Showing 25 articles matching fk33.cc_Which is the biggest magnesium sulfate Monohydrate manufacturer.
“Like they said in Step Brothers: Never lose your dinosaur. This is the ultimate example of a person never losing his dinosaur. Meaning that even as I grew in cultural awareness and respect and was put higher in the class system in some way for being this musician, I never lost my dinosaur.”
The life and times of two professional muggers in 1970’s lower Manhattan:
Hector and Louise usually work whatever neighborhood they’re living in. They knock over every old man on the block, every young man who follows Louise’s swinging hips and pocketbook, and every young girl attracted by Hector’s olive eyes. They rough up all of them, take whatever money is there, and then move on.
Lissa Soep is an audio producer, editor and author whose latest book is Other People’s Words: Friendship, Loss, and the Conversations That Never End.
“I am so keenly aware of how much my own voice is a product of editing relationships and co-producing relationships with other people's words. … I will forever feel indebted to those then-young people who are now writers and educators and therapists. … I feel like my voice is sort of a product of that time.”
Abraham Josephine Riesman is a journalist who writes often for New York and is the author of True Believer: The Rise and Fall of Stan Lee. Her second book, Ringmaster: Vince McMahon and the Unmaking of America, will be published in March.
“You’re sure that there’s a level of unreality, but you’re not sure that it’s all fake. There’s stuff there that seems either plausible or sometimes you go ‘there’s no way you could fake that.’ And sometimes you’re right, and a lot of times you’re somewhere in the middle. It’s not as easily distinguished as saying this is fact and this is fiction, this was scripted and this was improvised, whatever. You can’t make those distinctions easily, and one of the things I sort of hope comes out of the book—if it has any impact at all—is to try to get us past this false binary of true and false.”
Daniel Chang covers healthcare for the Miami Herald. Along with Carol Marbin Miller, he won the George Polk Award for "Birth & Betrayal," a series co-published with ProPublica that exposed the consequences of a 1988 law designed to shelter medical providers from lawsuits by funding lifelong care for children severely disabled by birth-related brain injuries.
“I think that someone on the healthcare beat looks for stories from the perspective of patients, people who want or need to access the healthcare system and for different reasons cannot. It’s a pretty complicated system and it’s difficult for most people to understand how their health insurance works — and that’s if they have health insurance. If they don’t, there is a whole other system they have to go through. What you look for is access issues and accountability for that.”
This is the latest in a week-long series of conversations with winners of this year's George Polk Awards in Journalism.
Andy Greenberg is a senior writer for Wired. His new book is Sandworm.
“I kind of knew I was never going to get access to Sandworm, which is the title of the book - so it was all about drawing a picture around this invisible monster.”
Thanks to Mailchimp, Pitt Writers, and Family Ghosts for sponsoring this week's episode.
For the first time, Janet Reitman discusses her Rolling Stone cover story on accused Boston Marathon bomber Dzhokhar Tsarnaev.
"My editors, myself, a lot of people who work for the magazine — we lived through an act of terrorism. We know what it feels like. There have been accusations to me personally of being insensitive, and I can tell you that I'm far from insensitive, not only to the political realities of terrorism but to the personal realities of terrorism. I breathed it in, literally. … The cover elicited an emotional response from people; that is not always what magazine covers do. I think it's great on a certain level, because terrorism is emotional, it's real, it affects us. It is not something that happens just overseas or just to people who are somehow "Other." If you talk to terrorism experts around the world, what they will all say is that the vast majority of people who are involved in these violent, extremist acts are what we would consider otherwise to be very normal people. One of us. Part of our community. That's a reality, and it's a very emotional thing and it makes people very uncomfortable. I totally understand that. But that was the point of my story."
Thanks to this week's sponor, Squarespace.
Aminatou Sow and Ann Friedman are co-hosts of the podcast Call Your Girlfriend and co-authors of the new book Big Friendship: How We Keep Each Other Close.
