali, but if we capture a foreigner we execute them so that others will see we have no mercy.”

In Somalia

Three decades ago, Mohamed Siad Barre, commander of the Supreme Revolutionary Council, head of the politburo of the Somali Revolutionary Socialist Party and the last ruler of a functional Somali state, built vast concrete buildings all over Mogadishu. The beautiful city on the coast of the Indian Ocean, with its Arabic and Indian architecture, winding alleyways and Italian colonial-era villas, was dominated by these monuments. They were Third World incarnations of Soviet architecture, exuding power, stability and strength. The buildings – like the literacy campaigns, massive public works programmes and a long war against neighbouring Ethiopia in the late 1970s and early 1980s – were supposed to reflect the wisdom and authority of the dictator.

Business, Casual.

TheFacebook, as it was then called, had just reached 1.5 million users:

In the end, Zuckerberg says, quarrels over money rarely come up because money is not their priority. “We’re in a really interesting place because if you look at the assets we have, we’re fucking rich,” Zuckerberg adds. “But if you look at like the cash and the amount of money we have to live with, we’re dirt poor. All the stuff we own is tied up in random assets” like servers and the company itself. “Living like we do now, it’s, like, not that big of a deal for us. We’re not like, Aw man, I wish I had a million dollars now. Because, like, we kind of like living like college students and being dirty. It’s fun."

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The Confessions of R. Kelly

“This is a story about an entertainer named R. Kelly. It is a story about the remarkable, but also very strange, pop talent he has. It is a story about the difficult places he came from and the ways they may, or may not, have shaped who he has become. It is also the story of a man who has been publicly accused of multiple sexual offenses with underage women, and who stood trial for making child pornography. He was eventually acquitted of that charge, and his career has continued uninterrupted, but for the most part he has evaded even the most basic questions that might help people understand what is true about him. For this story, R. Kelly agreed to speak about his whole life without restrictions.”

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Chris Heath on the Longform Podcast

Confessions of a Reluctant Gentrifier

During my first weeks in Rogers Park, I was surprised by how often I heard the word “pioneer”. I heard it first from the white owner of an antiques shop with signs in the windows that read: “Warning, you are being watched and recorded.” When I stopped off in his shop, he welcomed me to the neighbourhood warmly and delivered an introductory speech dense with code. This neighbourhood, he told me, needs “more people like you”. He and other “people like us” were gradually “lifting it up”.

Excerpted from Notes From No Man’s Land

Aleppo After the Fall

One morning in mid-December, a group of soldiers banged on the door of a house in eastern Aleppo. A male voice responded from inside: “Who are you?” A soldier answered: “We’re the Syrian Arab Army. It’s O.K., you can come out. They’re all gone.” The door opened. A middle-aged man appeared. He had a gaunt, distinguished face, but his clothes were threadbare and his teeth looked brown and rotted. At the soldiers’ encouragement, he stepped hesitantly forward into the street. He explained to them, a little apologetically, that he had not crossed his threshold in four and a half years.

David Gessner is the author of ten books. His latest is Ultimate Glory: Frisbee, Obsession, and My Wild Youth.

“The ambition got in my way at first. Because I wanted my stuff to be great, and it froze me up. But later on it was really helpful. I’m startled by the way people don’t, you know, admit [they care] … it seems unlikely people wouldn’t want to be immortal.”

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Mara Hvistendahl is a freelance reporter and was a Pulitzer Prize finalist for her first book, Unnatural Selection. Her new book is The Scientist and the Spy: A True Story of China, the FBI, and Industrial Espionage.

“In times of tension, Cold War historians believe that there’s this mirroring that goes on, that we start to behave like the enemy, and that that is the big risk. And I feel like that’s the moment we’re in now.”

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Kierna Mayo is the showrunner and head writer for the Lena Horne Prize for Artists Creating Social Impact. She is the former editor-in-chief of EBONY and Honey Magazine, which she co-founded at age 27.

Guest host Patrice Peck is a freelance journalist and writes the Coronavirus News for Black Folks newsletter. Her most recent article is "Black Journalists Are Exhausted," an op-ed published in The New York Times.