“People telling you about their lives is a real privilege and honor. No one owes you to tell you their story. Sometimes in the world of people who write or people who make media there is just this expectation that everything is on the table, especially if you’re two women who make media, that we’re supposed to just share our pain and everything that’s going on in our lives but that’s not fair and it’s not true and I think the larger project of this book is really sharing these stories in service of having an honest dialogue about how other people are doing friendship.”
Thanks to Mailchimp for sponsoring this week's episode.
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Our sponsor this week is Little Failure, the new memoir by Gary Shteyngart. Already a New York Times bestseller, Little Failure tells the story of Shteyngart's American immigrant experience, moving back and forth through time and memory with self-deprecating humor, moving insights, and literary bravado. The result is a resonant story of family and belonging that feels epic and intimate and distinctly his own.
Mary Karr called Little Failure "a memoir for the ages." The Millions dubbed Shteyngart the "Chekhov-Roth-Apatow of Queens." And Nathan Eglander said the book is so honest "Dr. Freud would be proud."
Buy Little Failure today or read an exclusive excerpt on Longform.
Amel Guettatfi and Julia Steers won this year's George Polk Award for Television Reporting for “Inside Wagner,” their Vice News investigation of Russian mercenaries on the Ukraine front and in the Central African Republic.
“One of the best takeaways I got from seven or eight years at Vice is that it’s not enough for something to be important when you’re figuring out how to make a story. It’s the intersection of important and interesting. And that has taught me that people will watch anything, anywhere, as long as it’s interesting. Nobody owes us their time. The onus is on us to explain things in an interesting, compelling way. I’m hoping that a landscape opens up somewhere else that sees that and understands that can be done anywhere in the world.”
This is the first in a week-long series of conversations with winners of this year’s George Polk Awards in Journalism.
An interview with the ‘media ecologist’ on corporations, feudalism, the Dark Ages, the birth of currency, debt, how PR was invented, and why—
"...Any man that has a mortgage to pay is not going to be a revolutionary. With that amount to pay back, he’s got a stake in the system. True, he’s on the short end of the stick of the interest economy, but in 30 years he could own his own home."
The author interviews England in prison:
By now, people all over the world have heard of Lynndie England. She's the "Small-Town Girl Who Became an All-American Monster," as one Australian newspaper headline described her, or "the girl with a leash," as Mick Jagger calls her in the song "Dangerous Beauty." Yet England remains a mystery. Is she a torturer? A pawn? Another victim of the Iraq war? While the world weighed in, England said very little.
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Is the century-old Jewish-Leftist alliance ending?
For much of the 20th century, the radical and revolutionary left played a huge role in defining how the rest of America saw Jews and how Jews saw themselves. In an essay for Tablet Magazine, literary critic Adam Kirsch considers whether that linkage is over.
For information about sponsoring Longform, click here.
Robert McKee is an author and screenwriting lecturer. His new book is Character: The Art of Role and Cast Design for Page, Stage, and Screen.
”When I'm in conversation with others, I'm always aware—or sensitive, at least—to what they're really thinking and feeling. And writers must have that. They can't possibly create excellent nonfiction or fiction if they're not aware of what is going on inside of other people, really, even subconsciously, while they go about saying whatever they do consciously in the world. Because if you just recorded the surface, if you were just paying attention to the surface, you'd be missing the whole show.”
Thanks to Mailchimp for sponsoring this week's episode.
I am gay. I am Mormon. I am married to a woman. I am happy every single day. My life is filled with joy. I have a wonderful sex life. And I’ve been married for ten years, and plan to be married for decades more to come to the woman of my dreams.
Of the 4.5 million Syrians who have fled their nation’s bloody civil war, fewer than 3,000 have made it to America. This is one family’s story.
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In honor of Presidents' Day, our sponsor is one of the great pieces of political reporting in American history: What It Takes, Richard Ben Cramer's masterful account of the 1988 presidential election.
With a level of access impossible to imagine today, Cramer delves into the personal, intimate lives of the key candidates as he seeks to understand the drives, passions, egos, and failings that transform an individual into a president. Cramer goes particularly deep on Joe Biden, then 47 and making his first presidential run. Here is an extended excerpt of that section.
When Richard Ben Cramer passed away last year, we collected his greatest articles in this Longform guide. But What It Takes is his masterpiece, a book that exposes the emotional reality of politics and defined modern campaign reporting.
Katherine Eban is an investigative journalist and contributor to Vanity Fair. Her latest article is ”The Lab-Leak Theory: Inside the Fight to Uncover COVID-19’s Origins.”
”You can't make a correction unless you know why something happened. So imagine—if this is a lab leak—the earth shattering consequences for virology. For the science community, for how research is done, for how research is regulated. Or if it is a zoonotic origin, we have to know how our human incursion into wild spaces could be unleashing these viruses. Because COVID-19 is one thing, but we're going to be looking at COVID-25 and COVID-34. We have to know what caused this.”
Thanks to Mailchimp for sponsoring this week's episode.
Kirby Dick and Amy Ziering are documentary filmmakers. Their latest miniseries is Allen v. Farrow.
”We're constantly looking for those moments that happen before the story is ever told. Or those moments where someone is deciding to tell a story or is going through a process that they think is private. … We think there's something about getting the moment before the first moment that people normally see.”
Kathryn Schulz is a staff writer for The New Yorker. "The Really Big One," her article about the rupturing of the Cascadia fault line, won the 2016 Pulitzer Prize.
“I can tell you in absolute sincerity: I didn't realize I was writing a scary story. Obviously I know the earthquake is going to be terrifying, and that our lack of preparedness is genuinely really scary. But, as I think often happens as a reporter, you toggle between professional happiness, which is sometimes, frankly, even professional glee—you’re just so thrilled you’re getting what you’re getting—and then the sort of more human and humane response, which comes every time you really set down your pen and think about what it is you’re actually reporting about.”
Thanks to MailChimp and Squarespace for sponsoring this week's episode.
The Bashar al-Assad regime’s indiscriminate air strikes have terrorized civilians for years. Now a small band of activist-entrepreneurs is building a sensor network that listens for warplanes and warns people when and where the bombs will fall.
Jeff Goodell is a climate change writer for Rolling Stone and the author of seven books. His new book is The Heat Will Kill You First: Life and Death on a Scorched Planet.
“I would not have said this even five years ago, but I have really come to see this now as a crime story. This is a kind of looting of the atmosphere of the earth, siphoning off resources and grossly profiting off of that at the expense of many other people—billions of people—on this planet. And I understand that’s a big thing to say, but I think it’s just pretty obviously true. … I don’t mean that personally that each one of them personally is a criminal. We are all complicit in this.”
John Seabrook is a New Yorker staff writer and the author of The Song Machine: Inside the Hit Factory.
“Whether or not the piece succeeds or fails is not going to depend on whether I’m up to the minute on the latest social media spot to hang out or the latest slang words that are thrown around. It’s going to be the old eternal verities of structural integrity. So much of it is narrative and figuring out the tricks—and they are tricks, really—that make it go as a narrative. And that’s really the most interesting thing. Because you never ultimately have a formula that goes from piece to piece; it’s always going to have to be rediscovered every time you work on a long piece. And that’s kind of fun.”
Thanks to MailChimp and MasterClass for sponsoring this week's episode.
On how search and advertising became indistinguishable, the finer points of not being evil, and why privacy is by nature immeasurable. How Google made us the product:
“Google conquered the advertising world with nothing more than applied mathematics,” wrote Chris Anderson, the editor of Wired. “It didn’t pretend to know anything about the culture and conventions of advertising—it just assumed that better data, with better analytical tools, would win the day. And Google was right.”
“It’s striking that for all the talk about polarization in the US, the Tea Party Movement and Occupy Wall Street are entirely non-violent. Overseas, no one expected the Arab Spring protests to be as nonviolent as they were,” Pinker wrote in an email. The threat of overwhelming reprisal from authorities may have brought some peace to seventeenth- and eighteenth-century England, but Pinker also pointed to research that, today, “nonviolent protest movements achieve their aims far more often than violent ones.” Still, the story of violence’s decline contains much violence, and America is no exception.