“Advocacy is not a bad word. Telling the truth about a particular slice of life is what my career has been. That slice of life started about young people who were partaking in hip hop culture. Most of them were of color, most of them were poor. So that was a perspective. If you begin to tell the stories of those people at that time, that begins to have an advocacy feel and taste and touch. Not even with a consciousness to it. Because this is a lost voice. This is a lost point of view. It is not in the mainstream. It is not being centered. No one is telling it. So the mere act of shedding light journalistically in places where there has been no light before is advocacy. Sorry, journalists. Sorry, all you impartial, fair-and-balanced folks.”

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Molly Lambert is a writer and the host of the new podcast HeidiWorld: The Heidi Fleiss Story.

“I think as a writer… I always had this thing: I don't want to be out front. I don't want the spotlight on me. I'm not an actor. I want to be lurking in the back with the cast accepting the applause, but I don't want to be the center of attention. And so I think kind of like making peace with like, Look, man, it's fine to be the center of attention when you made something you're proud of.”

Terrence McCoy is The Washington Post's Rio de Janeiro Bureau Chief. He won the George Polk award for his series "The Amazon, Undone" on the illegal and often violent exploitation of the rainforest.

“When I first got to Brazil, the Amazon was an arena of mystique. But after you spend a fair amount of time in the Amazon, it becomes quite clear what the struggle is—and how human that struggle is.”

This is the last of a week-long series of conversations with winners of this year's George Polk Awards in Journalism.

Ben Anderson is a war journalist and documentary filmmaker for Vice News. His latest book is The Interpreters.

"You're surrounded by people who are so poor. Maybe their family members have already been killed. And they still can't leave. So compared to that, I can't really take the idea that I've suffered and that I need stop and go to a spa for a few days. I can't take that idea that seriously. Compared to them, it feels like I am leading an almost privileged existence."

Thanks to TinyLetter and GoDaddy for sponsoring this week's episode.

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A Lot of What Is Known about Pirates Is Not True, and a Lot of What Is True Is Not Known.

Pirates could be found in nearly every Atlantic port city. But only particular locations became known as “pirate nests,” a pejorative term used by royalists and customs officials. Many of the most notorious pirates began their careers in these ports. Others established even deeper ties by settling in these cities and becoming respected members of the local elite. Instead of the snarling drunken fiends that parade through children’s books, these pirates spent their booty on pigs and chickens, hoping to live a more placid and financially secure life on land.

The Life and Death of the Chosen One

Ricky Rodriguez was born in the role of the messiah. His father was David Berg, the leader of the polygamous/incestuous cult The Children of God, which published a book documenting his early life:

In 1982 a shop in Spain printed several thousand copies of a book that was then distributed to group members around the world. Bound in faux leather, illustrated with hundreds of photographs, the 762-page tome meticulously chronicled Ricky's young life and was intended as a child-rearing manual for families. Its title, The Story of Davidito, was stamped in gold. With its combination of earnest prose and unabashed child pornography, it is perhaps the most disturbing book ever published in the name of religion.

Eventually, he left the cult and found work as an electrician. But revenge called him back.

Jazmine Hughes is an associate editor at The New York Times Magazine. Her writing has appeared in The New Yorker, Elle, Cosmopolitan, and The New Republic.

“You hope that one day when you’re the editor-in-chief of Blah Blah Blah that you’ll wake up and be like, ‘Okay, I deserve my job.’ But so far I haven’t met anyone who has told me that they feel that way. But, I will say, I don’t talk to white men a lot.”

Thanks to MailChimp, MasterClass, and The Great Courses Plus for sponsoring this week's episode.

Reihan Salam is the executive editor of National Review.

"I’m incredibly curious about other people. I’m curious about what they think of as the constraints operating on their lives. Why do they think what they think? If I weren’t doing this job, I’d want to be a high school guidance counselor."

Thanks to TinyLetter, Bonobos, and Cards Against Humanity’s Ten Days or Whatever of Kwanzaa for sponsoring this week's episode.

Voices from Chernobyl

“'You have to understand: This is not your husband anymore, not a beloved person, but a radioactive object with a strong density of poisoning. You’re not suicidal. Get a hold of yourself.' And I was like someone who’d lost her mind: 'But I love him! I love him!' He’s sleeping, and I’m whispering: 'I love you!' Walking in the hospital courtyard, 'I love you.' Carrying his sanitary tray, 'I love you.'”

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Excerpted from Voices from Chernobyl: The Oral History of a Nuclear Disaster.